A television report written, directed and produced by Enmedio members Leónidas Martín and Xavier Artigas. Collective projects that see art as a kind of social relationship. Artistic interventions that target consumption, media guerrilla tactics, creative mobilisations and protest, critical projects brimming with humour and disobedience, new narratives capable of changing the existing symbols and codes.
Close to 100 artists and activists staged a protest at the Brooklyn Museum yesterday afternoon in response to displacement — both in Brooklyn and Palestine.
During the economic crisis of 2008, bankers in Spain took advantage of the economically disadvantaged, and the artwork La Fiera en Sevilla, or the Wild Animal in Sevilla in English, brings attention to this money-centric act from the bankers. La Fiera refers to the bankers at the time that used predatory methods in their actions to forcibly evict poor people from their houses.
For the past 20 years, Great Bend school district art teachers have been letting their students collaborate on an art project at the Barton County Historical Society Museum. This year, they will ground their efforts in working together to make a mural. Their teachers are trying to instill the fact that art builds community, as it has here for the past two decades.
If fashion is a reflection of the times it is little wonder that the current round of shows have often felt discombobulating.
Gucci’s show on Sunday night was particularly surreal, opening with a series of models being propelled along a conveyor belt catwalk, staring bleakly ahead, wearing a high fashion take on straitjackets.
The latest episode in Nicolas Heller's documentary web series "No Your City," as published by Gothamist, features the arguably pretentious, inarguably earnest street performer Kalan Sherrard, who was recently arrested during his peaceful anarchist puppet show. Functioning as a video manifesto for his peculiar ways, the clip is at least compelling.
"Story Time" emphasizes the significance of knowing the cultural histories of various nations and milieus, for it is precisely this knowledge that represents the first common point on the way towards understanding other cultures arriving in Europe with migratory flows. The invited artists will reinterpret cultural histories and cultural contexts from both European and Arabic worlds.
The origin of the Soviet disco tradition, one that lasts to this day in the DJ-laden nightlife of Moscow and St. Petersburg, lay in the Stalinist era. Western culture – modernism, cubism, rock and roll, all that good stuff – was “decadent,” perhaps even a plot by Trotskyists or the Western intelligentsia to dull the steely nerves of the Soviet people. But dancing – this was a-OK.
Harry Belafonte, the singer, actor and activist whose wide-ranging success blazed a trail for other Black artists in the 1950s, died on Tuesday at age 96.
Matthew “Levee” Chavez sits at a table in New York City’s Union Square, sporting a thrift store suit and tie, holding a sign that reads “Subway Therapy.” This act of social practice, which started as an invitation for conversation, went viral after he set up shop at the subway the day after the 2016 presidential election. He wrote “Express Yourself” on a Post-It and stuck it to the tiled wall.
Visions from the Inside is a project enlisting 15 artists from across the country to create a piece of art based off letters from women in detention. The initiative, a collaboration between CultureStrike, Mariposas Sin Fronteras and End Family Detention, illuminates the horrific realities of life inside some for-profit detention facilities in the U.S., as well as the resilient spirit that keeps the inmates going.
When Europeans of the 18th and 19th centuries established their grandest museums, each building meant to unite the world’s cultural heritage under a single roof, they had no doubt as to who should explain it all: themselves. They took a Eurocentric view, categorizing the spoils of colonial enterprise by nation and region, splitting art from craft, and nature from culture.
John Wood and Paul Harrison are renowned British artists whose collaboration has led to the merging of video art with performance and conceptual art. Their works usually reside on the relationship between human beings, objects, and the environment, with humor and wit attached to them. They are well in place to make the artworks thought-provoking and entertaining. One such has to be 'Device'.
The Bed-Stuy “aquarium” is back.
The neighborhood’s beloved sidewalk fish pond was resurrected this week — in an act of defiance that comes just five days after the city cemented over the original and left the neighborhood’s goldfish to die.
The US artist Nan Goldin has staged her first public protest since she launched her activist group PAIN (Prescription Addiction Intervention Now), shaming members of the Sackler family who have profited from the sale of Oxycontin and institutions that have accepted their philanthropy.
Hundreds of artists, cultural workers and activists gathered on the steps of the Metropolitan Museum of Art on Fifth Avenue in New York on Sunday (24 March), demanding that the most visited museum in the US publicly call for a ceasefire in the war in Gaza and commit to preserving Palestinian cultural heritage.
On a drizzly, overcast afternoon, all is quiet at the intersection of Bartholomew and Prieur streets in New Orleans’ historic Ninth Ward. The quiet neighborhood around the Ellis Marsalis Center for Music (EMCM) feel worlds away from the historic French Quarter packed with jazz clubs, bars, restaurants, and markets.
Whose Utopia? was made by the Chinese artist Cao Fei and filmed at the OSRAM lighting factory in Foshan in the Pearl River Delta in southern China during 2005 and 2006. It was commissioned as part of a project entitled ‘What Are They Doing Here?’ that was run by the Siemens Art Program from 2000 to 2006 and involved Chinese artists undertaking six-month-long residencies at industrial facilities across the country.
A young Black boy, wearing deep red livery with gold trimming, a gold earring, and red-and-white turban secured with a jeweled brooch, stares out at the viewer. Standing before a ship at sea, he hands a letter, addressed to “Monsieur le chevalier de Rohan, captain of the King’s ships at Rochefort,” to an older white man, dressed in regal-looking steel armor.
MIAMI — Officials at the recently inaugurated Pérez Art Museum Miami confirmed on Monday that a valuable vase by the Chinese dissident artist Ai Weiwei had been deliberately destroyed by a visitor in what appeared to be an act of protest.
On the small island of Teshima in Japan’s Seto Inland Sea, Multibasket – No One Wins invites visitors to reconsider competition, collaboration, and the intersection of art and play.
"The President Sang Amazing Grace" tells the story of the 2015 attack that claimed nine lives at the Emmanuel AME Church in Charleston, SC. It first appeared on Zoe's 2017 album "Small Brown Birds" and was widely played on independent folk radio shows across the US. Since then, the song has taken on a larger life, inspiring a variety of artists and finding its way to new audiences.
"Myanmar has been engulfed in protest since February 1, when Burmese army general Min Aung Hlaing seized control of the government in a military coup, refusing to accept to the landslide election victory of the National League for Democracy and its leader, Aung San Suu Kyi.