"Four theatrical spaces and the full inventory of of 3LD Art & Technology Center were enlisted in the transformation of the space into SupremacyLand, a dystopian theme park where white supremacy and racist carnage was raised and twisted into totally immersive, experiences.
Shooting Without Bullets incubates young artist activists and eliminates systemic barriers in art and society for Black and Brown youth, all while spreading bold messages of justice and equity across Northeast Ohio and beyond. In Our DNA, their new public art initiative, uplifts Cleveland’s Black history to catalyze present and future racial equity, social justice, and civic engagement efforts across Cleveland communities.
In 1900, Montgomery, Alabama had passed a city ordinance to segregate bus passengers by race, and conductors were empowered to assign seats to achieve that goal. The first four rows of seats on each Montgomery bus were reserved for whites, and buses had "colored" sections for black people generally in the rear of the bus, although blacks composed more than 75% of the ridership.
The International Harlem Fine Arts Show (HFAS) is the largest traveling African Diasporic art show in the United States. Inspired by the Harlem Renaissance, HFAS provides a platform for African Diasporic visionaries and American visual artists to exhibit and sell their artwork. The show also aims to create economic empowerment, educational opportunities and professional recognition within the multicultural community.
During the Black Lives Matter protests in Richmond, VA, the two fourteen-year-olds posed in a powerful photo in front of Confederate General Robert E. Lee’s statue. Ava had originally arranged an appointment with photographer Marcus Ingram, but as she and Kennedy posed in front of the graffiti-covered monument with their fists firmly jutted in the air, several photographers began snapping pictures.
If you assign no sound to the redaction in I'm Blue (If I Was █████ I Would Die), it has the same amount of syllables as its referent, the first line of the chorus from Eiffel 65's 1999 chart-topping single, I'm Blue. The last word in that line is spelled out "da," but when you listen to Jeffrey Jey's compressed scatting, it sounds more like "die."
The Scheherazade Project is a Performing Arts Non-profit based in Washington DC. Co-founders Lisa Leibow and Julia Alvarez were inspired by Scheherazade in the Arab classic 1001 Nights and created The Scheherazade Project.
For more information, our website is https://thescheherazadeproject.org/The-Scheherazade-Project
Earlier this week, Republican group Our Principles PAC used presidential candidate Donald Trump's own words against him in an ad featuring women reading his offensive quotes about the opposite sex. (http://creativity-online.com/work/our-principles-pac-real-quotes-from-do...)
In 2007, anonymous French photographer JR embarked on the Face2Face project - the largest unauthorized photo exhibition ever conceived. JR and his collaborator Marco engaged Israelis and Palestinians employed in the same profession to be photographed making funny faces. They then enlarged the photos to grand proportions and wheat pasted juxtaposed portraits onto both sides of the security Separation Wall and in surrounding cities.
When Europeans of the 18th and 19th centuries established their grandest museums, each building meant to unite the world’s cultural heritage under a single roof, they had no doubt as to who should explain it all: themselves. They took a Eurocentric view, categorizing the spoils of colonial enterprise by nation and region, splitting art from craft, and nature from culture.
Harry Belafonte, the singer, actor and activist whose wide-ranging success blazed a trail for other Black artists in the 1950s, died on Tuesday at age 96.
Whose Chinatown? Examining Chinatown Gazes in Art, Archives, and Collections, brings together an art history of Chinatowns and their communities by historical and contemporary Canadian artists such Emily Carr, Unity Bainbridge, Yucho Chow, Fred Herzog, Paul Wong, Mary Sui Yee Wong, Morris Lum, and aiya哎呀, among others.
After J.Cole posted a song that implies that Noname can get her message across to a wider audience if she changes her tone, she releases another song in response. However, instead of explicitly responding to his critique, she uses the controversy to shed light on the death of Black female activist Oluwatoyin Salau, who was killed by her assaulter.
Mayday is a neighborhood resource and a citywide destination for engaging programming, a home for radical thought and debate, and a welcoming gathering place for people to work, learn, drink, dance and build together.
Sarcastic delivery spoken to black people talking about issues regarding black "progress" , media, consumption among other things
https://www.instagram.com/jillisblack/?hl=en
https://www.instagram.com/p/Bb3Y-bQFc2a/?hl=en&taken-by=jillisblack
Trolls chanted in the streets the day of a planned neo-Nazi rally in the small ski town of Whitefish, Montana earlier this year. But they were not the trolls that residents had been expecting—namely, white supremacists from around the country, who had been harassing the town's Jewish community with death threats.
Without having been commissioned—or even given legal permission at all—Haring set out to create Crack Is Wack on the wall of an abandoned handball court in a park at 2nd Avenue and East 128th Street on June 27, 1986. Upon the completion of the mural, Haring was arrested by the New York City Police Department for vandalism of city property and faced potential jail time in addition to heavy fines.
Nearly 15,000 mostly Asian-American protesters rallied in Brooklyn Saturday for former NYPD Officer Peter Liang, claiming that the rookie cop was a “pawn” of anti-police politics and was wrongly prosecuted for a tragic accident.The crowd filled Cadman Plaza Park, with many carrying signs with slogans like, “One tragedy, two victims” and, “Scapegoating won’t bring peace.” Many placards bore Martin Luther King Jr.’s photo and quote, “Injustice anywhere is
Mine is not Arts for the sake of Arts. It is a revolutionary INSGINA carved into the artistic plaque of my DNA to speak FREEDOM of expression and then freedom after EXPRESSION. The footprints of my revolutionary walk are dipped in the paths of RESISTANCE. My Ideological Swag -word is CREATIVITY. My spiritual birth mark is RESILIENCE. My revolutionary slogan is a nonviolent but a poetic fist of MASS INSTRUCTION. I am non-selfish believer.
It all started a few months ago, when the Minneapolis Institute of Art got a phone call from Valerie Castile.
Castile is the mother of Philando Castile, the 32-year-old black man who was shot and killed by a police officer in 2016. Valerie Castile has since founded the Philando Castile Relief Foundation, which helps victims of gun violence.
Daniel Hewson describes the use of protest posters and the work of collective, Burning Museum, and artist, Faith47, in the Fees Must Fall movement taking place in South Africa:
Kwentong Bayan: Labour of Love is a community based comic book project, created by Toronto-based artists Althea Balmes (Illustrator) and Jo SiMalaya Alcampo (Writer) in close collaboration with caregivers and supporters, about the real life stories of Filipina migrant workers in the Live-in Caregiver Program.
On Friday night, as U.S. television screens burned with images of peaceful protests turning violent, Nike released a new socially conscious ad calling on Americans to do something quite different than the brand’s usual call to “Just Do It.” Instead, one of the nation’s leading athletic apparel companies called on individuals to not turn their back on the painful issue of racism in the United States.
Mona Haydar knows the way some people feel about Muslims in the wake of recent terrorist attacks.
Just weeks after the horrific San Bernardino, Calif., shooting in December, where Islamic extremists killed 14 people and wounded 22 others, Haydar was at an airport looking to buy frozen yogurt. Suddenly, a man came up to her and whispered menacingly in her ear, "You killed my people."
Faith Ringgold, the 93-year-old doyenne of African American art, a trailblazing master who foreshadowed the recent rise of art activism and Black figuration, is having her first solo museum show in Chicago.