"MASK" is an art exhibition that explores the uses and meanings of masks, and ones feelings about them. Masks throughout history have taken many forms and have served many purposes. They have been used in construction, scientific research, technical manufacturing, medicine, the theater, and warfare.
Maryland Hall, in partnership with the Banneker Douglass Museum and Maryland Commission on African American History and Culture, invited Maryland-based Black artists, whose work encapsulates activism and social justice and using the creative process to educate their audiences about diversity, equity and inclusion to send proposals to take one of six 5 ft.
In 2013, Ghana ThinkTank received a Creative Capital Award for Emerging Fields, enabling them to begin the multi-year ThinkTank at the Border project. In this project, they are collecting problems from civilian border patrols like the Minutemen, "Patriot" groups, and Nativist organizations, and bringing them to be solved by think tanks of undocumented workers in San Diego and recently deported immigrants in Tijuana.
Four prominent Australian artists – Aretha Brown, Claire Martin, Kaff-eine and Jane Gillings – will gather in Canberra this Sunday, to discuss their art, activism and ideas, marking the closing weekend of Kambri’s HERE I AM festival.
The Art Activism by Great Women Conference is a day-long event, involving artist talks, Q&A sessions, panel discussions, afternoon tea, wine tasting and networking.
Through her work, South African art activist Athenkosi Kwinana aspires to deepen the understanding of Albinism in her native country, where she has faced discrimination in most aspects of her life from childhood days on. Working with both drawing and printmaking, Kwinana creates large self-portraits that aim to constructively reimagine the representation of Albinism in the country’s black communities and African contemporary art as whole.
National Museum of Women In the Arts:
To maintain their anonymity, group members wear gorilla masks in public and adopt the names of historic women artists, such as Käthe Kollwitz and Frida Kahlo, as pseudonyms.
The signature angst of our time was profoundly expressed in the poems submitted for WOMAWORDS Literary Press June 2020 edition, Imaging Life After COVID-19, offering women poets an opportunity to write about their experience of the pandemic and their vision of or for the future. The universal trauma wrought by this virus, invisible and silent and pouncing with madness and mendacity, brings us to a place we’d like to forget but never will.
“Rose Boy” (玫瑰少年) refers to Yeh Yung-chih, a 15-year-old junior high school student in Taiwan who died on April 20, 2000, after years of bullying due to his non-conforming gender expression. Though the official cause of death was ruled accidental—he allegedly slipped in a school bathroom—the circumstances surrounding his death, including prior complaints from his mother about repeated verbal and physical harassment, drew widespread public attention.
The Ice Bucket Challenge, sometimes called the ALS Ice Bucket Challenge, was an activity involving the pouring of a bucket of ice water over a person's head, either by another person or self-administered, to promote awareness of the disease amyotrophic lateral sclerosis (ALS, also known as motor neuron disease and in the U.S. as Lou Gehrig's disease) and encourage donations to research.
Gregg Segal -- a California-based artist who is known for using the medium of photography to explore culture with the "sensibility of a sociologist" -- travelled around the world asking kids to keep a journal of everything they ate in a week. Once the week was up, Segal made a portrait of the child with the food arranged around them:
Covenant House has started a ‘Sleep Out’ movement that shines light on the youth homelessness crisis and raises funds for young people who seek shelter. "Covenant House empowers young people to overcome homelessness and trafficking by providing them with safe housing, food and clothing, and relentless support. Sleep Out events are held for people who want to join the movement as they give up their bed for one night in NYC.
Located in Thomas Paine Plaza, across the street from City Hall, Hank Willis Thomas’s All Power to All People was a public art intervention that dealt with racial identity and representation in Philadelphia.
WASHINGTON, Feb. 12, 2023 (GLOBE NEWSWIRE) -- While the United States is getting prepared once again for the Big Game on February 12th, the event with the highest audience nationwide, few are aware that last year there were more than 45,000 gun violence victims, and just during the first month of 2023, there were more than 39 massive shootings in the country.
"But Ms. Hojabri lives in Iran, where women are not allowed to dance, at least not in public. The 19-year-old was quietly arrested in May and her page was taken down, leaving her 600,000 followers wondering where she had gone.
A blind artist has unveiled an image of Donald Trump in Braille dots, which spell out his conversation with Secret Service agents following the assassination attempt in July 2024.
Seconds after the shooting in Butler, Pennsylvania, agents tried to move Trump to safety, but he demanded to retrieve his shoes and then paused to make a fist pump gesture.
On the small island of Teshima in Japan’s Seto Inland Sea, Multibasket – No One Wins invites visitors to reconsider competition, collaboration, and the intersection of art and play.
In mid-November, the nonprofit group Asian American Federation released 10 travel posters designed to subvert a question that can instantly get under the skin of any person of Asian descent in the United States: “Where are you really from?”
Founded in India, this collective creates participatory murals that transform public spaces into affirmations of love and resistance. Collaborating with marginalized communities, they co-create artworks that challenge narratives of fear and oppression
The aim of the action is to create a fractal network of poets, where their poems will be recited, recorded, set to music, will be activistically acted as performance material in order to resist the censorship of art.
The field of action is the poets who will be born and the network that will be created by the restless artists.
In Pittsburgh, Memphis and Los Angeles, massive billboards recently popped up declaring, “Birds Aren’t Real.”
On Instagram and TikTok, Birds Aren’t Real accounts have racked up hundreds of thousands of followers, and YouTube videos about it have gone viral.
Last month, Birds Aren’t Real adherents even protested outside Twitter’s headquarters in San Francisco to demand that the company change its bird logo.
The protracted queue. That was the first thing I noticed when I arrived. It was winding, unending and impossible to see exactly where it began. I asked one of the security guards if he had any indication as to the waiting time. His response was a “your guess is as good as mine” shrug. As the mammoth line snaked around the building, my heart sank further – it is a myth that Brits love to queue; we feel compelled to, we don’t love it.
The play celebrates the life and legacy of the Mexican-American labor activist César Chávez. His early life as well as his partnership with Dolores Huerta, activism with the National Farm Workers Association, the 1968 grape boycott, and his ongoing commitment to nonviolent civil rights work.
Concept
1. This is a participatory art action initiated by Action Office, aiming at questioning current democratic elections in Singapore and shaping an alternative possibility.
2. Design the pocards to resemble ballots, inviting people to fill out election results and mail them to the corresponding country’s polling stations or current government.