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Our key beliefs and principles are the very pillars that form the backbone of our movement: ‘Taking Up Space’: We believe marginalised voices must take up their rightful space in this world and deserve to have their voices heard, lived experiences believed, and should be visible in a world of constant erasure.

The Creativity Movement (formerly known as the World Church of the Creater) is a self proclaimed white supremacist organization with factions across the United States. In 2004, a high ranking leader of the Montana based faction defected from the group, but not before donating over 4,000 of the group's bibles called the 'RAHOWA' (acronym for racial holy war) to the Montana Human Rights Network.

No matter how nuanced current superhero comics may be, to the general public they are still fairly simple. Superheroes are the good guys, supervillians are the bad guys, and it’s easy to see who is who. That’s why kids like to dress up as superheroes on Halloween — and why should they have all the fun?

From Time Magazine: It's not a dress—it's a cape We’ve all seen the woman in the triangle dress that marks women’s bathrooms. But what if that triangle silhouette isn’t really a dress?

At the end of June of this year, as France sweated through record high temperatures, a group of men took a moment to escape the heatwave and compete in the inaugural Mr Triton France competition. Organised by Merman Ludo, the event – which organisers believe might be the first of its kind in the world – saw ten competitors from all over the country face off in a battle to be the best merman France has ever seen.

Foreigners out! Schlingensiefs Container (Ausländer raus! Schlingensiefs Container), alternately named "Wien-Aktion", "Please Love Austria—First European Coalition Week", or "Foreigners Out—Artists against Human Rights", is an art project and television show from 2000 that took place within the scope of the annual Wiener Festwochen. It was created by Christoph Schlingensief and directed by Paul Poet.

At first, you don’t know what you’re looking at. A gray expanse of uneven geometry surrounded by undulating brown. Shift your perspective a bit and it might be a close-up of a distressed textile, with subtle hues and textures surfacing as your eyes adjust. And then the horizon comes into focus. Now you know where you are. In the distance are the classic jutting buttes of Monument Valley, familiar to anyone who’s ever seen a John Ford Western.

The theatre has luxurious red velvet upholstered seats, grand ceilings and gilded trimmings. The rows of chairs stretch back into the ostensible blackness, with light beaming from the projector room. Ahead, archival footage of stylish black travelers pack the screen as an unseen narrator discusses the hardships of mid-20th-century black travel.

CLEVELAND, Ohio – Dana Schutz, the acclaimed New York artist who trained at the Cleveland Institute of Art, famously stirred controversy at the 2017 Biennial at the Whitney Museum of American Art with “Open Casket,’’ her painting depicting Emmett Till’s body in its coffin. Till, a black 14-year-old, was murdered and mutilated by white men in Mississippi in 1955 after having been falsely accused of flirting with a white woman.