Forensic Architecture's Cloud Studies is a project that investigates the impact of toxic clouds on colonised and oppressed communities. The clouds, originating from sources like tear gas, industrial emissions, chemical weapons, and forest fires, often go unaddressed due to doubt and denialism.
The Haitian Creole word "konbit" denotes the idea of similar talents joining together to work towards a common goal. The founders — a group of photographers, educators, and artists — came up with the idea for Fotokonbit a few years ago to "empower Haitians to tell their own stories and document their community", but it was the 2010 earthquake that gave the group new urgency.
This special EDition is a revolutionary chant against the menacing cantankerous demonic , satanic COVID 19. And again doubles as a bold and poetic supplication to the great Almighty God to release us off this pandemic bondage. This Edition is a poetically driven spiritual prayer for freedom of expression and freedom after expression.
TEL AVIV
Thousands of people took to the streets in Israeli cities Saturday for a fifth straight week to protest the government of Prime Minister Benjamin Netanyahu concerning proposed judicial reforms.
Demonstrators from non-governmental organizations, lawyers, and technology sectors staged the protests/
Police closed roads leading to squares in Tel Aviv during the day and took security measures in the surrounding area.
The war against London's "anti-homeless" spikes escalated today from sign-waving to radical criminal action In the small hours of the morning, some activists dressed as builders poured concrete over the metal spikes outside a Tesco Metro on Regent Street, before vowing to strike again.
In the Si 8 Do project, Seville activists convened in a neglected barrio during the Euromediterranean Conference on Sustainable Cities, which was taking place in Seville.
As we’ve already found out, gender inequality exists in all parts of the world, but besides discriminative attitudes, women also suffer from wage discrimination.
According to statistics, women’s earnings in the US “were 77% of men’s in 2011”, while in Switzerland, women earned “roughly 20% less than equally skilled men in comparable positions”.
The ZAD (zone à défendre, or “zone to defend”) in Western France is 4000 acres of wetland, farmland and forest that was originally intended to be built into an airport in 1965 but is now an autonomous territory occupied by 40 different collectives looking to reclaim the land. There are around 200 people living permanently on the zone, in addition to some 2,000 people coming and going.
A juried exhibition of fiber art created by the Artist Circle Alliance to protest the Trump administration’s actions and policies.
This is a traveling exhibition to 13 venues across the U.S. All work in the exhibition, as well as the nearly 560 pieces submitted for jurying, are shown on our website.
In her curatorial project Making Way, Ruth Simbao brought together works that complicated the idea of globalization’s effect on African nations, especially the idea that the new phase would usher in an almost frictionless movement of labor and capital across borders. Works by artists like Athi-Patra Ruga reflected on questions of how bodies moved through settler colonialist spaces.
Adrian Piper's "Funk Lessons" (1982-84) was a series of performances and collaborative events in which the artist taught white participants about black funk music, its culture, and its history, aiming to deconstruct stereotypical ideas about Black culture.
In response to an earlier project called "Daily Bread, Gregg Segal collaborated with the United Nations Refugee Agency to bring awareness to the crisis of refugees fleeing Venezuela through his project "Un-Daily Bread."
From creativetimereports.org:
Artist-activist collective MTL's clickable collages connect disparate aspects of Palestine's geographical and political landscape, offering provocative insight into "how Palestinians suffer and struggle in ways that are parallel to those elsewhere" according to philosopher Michael Hardt.
The Bread and Puppet Theater was founded in 1963 by Peter Schumann on New York City’s Lower East Side. Besides rod-puppet and hand puppet shows for children, the concerns of the first productions were rents, rats, police, and other problems of the neighborhood. More complex theater pieces followed, in which sculpture, music, dance and language were equal partners. The puppets grew bigger and bigger.
In Seoul, thousands of protestors who represent organized labor marched in Seoul on Saturday denouncing the governments attempt to force thousands of striking truckers back to work after they all walked out over a dispute in the price of freight.
Fundacion Voces and Festival Mulafest got together to promote creative ideas for social change. They started a campaign in social media to ask people to donate their Vespa motorcycles. After they collected the Vespas donated by the people, they put them together again and invited known artists to intervene them.
With past government shut downs and teetering the fiscal cliff, debt
ceiling now eliminated, credit line increase after credit line
increase? I thought my timely art piece may be interesting for your
viewers and spark healthy/heated discussion.
Real estate agents and investors with plans to visit an open house in San Francisco Tuesday were greeted with a somewhat unexpected scene – a motley crew of Mission activists and neighborhood characters holding signs and singing, “If you buy this house, you will have bad karma.” A small brass band played along.
WOW started as an international women's theatre festival in October of 1980 in NYC. Within 18 months Wow found a permanent location and produced works by women and trans people all year around. In 1984 it moved into its current home at 59-61 East 4th Street.
To protest unethical labor practices in Bangladesh, specifically unsafe working conditions, 99 Pickets, The Illuminator, and Ismail Ferdous took action during New York Fashion Week.
Hello and thanks for viewing.
This was a little installation that took place in the beauty of West Texas. The goal was to reorientate the site specific Prada Marfa into something more relevant, TOMS Marfa. Prada Marfa, being in the middle of nowhere, a structure placed as sort of a apocalyptic trophy for the high art world meant to challenge time; TOMS Marfa was to accelerate that vision with 2014 subject matter.
A disability / textile arts project, challenging assumptions about disabled artists & highlighting shoddy treatment of disabled people by current government:
https://shoddyexhibition.wordpress.com/