"Built from the ground up by Black trans coders and developers, The Black Trans Archive takes the form of a video game, allowing visitors to interact with its content in real-time, making their own contributions in the process. It’s also specifically designed to ensure that this work can never be deleted, allowing everything contained within it to persist long beyond anyone who was involved in its creation.
DAMN. Kendrick Lamar opened the 2018 GRAMMYs with a powerful and political performance of his hit, "XXX.'" The rapper featured an army of face-covered soldiers marching in the background of an American flag, that quickly turned into a "satire" taking a jab at the current political climate in the United States.
Samaria Rice, left, and Terrence Spivey welcome the crowd at the Tamir Rice Sweet 16 event to raise funds for a new youth oriented cultural center Thursday, June 14th, 2018, at the Cleveland Museum of Art in Cleveland, Ohio. Photo by Tim Harrison/Special to The Plain Dealer
Inspired to carry on Tamir's legacy
The first solo exhibition in a New York museum by the globally renowned contemporary artist El Anatsui, this show will feature over 30 works in metal and wood that transform appropriated objects into site-specific sculptures.
Amid ongoing protests and government repression in Iran, a group of artists at Michigan State University is raising awareness about the women fighting for their rights in the country.
The group hosted a packed crowd one January evening for a night of music, dance, and poetry performances. The pieces, inspired by Iranian stories and icons, show solidarity with the ongoing movement abroad.
In 2007, anonymous French photographer JR embarked on the Face2Face project - the largest unauthorized photo exhibition ever conceived. JR and his collaborator Marco engaged Israelis and Palestinians employed in the same profession to be photographed making funny faces. They then enlarged the photos to grand proportions and wheat pasted juxtaposed portraits onto both sides of the security Separation Wall and in surrounding cities.
Both Johnson and Lewis recognize that the personal is political, and vice versa. By making connections between storytelling and activism, the two young women are using creative approaches to achieving justice and equity.
“Misplaced Women?” is an art project-workshop by Tanja Ostojic in which she and project`s participants – artists , art students , cultural workers and activists: Nela Antonovic, Gorana Bacevac, Nadezda Kircanski, Tatjana Beljinac, Milica Jankovic, Tamara Bijelic, Irena Djukanovic, Bojana Radenovic, Marija Jevtic, Irena Mirkovic, Jelena Dinic, Sanja Solunac and Suncica Sido showed the everyday life activities that are characteristic for migrants, refugee
Julie Dillon is a critically acclaimed illustrator, having been nominated and won multiple awards, including two Hugos and a Chesley. Her work often deals with science fiction and fantasy stories, and her work in the field has made her aware of the lack of diversity in this optimistic speculative fiction.
PHOENIX — As Super Bowl LVII was getting underway in Glendale, Arizona, on February 12, artist and Apache Skateboards founder Douglas Miles (San Carlos Apache, Akimel O’odham) was protesting racist mascots in the NFL by painting a mural-style portrait of Geronimo with the words “Don’t Call Me Chief” for a community event at Grassrootz, a Black- and worker-owned bookstore near downtown Phoenix.
To foster interests and understanding of the accomplishments of women writers of color. To bring together the Student body of Pratt to explore the literary contribution, showcase the artistic quality and celebrate the contributions of women writers of...
In 2016, The New York Times enlisted Jay-Z to voice a video about the War on Drugs. Aside from his recognizable cadence, Jay-Z has his own history with drugs; the now music mogul is open about his past of selling crack while growing up in Brooklyn, New York. The video asks, “Why are white men poised to get rich doing the same thing African-Americans have been going to prison for?”.
Julius Eastman was a Black and Queer avant garde, minimalist composer and performer from the 1960s-1980s. He used his platform to advocate for the rights and livelihoods of Black and queer people through his unique musical aesthetic and the controversial naming of his pieces, including "Gay Guerrilla," "Evil N-word" and "Crazy N-Word"
The Yes Men join Reclaim the City in their fight against unjust housing policy. On September 30, 2019, a horde of zombies attended a "#natsneverdie rally" at the Cape Town Civic Centre in order to celebrate Mayor Dan Plato and the Mayoral Committee and to support their policies, which are increasingly similar to those of the National Party under Apartheid.
Mansour began rapping in 2003 and has gained recognition in the Middle East, Europe and the United States for her own songs and collaborations with other artists. She performs wearing a traditional Palestinian thawb and has said that she considers herself to be part of a "musical intifada" against the occupation of Palestine, conservatism and oppression of women.
Note before the post: This article is great in highlighting a specific case of creative activism in the streets of New York City, but also gives some contextual background to how this project manifested.
On a sidewalk in the Village in downtown Manhattan, an African-American woman leans on her elbows and knees, wearing only black underpants. Scrawled in black marker all over her body are the words "Ain't I a Woman?"
Last August, as protesters marched in Ferguson, Missouri, after the death of Michael Brown, the 18-year-old unarmed teen shot by a police officer, another group of activists began thinking about how to incorporate the creative community into the movement. The result is Manifest:Justice, a free pop-up art show taking place in Los Angeles.
Beyoncé delivered an intensely, unapologetic celebration of Black and HBCU culture at the Coachella Festival 2 weekends in a row. Not only were her performances some of the best live performances to date but they sent a pretty significant message to the world.
Here are some assessments of this beautiful demonstration of Blackness and Black Girl Magic:
From BBC News:
Fashion designer and former head designer of Dior, John Galliano, in the past few years has failed to rise to his former glory in fashion. In 2011, a videotape of John Galliano shouting anti-semitic statements went viral, thus leading to his dismissal at Dior and the irreparable defamation of his fashion career.
In her curatorial project Making Way, Ruth Simbao brought together works that complicated the idea of globalization’s effect on African nations, especially the idea that the new phase would usher in an almost frictionless movement of labor and capital across borders. Works by artists like Athi-Patra Ruga reflected on questions of how bodies moved through settler colonialist spaces.
Indigenous designers often use fashion to celebrate their culture and raise awareness around key issues affecting their community. Now, the spirit has come to the modeling world. Haatepah Clearbear is a full-time model, based in Los Angeles, who is using his platform to uplift his people. The 22-year-old’s personal Instagram page serves as a hub for his activism work, where he highlights everything from climate change to indigenous rights.
They call themselves feminist masked avengers in the tradition of Robin Hood, Wonder Woman and Batman. They wear costume gorilla masks to remain anonymous, and they are devoted to fighting sexism and racism within the visual art world internationally.
Adrian Piper disguised her identity, changing her race, sex, and social class in order to experiment in public situations and gauge people’s reactions. She investigated how outwardly visible identity markers (like skin color) impacted others’ perceptions of her character. By manipulating her (apparent) identity to produce reactions, she demonstrated the power and influence of stereotypes (Piper, 1996).