In Halt, a new solo piece premiered at
NYU Gallatin, dancer and choreographer
Jamar Roberts examined the language of
the body in protest. The work focuses
on what it means for human beings-the
committed individual and the organized
collective- to be equally the subjects
of progressive change and the targets
of unjust corporeal punishment.
Close to 100 artists and activists staged a protest at the Brooklyn Museum yesterday afternoon in response to displacement — both in Brooklyn and Palestine.
Ghana ThinkTank is an international collective that “develops the first world” by flipping traditional power dynamics, asking the “third world” to intervene into the lives of the people living in the so-called “developed” world.
Add-Art is a free Firefox add-on which replaces advertising on websites with curated art images. Created with the support of Eyebeam, Rhizome, Add-Art releases new art shows every two weeks and strives to feature contemporary artists and curators.
Black Cinema House hosts screenings and discussions of films by and about people of the African diaspora, and offers video classes to neighborhood youth, teaching the next generation to make their own films and tell their own stories.
At first, you don’t know what you’re looking at. A gray expanse of uneven geometry surrounded by undulating brown. Shift your perspective a bit and it might be a close-up of a distressed textile, with subtle hues and textures surfacing as your eyes adjust.
And then the horizon comes into focus. Now you know where you are. In the distance are the classic jutting buttes of Monument Valley, familiar to anyone who’s ever seen a John Ford Western.
One film to change the world. Curated every month.
BURDEN OF PEACE follows Guatemala’s first female Attorney General Claudia Paz y Paz in her fight against impunity.
Throughout April 2018 a global audience came together to watch BURDEN OF PEACE, and to dig deep into the issues of women in power with our action kit, bonus features and Impact Talks podcast.
In 2015, MIT researcher Joy Buolamwini was developing a device called the Aspire Mirror. Onlookers would stare into a webcam and then see a reflection on their face of something that inspires them.
At least, that was the plan. But Buolamwini quickly noticed that the facial recognition software was struggling to track her face — until she put on a white mask.
The Canadian artist collective General Idea found its drive in the AIDS epidemic, becoming aesthetically and conceptually refined in the in the 1970s and ’80s, after long forays into absurdity and performances evocative of Dada and Fluxus.
In March this year, less than 100 days since he took office again, Luis Castañeda Lossio, Mayor of Lima, announced that the Municipality would remove the street art murals painted on the walls of downtown Lima’s historical city streets. “Lima has to recover all the architectural quality it has. They have chosen us and we will comply with the obligation that the population has consigned us,” said the mayor.
MoMA presents the first comprehensive American survey of the leading contemporary artist Walid Raad (b. 1967, Lebanon), featuring his work in photography, video, sculpture, and performance from the last 25 years.
Driving along an ordinary dirt road, it's hard to miss the Goma Cultural Centre with its bright blue gate, emblazoned with the Congolese flag. "As you can see, we are proud to be Congolese around here," said Belamy Paluku, a volunteer manager at the youth centre.
"One morning, when JR awoke, an image lingered from his dreams: The wall along the U.S.-Mexico border, and above it a young kid peering curiously over. A child just 1 year old, who has "no idea that's a wall that divides people — he has no idea of the political context," JR imagined.
According to the World Health Organization, China is home to two-thirds of the world's women who wear IUD devices. This is a form of contraception that was developed after World War II, and in essence, comes from discrimination against women. In 2014, artist Zhou Wenjing made a work of IEDs, which was recently exhibited in Beijing.
PERIPLUS is a transoceanic route through community arts (music, performing arts and interdisciplinary projects) across five continents. It aims to disseminate knowledge and enhance the visibility of education, social and artistic initiatives by critically analysing the synergies which arise from connections in these three fields.
While governmental support for arts and culture is often meager, the Brazilian national government has recently demonstrated great interest in the industry. They've just introduced a "cultural stipend," which provides workers with 50 real (roughly $25) per month for arts and cultural expenses. The allowance covers personal spending on things like movies, concerts, books or museums.
Ge Yulu’s artistic practice playfully pulls at the strings of a social system that, although seemingly all-encompassing, is in fact a malleable structure consisting of individual human beings. For his 2016 project Eye Contact, Ge positioned himself in front of a surveillance camera and stared directly into the lens for hours, then negotiated with a security guard to buy the footage.
Mine is not Arts for the sake of Arts. It is a revolutionary INSGINA carved into the artistic plaque of my DNA to speak FREEDOM of expression and then freedom after EXPRESSION. The footprints of my revolutionary walk are dipped in the paths of RESISTANCE. My Ideological Swag -word is CREATIVITY. My spiritual birth mark is RESILIENCE. My revolutionary slogan is a nonviolent but a poetic fist of MASS INSTRUCTION. I am non-selfish believer.
In 2013, Shell sent out press releases about their upcoming event, the Science Slam, which would aim to “celebrate the company’s responsible oil production” and “showcase ideas for renewable energy by scientists and students.” Essentially, Shell organized this event in the hopes that it would allow the multinational oil company to appear as if it is actually concerned about the environment and finding alternatives to oil.
It’s the radiant baby, the barking dog and the dancing man; the badges and the t-shirts; the unmissable mural spelling out CRACK IS WACK. Keith Haring’s career was short but spectacular, and he leaves behind a lasting legacy. From his chalk drawings in city-wide subway stations, to his collaborations with the superstars of his day, Haring’s life was founded on a belief in the power of people to change the world.
Sophie Calle's works discuss the issue of "privacy", the composition of an individual's identity at the social level, and the relationship between "private" and "public/group/society", including personal information, personal records, public surveillance, and other topics. An obvious feature of her works is the unique and extremely subjective criteria of judgment and reference for measurement.
In her 2021 graduation project from the Central Academy of Fine Arts (CAFA), Chinese performance artist Zou Yaqi staged a provocative social experiment titled “21-Day Survival Challenge.” For three weeks, Zou assumed the persona of a wealthy socialite, using counterfeit luxury items, strategic self-presentation, and social engineering to access elite spaces in Beijing—such as five-star hotel lobbies, first-class airport lounges, and high-end restaurants
#NYTIMES Why are there no U.S. anti-slavery monuments? http://antislaverymonument.org project is an answer.
Standing 60 feet tall, corten steel of two hollow chain links the upper one broken.
The Scheherazade Project is a Performing Arts Non-profit based in Washington DC. Co-founders Lisa Leibow and Julia Alvarez were inspired by Scheherazade in the Arab classic 1001 Nights and created The Scheherazade Project.
For more information, our website is https://thescheherazadeproject.org/The-Scheherazade-Project
Based in Minnesota, Morales creates prints and posters that address environmental and social justice issues. His art is used in grassroots movements, combining vivid imagery with messages of resistance and hope.