In 2012, visual artist Shilo Shiv Suleman started Fearless in response to the powerful protests that shook the country in response to the “Nirbhaya” tragedy in Delhi, India.
South Korean artist Do Ho Suh is internationally known for his ghostly, diaphanous architecture and fabric-made objects, which create imaginary spaces that are physically present yet impossible to inhabit. His large-scale, immersive, but impermanent installations serve as “acts of memorialization,” exploring themes of identity, home, and the tension between personal and public space.
The new exhibit “MESH” at Portland Art Museum features Indigenous contemporary artists advocating for change
Visual artist, writer and activist Ka’ila Farrell-Smith says she considers herself a wartime artist.
She is a member of the Klamath tribes and lives in Modoc Point, Oregon. When asked about how history influences her work, the answer weaves through over 150 years of white colonization and Indigenous struggles in the West:
In Shanghai, a vigil grew into a street protest where many held blank sheets of white paper in a symbol of tacit defiance.
In Beijing, students at Tsinghua University raised signs showing a math equation devised by the Russian physicist Alexander Friedmann, whose surname in Chinese is a homonym for “free man.”
The Declaration of Sentiments, also known as the Declaration of Rights and Sentiments, is a document signed in 1848 at the first women's rights convention to be organized by women. Held in Seneca Falls, New York, the convention is now known as the Seneca Falls Convention. The principal author of the Declaration was Elizabeth Cady Stanton, who modeled it upon the United States Declaration of Independence.
Facebook came under fire when its authentic-name policy led to San Francisco drag queen Sister Roma and others being barred from the social network. The policy allows users to report people they believe are using fake names. This caused a stir when a group of drag performers suddenly found that their Facebook accounts had been deactivated. Among them was Sister Roma, who had not registered on the site under her legal name, Michael Williams.
This is the sixth piece of the series Tatlin’s Whisper which examines the relationship between apathy and anaesthetization of the images in the mass media. This series intends to activate images, well-known because of having been repeatedly seen in the press, but are here decontextualized from the original event that gave way to the news and staged as realistically as possible in an art institution.
While meditating in front of a Nepalese Sarasvati statue on New Year's Day in 1991 at her California home, Mayumi received a calling that brought a sudden halt to painting. Having witnessed the horrors of atomic bombings as a child and later, watching her beloved Japan become a leader in nuclear-energy, and seeing the effects of depleted uranium, Mayumi had to pursue a global cause greater than her art or feminism.
Little Amal is the 12 foot puppet of a 10 year old Syrian refugee child at the heart of The Walk. Over the last year she has become a global symbol of human rights, especially those of refugees.
Since July 2021, Amal has travelled over 9,000km and been welcomed by more than a million people on the street, including hundreds of artists and civil society and faith leaders, as well as by tens of millions online.
Over the winter break, I was actually able to see the recently re-decorated Robert E. Lee statue in Richmond, Virginia. After the height of the Black Lives Matter Protests over the past summer, it couldn’t be torn down, but it was fully wrapped with protest art. All phrases and slogans (such as Black Trans Lives Matter, ACAB, Etc.) were in full display over the statue of the infamous Confederate General.
Whose Chinatown? Examining Chinatown Gazes in Art, Archives, and Collections, brings together an art history of Chinatowns and their communities by historical and contemporary Canadian artists such Emily Carr, Unity Bainbridge, Yucho Chow, Fred Herzog, Paul Wong, Mary Sui Yee Wong, Morris Lum, and aiya哎呀, among others.
When Jonathan D. Chang visits the 626, he often wears a black hoodie emblazoned with a colorful print of Guangong on the back. A military general from the Three Kingdoms era turned Taoist guardian deity, Guangong, or Guan Yu, is known throughout China and parts of Vietnam as a symbol of wealth and protection. Chang’s hoodie features his own design of the deity, which he drew in classic chibi fashion with a big head and smaller limbs.
"Every night, at 8pm, during 15 minutes, take a casserole or any object that makes some noise and bang it with all the wrath that Bill 78 inspires you!" Citizens in Quebec adopted 'cacerolazo,' a form of popular protest which consists of a group of people making noise by banging pots, pans, and other utensils in order to call for attention.
Global Citizen arranged a virtual concert to celebrate all those who are working during the COVID-19 epidemic, from the healthcare workers to essential workers. The lineup included Lady Gaga, Taylor Swift, Billie Eilish, Jennifer Hudson, and over 30 more artists. The concert took place live on Youtube and ran for around 6 hours.
The work of a radical theater and puppetry collective, known as Papel Machete, produces and performs throughout Puerto Rico and the United States. Papel Machete was established on May 1, 2006 during protests responding to the government shutdown and political and economic crisis prompted by Puerto Rico’s status as a United States colony.
Debuting at Cleveland Triennial for Contemporary Art, July 14 – September 30 for FRONTart 2018 is ‘The American Library’ by Yinka Shonibare MBE, a celebration of the diversity of the American population. It aims to be an instigator of discovery and debate. The thousands of books in this art installation are covered in the artist’s signature Dutch wax printed cotton textile.
During the economic crisis of 2008, bankers in Spain took advantage of the economically disadvantaged, and the artwork La Fiera en Sevilla, or the Wild Animal in Sevilla in English, brings attention to this money-centric act from the bankers. La Fiera refers to the bankers at the time that used predatory methods in their actions to forcibly evict poor people from their houses.
There were still bloodstains outside the Midwood Mobil gas station on Friday night; a fresh sign taped to a lamppost read “A Hate Crime Happened Here.” This is the place where, less than a week prior, 28-year-old O’Shae Sibley, a gay Black dancer and choreographer, made a pit stop with friends after a Jersey beach day.
It was 1967, and sentiment against the Vietnam War was in the air nationwide. The counterculture was flourishing on the heels of the Summer of Love. Organizers from Mobe — the National Mobilization Committee to End the War in Vietnam — initially called for a massive march on Washington.
Private Dinner Party: Clothing Not Allowed
The Füde Dinner Experience gathers those who want to meet, eat and drink — only after leaving their clothes at the door.
When mothers take to the streets — particularly those from privileged groups — governments take note. The “wall of moms” in Portland has taken up the cause against police violence.
Two children stand back-to-back, but they are facing two very different Chicagos. One child blows bubbles in a park under blue skies. The other wears a gas mask against a backdrop of scrap metal and billowing smokestacks.
On the opening day of the Spring/Summer 2011's season of Mercedes Benz's New York Fashion Week, former fashion editor, speaker, and fashion activist Michaela Angela Davis led a protest of approximately 20 black women, dressed in black suits, carrying signs with the names of every fashion editor in the 40 year history of African American fashion and lifestyle magazine, Essence Magazine.