Cassils' Becoming an Image confronts issues of queer and trans visibility, bodily violence, and the politics of witnessing. The performance uses a powerful blend of media—including live action in darkness, flash photography, clay sculpture, and sound—to explore how trauma and resilience are physically and symbolically inscribed onto the queer body.
Several nights of Halloween celebration in Shanghai provided a vivid, if indirect, commentary this week on the malaise gripping the world’s second-largest economy.
Shirin Neshat’s Women of Allah is a photographic series exploring the complex identities of Muslim women in post-revolutionary Iran. Combining black-and-white portraits, Persian calligraphy, and symbolic elements such as guns and veils, Neshat interrogates themes of martyrdom, violence, femininity, and resistance.
Covenant House has started a ‘Sleep Out’ movement that shines light on the youth homelessness crisis and raises funds for young people who seek shelter. "Covenant House empowers young people to overcome homelessness and trafficking by providing them with safe housing, food and clothing, and relentless support. Sleep Out events are held for people who want to join the movement as they give up their bed for one night in NYC.
The Folded Map Project is a project by Tonika Lewis Johnson, a photographer and community activist from Chicago. The project aims to investigate and change the racial and economic segregation that affects the city and its residents.
On Friday night, as U.S. television screens burned with images of peaceful protests turning violent, Nike released a new socially conscious ad calling on Americans to do something quite different than the brand’s usual call to “Just Do It.” Instead, one of the nation’s leading athletic apparel companies called on individuals to not turn their back on the painful issue of racism in the United States.
In 1996, filmmaker John Akomfrah created the character of the Data Thief as a narrative device to offer an insightful study of Afrofuturism in his film The Last Angel of History, which links Black musicians including George Clinton, Derrick May, and Sun Ra to Akomfrah’s thesis about the role of technological fantasy in Black artistry across genres and mediums.
In conjunction with the GUTS world tour, Olivia has launched Olivia Rodrido’s Fund 4 Good, a global initiative committed to building an equitable and just future for all women, girls and people seeking reproductive health freedom.
A portion of the proceeds from all ticket sales at the GUTS world tour will go towards the Fund 4 Good.
The Fundred Dollar Bill Project, initiated by artist Mel Chin, is a collaborative art project aimed at raising awareness and mobilizing action against the environmental and health threat of lead contamination. It encourages individuals to create their own unique interpretations of $100 bills, symbolizing the value of human lives and the need for a lead-free future.
About us
"Path to Peace" - is a joint mosaic creation, by thousands of people, towards hope, love, and happiness among all people. The creation is placed upon the border wall that divides the Gaza Strip and Israel, adjacent to the homes of Moshav Netiv HaAsara.
The creation is seen from both sides of the wall, spreads on the gray security wall and completely changes the place's atmosphere.
Artist: Félix González-Torres
Media: Candies in variously coloured wrappers, endless supply, ideal weight of 175 lb
Date & Location: 1991
Where can I find this item?: Art Institute of Chicago, Contemporary Art, Gallery 293
Source: Wikimedia Commons (Creative Commons)
The internet has reshaped the ways we learn and communicate. Information becomes heuristic, concomitantly - knowledge becomes protean. If you dedicate enough time to any particular platform, you are likely to acquire a community with congenial individuals. Social media’s proliferation has obfuscated the lines between reality and fiction. Embraced as a tool for many, these digital spaces typically have no monitoring process.
Users on the social media app TikTok are claiming some credit for the disappointing turnout at the president's rally in Tulsa, Oklahoma, over the weekend, after a weeks-long campaign to artificially inflate the number of people registered to attend. The prank may have helped lead the Trump campaign to boast about more than a million people seeking tickets for the rally — while only about 6,200 ended up filling seats.
China's "Punchline Queen" Yang Li is no stranger to controversy.
The 29-year-old is now one of the country's most well-known comedians, having risen to fame in recent months on a Chinese television show called "Rock and Roast".
Every week, in front of a national audience of millions, she addresses controversial gender issues using a style unfamiliar to many Chinese viewers - stand-up comedy.
Established in 2015 in the Tennōzu neighborhood of Tokyo, and attracting industry professionals and art enthusiasts from both Japan and abroad, PIGMENT TOKYO has emerged as an art supply store specializing in the materials and tools used in traditional Japanese painting, such as mineral pigments, washi paper, and brushes. However, it’s more than just a store.
Can you finish the lyric? “Your driver could be LGBTQ, Your Tailor could be LGBTQ,…” If you can’t, you may be a part of the majority who doesn’t know about the song Wo Fie. However, for those in the LGBTQIA+ community, and followers of Ghanaian musician Angel Maxine, the song has become a Pride month anthem.
For the past few years around election time in Serbia, people have taken to the streets to protest government corruption, attacks on free press and voter suppression. This Spring, despite a nationwide lock-down to combat the COVID-19 pandemic, activists are finding new ways to protest the country’s increasingly-repressive government.
On the eve of Wells Fargo’s annual shareholders meeting in San Antonio, TX on Tuesday, home defenders, students, community groups, and activists in ten cities took peaceful action against the bank. Petitions signed by thousands of people were delivered to Wells Fargo branches and offices across the country calling on CEO John Stumpf to change the bank’s predatory practices.
Asian Americans standing up for themselves, the Black Lives Matter movement, and their home: New York City
In 2020, as COVID-19 flared through New York City and NYC hospitals saw a spike of nearly 200,000 patients, Asian and Pacific Islanders (APIs) faced an added threat: blame, racism, and xenophobia.
Singaporean artist Lee Wen’s series Journey of a Yellow Man (1992–2012), one of his most famous and long-standing performances, was not simply a personal affront, it was a political affront. At the intersection of Asian art history, critical race theory, and migration and diasporic studies, one is never far (enough away) from the chromatic framing of race and ethnicity: yellow race, yellow peril, yellow face, the forever foreigner.
During the 2020 and 2021 social protests in Chile, Colombia, and Peru, Latin American fans of K-pop, Korean popular music and culture that mixes rhythms, styles, dance routines and has a defined aesthetic, went from using social networks to support their favorite artists to using them to sabotage the hashtags of conservative influencers that discredited the mobilizations.
In 2013, Ghana ThinkTank received a Creative Capital Award for Emerging Fields, enabling them to begin the multi-year ThinkTank at the Border project. In this project, they are collecting problems from civilian border patrols like the Minutemen, "Patriot" groups, and Nativist organizations, and bringing them to be solved by think tanks of undocumented workers in San Diego and recently deported immigrants in Tijuana.
The signature angst of our time was profoundly expressed in the poems submitted for WOMAWORDS Literary Press June 2020 edition, Imaging Life After COVID-19, offering women poets an opportunity to write about their experience of the pandemic and their vision of or for the future. The universal trauma wrought by this virus, invisible and silent and pouncing with madness and mendacity, brings us to a place we’d like to forget but never will.
"Gardens Speak is an interactive sound installation containing the oral histories of ten ordinary people who were buried in Syrian gardens. Each narrative has been carefully constructed with the friends and family members of the deceased to retell their stories as they themselves may have recounted it. They are compiled with found audio that evidences their final moments.