Yazan Halwani is a young Beiruti artist who paints murals of revered Lebanese and Arab figures on prominent walls in a bid to help overcome sectarianism in this fragmented city. “What I try to do,” he explains down a fuzzy line from Beirut, “is write the stories of the city, on its own walls – creating a memory for the city.”
Glowing softly in the West Texas desert night, artist Guadalupe Maravilla’s Mariposa Relámpago, was once an ordinary school bus but is now a richly decorated, mobile site for remembrance and healing. Like much of the artist’s work, this piece commemorates and confronts the artist’s journey to the United States as an unaccompanied, undocumented minor fleeing civil war in El Salvador in the 1980s.
Matthew “Levee” Chavez sits at a table in New York City’s Union Square, sporting a thrift store suit and tie, holding a sign that reads “Subway Therapy.” This act of social practice, which started as an invitation for conversation, went viral after he set up shop at the subway the day after the 2016 presidential election. He wrote “Express Yourself” on a Post-It and stuck it to the tiled wall.
During 2008-2009, when the United States was entering a recession, the idea of the Homeless Art Gallery was popping up across Staten Island, New York City's least populated borough and biggest underdog. This is an example of art intervention, disrupting space to question the economic and political systems of capitalism. It was also an excellent community building project.
"A Tanzanian-born, Preston-based artist, curator and cultural activist, Lubaina Himid aims to 'fill in the gaps of history', giving representation to marginalised histories and to what was previously invisible or silenced. Significantly, Himid's art reinserts black narratives into the forefront of cultural practice and conversation.
PHOENIX — As Super Bowl LVII was getting underway in Glendale, Arizona, on February 12, artist and Apache Skateboards founder Douglas Miles (San Carlos Apache, Akimel O’odham) was protesting racist mascots in the NFL by painting a mural-style portrait of Geronimo with the words “Don’t Call Me Chief” for a community event at Grassrootz, a Black- and worker-owned bookstore near downtown Phoenix.
Google entered the art game in 2011 with the introduction of its Art Project, working with 17 museums and expanding further to over 150 institutions in 2012. Last June, Google added 5,000 images of street art from around the world to the project and today it has announced that it will be doubling that number to 10,000 with the launch of the second edition of its Street Art Project.
In 2016 an eye-catching sparrow was spotted in Scotland. The bird had ingested feed pellets from a nearby salmon farm, turning its feathers pink. Cramped in underwater feedlots, farmed salmon have no access to the prey that colour their flesh in the wild. Instead, they are fed artificial colourants mixed with supplements, drugs, and hormones, causing them to relentlessly produce the additive-filled flesh that fills supermarket shelves.
“I am a silkworm.” Liang Shaoji has repeatedly used this phrase to describe his work, underscoring his preoccupation with the materiality of silk and the technology of sericulture, or silk farming. For more than twenty-five years, Liang Shaoji has raised silkworms and trained them to spin silk onto different objects in his Nature series.
In “Speech/Acts,” a group exhibition organized by Meg Onli at the Institute of Contemporary Art in Philadelphia, Kameelah Janan Rasheed and Tiona Nekkia McClodden stood out as artists who take up voices, histories, and experiences that can help audiences move forward and endure in the future.
New Zealander artist George Nuku has presented his latest work as an installation that imagines the state of the world's oceans 100 years in the future where plastics have totally changed the marine environment.
"Beginning in 1910, the Mexican Revolution spawned a cultural renaissance, inspiring artists to look inward in search of a specifically Mexican artistic language. This visual vocabulary was designed to transcend the realm of the arts and give a national identity to this population undergoing transition.
Craftsmanship in Istanbul is under the danger of extinction with all the knowledge accumulated with generations of masters and apprentices. After visiting some workshops in the city, craftsmen shared with the initiators how their condition and businesses have changed since they started working.
Installed on the occasion of the 2016 U.S. presidential election, I want a president renders a poignant portrait of the cultural and political climate in the early 1990s in New York City with words that still resonate today.
La Casa Invisible project was started in 2007 in Malaga, Spain, when a group of socially involved participants squatted in a run-down building, aiming to eventually claim the legal rights to the property (Moor & Smart, 2016). The space was opened to local artists and creators, quickly becoming a hub for free local music, performances, and seminars as well as creating an important meeting space for social groups (Moor & Smart, 2016).
The pro-democracy protests in Hong Kong have a new mascot: a roughly 12-foot-high figure of wood blocks holding a bright yellow umbrella in its outstretched right hand. The students call it Umbrella Man.
Umbrellas emerged as a symbol of the demonstrations after dozens of students wielded them on the night of Sept. 28 to fend off pepper spray as they jostled with the police.
Six months before Hurricane Maria wreaked havoc in the Caribbean, a group of Puerto Rican artists were invited to participate in a residency program in Miami by local art organizations. The artists were offered abandoned storefronts-turned-studios at a historic downtown mall, where they’d exhibit their work during Miami Art Week in December to engage an art world that often overlooks the island territory.
Chen Boer's first heroine film, which she co-wrote and directed, was "Daughter of China," about female soldiers in the Northeast Anti-Japanese United Army. They didn't have much filmed material at the time, but as a feminist, Chen Boer clearly wanted to record the sacrifices and contributions of Chinese women in the War of Resistance against Japanese Aggression.
Notice Nature was a public engagement action undertaken by participants in the Erasmus+ funded training 'Creativity and Change: Empathy 2 Action - nurturing response-able global citizens' which took place in Cork from 8th - 13th April 2017. The team members were Marie-Michele Tessier, Aoife Dare, Ann Foulds, Zsofi Toth and Claire Faithorn.
The Arte Útil archive presents a growing archive of over two hundred case studies that imagine, create and implement beneficial outcomes by producing tactics that change how we act in society.
Eight years after his death, the annual August Wilson Monologue Competition provides high school students from around the country an opportunity to carry on the African-American playwright’s legacy. That legacy includes Pulitzer Prizes for “Fences” and “The Piano Lesson,” two installments of Wilson’s 10-play series set in his hometown of Pittsburgh that examined 20th-century black life through the personal and political struggles of everyday people.
You might think that pictures of dicks (usually unsolicited) aren’t particularly hard to come by on the internet. And most of those dick pics aren’t particularly expertly composed. But that’s not the case for Penile Papers, a new collection of phallic art curated by London-based artist Dominic Myatt.