In 2009, clergy from El Oratorio Don Bosco in Italy moved to Polloc, a remote town in Peru near Cajamarca, and began to build a mid-sized cathedral. In conjunction to the construction, they opened up a workshop next to the construction site for the local youth to engage in art-making programming after school and on the weekends.
Topless queer men light spliffs on the beach. A trans man injects testosterone on the toilet. Drag queens nonchalantly scroll through their phones and smoke. These are just some of the images that make up the new book from Leo Adef. Titled WARP, it’s comprised of photographs captured across four years spent in Barcelona's queer underworld
It all started a few months ago, when the Minneapolis Institute of Art got a phone call from Valerie Castile.
Castile is the mother of Philando Castile, the 32-year-old black man who was shot and killed by a police officer in 2016. Valerie Castile has since founded the Philando Castile Relief Foundation, which helps victims of gun violence.
The Guerrilla Girls tactic was well thought-out and was effective in creating a spectacle to draw attention to the issue at hand, which is the lack of female representation in the museum. Where I think the campaign has some drawbacks is in the actual message on the billboard. The rhetorical and ironic message is subtle and really only reaches those who are privy to the art world and/ or the museum.
"Michelle Obama’s mission of encouraging kids to eat healthier is getting a global spin — and a few puppet allies. The former first lady is launching a kids’ cooking show on Netflix as part of the production deal between Netflix and the production company she founded with her husband, former president Barack Obama.
Transfixed by racial, political, and socioeconomic tensions saturating the news, movement artists Jon Boogz and Lil Buck, enveloped by the art of Alexa Meade, switch off the TV and release their emotion into a stirring dance that is both a lament and a spirited call to action.
"Today there is literature coming out of Syria that we could have never even dreamed of just a few years ago," Atrash says.Rather than relying on metaphors and allegorical images, these new poems rely on literal, visceral descriptions, with a newfound emphasis on a united Syrian identity instead of religious symbols.
Ghada al-Atrash, a Syrian-Canadian writer and translator, has been studying Syrian poetry for decades.
This modestly scaled exhibition, featuring work by three (then) young and relatively unknown photographers named Diane Arbus, Lee Friedlander, and Garry Winogrand, had a lasting influence on modern photography.
Song Byeok is one of the most acclaimed Korean artists living today. He is from North Korea, where he was a propaganda artist for the North Korean government for two decades. After defecting in 2002, Byeok has turned his prolific creativity into powerful, satirical art using North Korea’s ruling culture as motifs.
MoMA presents the first comprehensive American survey of the leading contemporary artist Walid Raad (b. 1967, Lebanon), featuring his work in photography, video, sculpture, and performance from the last 25 years.
The average crow takes less than two hours to travel from Sing Sing maximum-security prison to the Whitney Museum of American Art, institutions separated by just 32 miles of land along New York’s Hudson river. Yet few humans journey between them – museums and prison are at opposite ends of our society’s self-imaginings, and their populations tend not to intersect.
Several nights of Halloween celebration in Shanghai provided a vivid, if indirect, commentary this week on the malaise gripping the world’s second-largest economy.
During the Black Lives Matter protests in Richmond, VA, the two fourteen-year-olds posed in a powerful photo in front of Confederate General Robert E. Lee’s statue. Ava had originally arranged an appointment with photographer Marcus Ingram, but as she and Kennedy posed in front of the graffiti-covered monument with their fists firmly jutted in the air, several photographers began snapping pictures.
In this article, author Caroline Choi highlights different grafiti artists and their stories. These artists use their talent to tell their stories, ones that might not get to be told otherwise. She goes into the history of grafiti, and how it ties into how rich and white the art world has become.
In this solo work, Gómez-Peña tests brand new material dealing with radical citizenship and what he terms “imaginary activism,” combining live art, literature, theory, and pedagogy in a wonderfully strange mix. Not one solo performance is ever the same.
In the past few years we have seen a growing awareness and concern with Internet freedom and privacy, fuelled by Edward Snowden’s revelations of the vast U.S.
Ghana ThinkTank is an international collective that “develops the first world” by flipping traditional power dynamics, asking the “third world” to intervene into the lives of the people living in the so-called “developed” world.
Late last month, Chinese citizens took up a creative means of protest over the nation’s strict “zero-COVID” policy. In a place with little tolerance for large public demonstrations, protesters have been holding up blank pieces of paper. Their ingenuity inspired a local artist Yolanda He Yang to stage a public art demonstration to subtly communicate their dissent.
Call it art, exhibited as an installation piece in the October 2014 show "Crossing Brooklyn," a collaboration of more than 100 artworks by 35 artists (or groups) who live or work in Brooklyn, presented at the Brooklyn Museum... or call it "A survey of Art from Brooklyn" as hyperallergic journalist Jillian Steinhauer wrote... it exists on the streets as a social practice, albeit using creative means for community-building.
In 2013, Shell sent out press releases about their upcoming event, the Science Slam, which would aim to “celebrate the company’s responsible oil production” and “showcase ideas for renewable energy by scientists and students.” Essentially, Shell organized this event in the hopes that it would allow the multinational oil company to appear as if it is actually concerned about the environment and finding alternatives to oil.
Beginning in the early 1970s, the Los Angeles-based multi-media arts collective Asco (from the Spanish word for nausea) created performances, street theater and conceptual art that satirized the emerging styles of Chicano art and pushed the boundaries of what it might encompass.
Dismaland was an experimental and interactive art installation that mimicked and mocked similar attractions and characters of the Disney franchise. He later referred to it as a ‘bemusement park.’ Although the bemusement park seemed to disappear as suddenly as it arrived, the exhibition lives on in the collective memory of the British public.
The new exhibit “MESH” at Portland Art Museum features Indigenous contemporary artists advocating for change
Visual artist, writer and activist Ka’ila Farrell-Smith says she considers herself a wartime artist.
She is a member of the Klamath tribes and lives in Modoc Point, Oregon. When asked about how history influences her work, the answer weaves through over 150 years of white colonization and Indigenous struggles in the West: