Projects tagged "Arts & Culture"

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The pro-democracy protests in Hong Kong have a new mascot: a roughly 12-foot-high figure of wood blocks holding a bright yellow umbrella in its outstretched right hand. The students call it Umbrella Man. Umbrellas emerged as a symbol of the demonstrations after dozens of students wielded them on the night of Sept. 28 to fend off pepper spray as they jostled with the police.

For his latest project, Mark Manzi found himself outside of his comfort zone. For the Amsterdam-based photographer and designer, People of Japan was an attempt to break from his photography-first portfolio. “In the past, my work was very image-focused, whereas with this book I wanted to scan objects, collect receipts, record noises, add copy, and really create something visually striking,” he says.

For more than 30 years, the Guerrilla Girls have travelled the world exposing sexism and inequality in the art industry, and this week they proved Hong Kong was no exception. Three members of the anonymous feminist collective—calling themselves Frida Kahlo, Käthe Kollwitz and Zubeida Agha—spoke at the University of Hong Kong on Monday, dressed in their signature black outfits and gorilla masks.

Dropping a Han Dynasty Urn (1995) by Ai Weiwei is a highly provocative work of art. This series of three black and white photographs portray the artist holding a 2,000-year-old Han dynasty urn that, frame by frame, he drops, it falls, and shatters. As much a work of photography as a work of performance art, in each still an unaffected Ai looks directly at the camera aware of his destructiveness.

In her curatorial project Making Way, Ruth Simbao brought together works that complicated the idea of globalization’s effect on African nations, especially the idea that the new phase would usher in an almost frictionless movement of labor and capital across borders. Works by artists like Athi-Patra Ruga reflected on questions of how bodies moved through settler colonialist spaces.

As local rapper Naty says, a group of young people are intent on making their mark in Madagascar's cultural history. From gifted slam poet Caylah to inventive visual artist Temandrota and a crew of entrepreneurial skateboarders, a generation of young Madagascans are making space for creative projects.They are inspiring in their enthusiasm and hopeful for the future despite the poverty in their country and its colonial past.

Rokudenashiko is on a mission to free the vagina. In her native country of Japan, the vaginal slang word “manko” is considered taboo while the penis equivalent, “chinko,” is used freely. Rokudenashiko (the pseudonym of artist Megumi Igarashi) uses her manko art to destigmatize the vagina, using it as the basis for whimsical figurines, iPhone cases, dioramas, and, in her most infamous piece, a kayak.

The Bed-Stuy Aquarium (also known as the Hancock Street Bed-Stuy Aquarium) is a makeshift goldfish pond located on a sidewalk in the Bedford-Stuyvesant, Brooklyn neighborhood of New York City. The pond, originally formed by a puddle from a leaky fire hydrant, garnered attention from locals and the press beginning at the time of its creation in August 2024.

Founded by Bobby Gordon and Nayeli Adorador Knudsen, The Melrose Poetry Bureau is a public intervention involving a whole lot of typewriters, a public space, and the chaos that ensues. Once a location is picked for an intervention, Bobby and Nayeli pack up their collection of old and new, sleek and saggy typewriters and transport them to that place. They set up tables, distribute the typewriters, and invite people to come write poetry.

The current cultural and political context in Macedonia marginalizes lesbians and women in general, and the dominant political party forces the traditional role of the woman, where she is a mother, a housewife, and of course, heterosexual. Furthermore, the major TV stations are flooded with Turkish soap operas, where traditional values are the leitmotif of the show.

The China Folk House project grew out of the Sidwell Friends School China Fieldwork Semester, a program which had ran for five years (2014 – 2018) that took students to Yunnan Province, China, for an integrated semester of experiential learning based at the Linden Center in Xizhou.