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Two climate activists scrawled blue ink across a series of Andy Warhol screen prints at the National Gallery of Australia in Canberra, Australia this week to raise awareness of the country’s fossil fuel subsidies. Images and video of the protest posted to social media show the two activists also trying to glue their hands to the famous print series titled Campbell’s Soup I, which is framed and under glass.

Released as a single on 23 December 1966, Buffalo Springfield’s For What It’s Worth became the short-lived but talent-packed band’s biggest hit, reaching No.7 on the Billboard Hot 100 chart in the spring of 1967.

The scraps of paper swirled through the Guggenheim Museum in New York on Saturday night like confetti, thrown from an upper walkway into the central rotunda before floating to the ground.

On the eve of the 60th anniversary of the communist takeover of China, Tibet activists projected messages of support for human rights and freedom from inside and outside of the Empire State Building, countering China’s public relations stunt to bathe the building in red and yellow light. “NY [Hearts] Human Rights” was projected from inside the ESB onto a nearby building.

Located within Boston’s historic (brick) core, and using the history of Boston as example, this kinetic, site-specific, public art installation is a humorous commentary on our use and trust of the internet for learning.

By Catherine Porter I spent an hour Wednesday morning talking pigs and Leo Tolstoy on a traffic island outside the Princes' Gates. Anita Krajnc and her group call this “Pig Island.” They come here most weeks to watch and photograph the pigs en route to their death at nearby Quality Meat Packers.

On Sunday, September 16th at around 1am, a white van—labelled with “Van Wagner’s” blue logo and topped by a yellow strobe light—circled through permanently lit Times Square. Inside the vehicle, the driver and passenger, both dressed as construction workers, were nervous. They had just vandalized one kiosk a few yards away from an NYPD tower, now they were about to hit another one right underneath the nose of a large white NYPD security camera.

The streets of Santiago are once again alive with the spirit of revolution. For weeks now, working-class Chileans have occupied national monuments and blocked major intersections in protest of widespread inequality. They desire full reform — a request so long in the making that it is practically tradition. The country’s floundering political elite offer half measures while dispatching riot police and the military.

Anonymous urban artists set up art installations, large nest eggs, at several locations in Skopje, wanting to alarm the growing number of trees in the city. In the nest read a message "You cut all the trees, where do we make nests? Birds".