It’s women’s history month, and your favorite radical feminist avengers want you to go ape. The Guerrilla Girls have been making noise about gender and racial inequality in the art world since 1985. Fighting discrimination with a sense of humor and their signature faux fur, these masked feminists continue to challenge major museums to spotlight more women and artists of color.
"Featuring giant ocean dice that originally appeared in the booklet "drift" by Max Mulhern, these dice were launched in international waters to create a visually stunning ode to chance and luck. This project can also be found under the title: "the greatest floating craps game on earth"." --AquaDice website
Public arts advocator, Creative Time, and the MTA Arts for Transit and Urban Design (AFT) partnered to present Heard NY, a public art dance and music installation facilitated by artist, choreographer, and fashion designer Nick Cave. Heard NY was created to instill a production of wonder in a quotidian landscape.
Empathy may be the cornerstone of any Global Justice movement, but how do we cultivate the conditions for empathy to thrive?
The wheelbarrow symbolises something universally useful, practical and pleasingly straightforward. A space to deliver things in an efficient and direct manner - no packaging and completely people powered.
The Rwanda Film Institute dedicates a lot of its energy to the education of individuals in the field of filmmaking. Through our Kwetu Film School, we look to consistently breed the next generation of Rwandese filmmakers. This is an essential part of our overarching goal of the development of Rwanda culturally, economically, and communicatively through the growth of filmmaking as an industry.
'White Walls Say Nothing’ is the first feature-length film of its kind to explore art and activism in the streets of Buenos Aires.
Buenos Aires is a complex, chaotic city. It has European style and a Latin American heart. It has oscillated between dictatorship and democracy for over a century, and its citizens have barely known political or economic stability.
You’ll find Johanna Toruno on the streets of NYC plastering pictures of her flower-filtered poetry, Kendrick Lamar, and Selena on blank walls, street lights and buildings. When I came across The Unapologetically Brown Series on Instagram I was intrigued not only by the name but by the concept of being unapologetic and brown as the premise for a body of street art.
Several nights of Halloween celebration in Shanghai provided a vivid, if indirect, commentary this week on the malaise gripping the world’s second-largest economy.
On September 2nd 2015, a die-in protest to advocate against gender violence was carried out by a group called Women in Black (Olmedilla, 2015). This form of protest was likely inspired by other die-in protests in Spain and represented Spanish women who have died due to domestic violence (DV). A group of women dressed in black clothing gathered on the streets of Madrid. One by one they fell to the ground and lay there, acting dead.
Exhibition visitors have expressed feelings of uneasiness or even pain and nostalgia when seeing Colored Vases by Ai Weiwei1. The 51 vases that make up the artwork are originally treasures from the Neolithic Age (5000–3000 BCE) and the artist has dunked them in common industrial paint.
Why did Ai Weiwei do it?
The "Real Time" series by Maarten Baas is an avant-garde collection of art installations and functional timepieces that question the very basics of how to measure and experience time. It has, therefore, been a unique mix of performance art with functional design since 2009. Baas reimagines how time may be seen in his various installations in a provoking, innovative, engaging, and reflective manner for all audiences.
The New York-based artist has created a free-to-download poster in support of the ESEA community. Produced in response to the Covid-related surge in anti-Asian hate crimes, it can be used in a variety of ways to raise awareness and support the cause.
User @ArmoredSuperHeavy on Twitter recently posted a master document detailing their explorations into bookbinding, fanfiction preservation, and the online gift economy. Their bookbinding venture, named Dead Dove Publishing, is a project that seeks to preserve and legitimize fanworks and celebrate the fandom gift economy. The document explains their actions and the work they have done since they began two years ago.
El Rey de la Ruina (The King of the Ruin) has become an act of powerful recognizable symbolism throughout Madrid. In terms of his popular heart symbolism, the artist chose the organ, a heart, as one of his favorite symbols because he was diagnosed when he was little with cardiomegaly, an abnormal increase in the volume of the heart, which is what inspired this organ as his prize art symbol.
You might think that pictures of dicks (usually unsolicited) aren’t particularly hard to come by on the internet. And most of those dick pics aren’t particularly expertly composed. But that’s not the case for Penile Papers, a new collection of phallic art curated by London-based artist Dominic Myatt.
The story of an artist. Laolu Senbanjo grew up surrounded by the culture and mythology of the Yoruba, an ethnic group from the southwest of Nigeria, but he never imagined how it would influence the artist he is today. After a career as a human rights attorney, Senbanjo moved to New York City to pursue art full time. “With my art, I like to tell stories, I like to start a conversation,” says Senbanjo, but life as an artist in New York was tough.
Back after a five year hiatus, V-Day Sedona joins with hundreds of other productions across the globe in celebrating V-Day’s 20th anniversary with an act of artistic activism. For its 20th anniversary, V-Day is calling on activists around the world to Rise, Resist and Unite.
Parió Paula is an all women’s percussion group based in Lima, Peru. These women are truly artistic renegades defying the social norms of Lima’s predominantly male music scene. With a bold message on emphasizing female expression, these ladies have transformed their countless styles of drumming into something effective for their city.
(see full article and short documentary at link below)
Bit Rosie showcases female music producers in high quality performance videos and short documentaries. Our videos and digital archive project with the New York University library document the work of women using music technology to make sounds across genres and locales.
Bit Rosie is directed and produced by Adele Fournet.
http://www.adelefournet.com/
Immersing in the art is what they are known for. As they slowly reopen, so is their annual public art and performance festival. Their mission statement says:“AiOP reminds us that public spaces function as the epicenter for diverse social interactions and the unfettered exchange of ideas.” The title of NORMAL is to push the boundary of what is.
Almost all of Rivera's art told a story, many of which depicted Mexican society, the Mexican Revolution, or reflected his own personal social and political beliefs, and In the Arsenal is no different. The woman on the right side of this painting in Tina Modotti, an Italian photographer and revolutionary political activist, who is holding ammunition for Julio Antonio Mella, a founder of the internationalized Cuban communist party.
The work of South African artist Mary Sibande tells the tale of her alter-ego Sophie, a domestic worker who finds refuge in dreams where she emancipates herself from the ghoulish realism of an ordinary existence, cleaning other people's homes.
Exploring the construction of identity within post-apartheid South Africa, Sibande's work probes the stereotypical contextualisation of the black female body.
Ten couples covered in body paint wearing only their underwear have celebrated their “naked weddings” at Hangzhou Paradise amusement park in Zhejiang province. The couples, some of whom have been married for many years, said they were rejecting modern Chinese values, which place greater value on money than love. In China, a naked wedding involves a couple marrying without owning a house or car.
The Tel Aviv Museum of Art is joining the countrywide judicial overhaul protests planned for Thursday, March 23, and will darken the halls and galleries of the museum, closing exhibits to the public and canceling planned tours and lectures.
The only exhibit that will be open to the public, for free, is the exhibit of Israeli art from the museum’s collection, “Material Imagination: Center of Gravity,” which has been open for a year.