Philadelphia poet laureate Trapeta B. Mayson launched the Healing Verse Philly Poetry Line (1-855-763-6792), a toll-free telephone line that offers callers a 90-second poem by a Philadelphia-connected poet. A new poem will be featured each Monday throughout 2021.
“The Grace Period” is a live blogging platform with seven anonymous contributing bloggers called: Monday, Tuesday, Wednesday, Thursday, Friday, Saturday and Sunday. Through, videos, writings, and visuals they present multiple perspectives of landing/creating a meaningful job after school in a country where personal and national debt is high and jobs are few. In this environment, will our creative spirits be resilient?
At first, you don’t know what you’re looking at. A gray expanse of uneven geometry surrounded by undulating brown. Shift your perspective a bit and it might be a close-up of a distressed textile, with subtle hues and textures surfacing as your eyes adjust.
And then the horizon comes into focus. Now you know where you are. In the distance are the classic jutting buttes of Monument Valley, familiar to anyone who’s ever seen a John Ford Western.
"Story Time" emphasizes the significance of knowing the cultural histories of various nations and milieus, for it is precisely this knowledge that represents the first common point on the way towards understanding other cultures arriving in Europe with migratory flows. The invited artists will reinterpret cultural histories and cultural contexts from both European and Arabic worlds.
Back after a five year hiatus, V-Day Sedona joins with hundreds of other productions across the globe in celebrating V-Day’s 20th anniversary with an act of artistic activism. For its 20th anniversary, V-Day is calling on activists around the world to Rise, Resist and Unite.
An inspired story of artists who have made millions engaging their communities of using their artistic influence to create change for others!
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Over the last few years or so, Diddy and Jay-Z have continually found themselves near the very top of Forbes' wealthiest acts in hip-hop list. Now, it looks like the two are combining their immense wealth to help Black people across the U.S.
Before Chance the Rapper performed at sold-out concert venues, he practiced his rhymes in front of an intimate crowd of roughly a dozen people at Harold Washington Library. Now the rapper is trying to return the favor, one open mic at a time.
"Politaoke is non-partisan political karaoke project in which participants can respeak real contemporary political speeches from local, national and international politicians. Now you too can deliver the great rhetoric filled speeches of today’s most important politicians in this audience participation performance! Just come to a show, select a speech and take the mic when your name is called.
This week, I got to make history. At 18 years of age, I received an honorary doctorate from the University of London for my work in climate justice, making me the current youngest holder of the award globally.
On April 24, 2013, more than 1,000 lives were taken in the Rana Plaza Collapse. While history remembers this tragic event as the deadliest garment factory accident, activist and photographer Taslima Akhter reveals a story of dreams crushed by structural murder. Dedicating her career to the lives and struggles of garment workers in Bangladesh, she has continued to foster a community rallying together for safer working conditions.
When Behnaz Babazadeh was young, her family moved from Afghanistan to the US. She loved almost everything about her new home — especially America’s amazing selection of candy — but she also loved wearing her familiar pink-flowered headscarf, which she’d grown used to wearing as part of her school uniform in her old home.
The International Harlem Fine Arts Show (HFAS) is the largest traveling African Diasporic art show in the United States. Inspired by the Harlem Renaissance, HFAS provides a platform for African Diasporic visionaries and American visual artists to exhibit and sell their artwork. The show also aims to create economic empowerment, educational opportunities and professional recognition within the multicultural community.
On December 1, 1994 also known as World AIDS day, participating members from LSD (Lesbianas Sin Duda), La Radical Gai, and other allies sought out to protest against the push back of rejection that many of them were receiving from the medical and social perspective.
For his latest project, Mark Manzi found himself outside of his comfort zone. For the Amsterdam-based photographer and designer, People of Japan was an attempt to break from his photography-first portfolio. “In the past, my work was very image-focused, whereas with this book I wanted to scan objects, collect receipts, record noises, add copy, and really create something visually striking,” he says.
David Opdyke’s wry, panoramic visions of an America perceptibly in the grips of climate crisis were born of an artistic crisis—of “needing to come up an idea by digging somewhere other than my own brain.” Having drawn on his imagination to conjure up the trenchant, ecologically-inflected critiques of American imperialism and late-stage capitalism that have defined his work for twenty years, he wondered what more he might, artistically speaking, say.
In March of 2022, JR, with the help of 100 volunteers, unfurled the portrait of five-year-old, Ukrainian refugee Valeriia in Lviv, Ukraine. Leaving Ukraine, JR saw firsthand how difficult it was for women and children to get to safety due to long queues at the border. In response, he released two NFTs of Valeriia as part of his solidarity project titled: Can Art Change the War?
After artists learned that London's Design Museum was connected to Leonardo, a large arms dealing company, and hosted an event for them, many of the artists featured in their Hope to Nope: Graphics and Politics 2008-2018 asked the museum for their work to be removed. After receiving no response, one third of the show's artists removed their work from the show.
The "I'm Not A Joke" campaign from Daniel Arzola is a series of images inscribed with compelling truths about human diversity that encourages individuals to live as their authentic selves. He wants the images to eventually appear on buses and subways, exposing audiences to the realities of queer experiences in an attempt to break down prejudice in a form of activism that he calls "Artivism."
Rufina Bazlova is not afraid to surrender her art to activism. Born in Belarus, a former Soviet republic ruled by the authoritarian leader Aleksandr Lukashenko for 29 years now, Bazlova knows all too well that being apolitical is a privilege many Eastern Europeans cannot afford. 2020 was a pivotal year for Belarus, not only because of the COVID-19 pandemic but also the presidential elections, which declared Lukashenko president for the sixth time.
A project as expansive as the Guerrilla Girls Twin Cities Takeover is a first for them. Kicking off on January 21, the festival will comprise a series of events by 30 different groups, which will take place until March 6 at more than 20 arts and cultural organizations in and around Minneapolis/St. Paul. A network of local art activists will be mobilized, and the Guerrilla Girls have been working in tandem with the area’s youth groups to prepare.
Through their podcast, The Dance Union, Melanie Greene and J. Bouey have been confronting racism in the dance world, and highlighting the experiences of Black artists, since 2018. Their episodes cover a variety of topics and issues, ranging from mental health and sexual harassment to advocating for fair pay.
Miles Greenberg is a performance artist from Canada who specializes in time, endurance, and the human body. His art is often complicated and deep into the human experience, with physical endurance mixed into visual metaphors that create deep, profound statements of the human condition.
The origin of the Soviet disco tradition, one that lasts to this day in the DJ-laden nightlife of Moscow and St. Petersburg, lay in the Stalinist era. Western culture – modernism, cubism, rock and roll, all that good stuff – was “decadent,” perhaps even a plot by Trotskyists or the Western intelligentsia to dull the steely nerves of the Soviet people. But dancing – this was a-OK.