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Unfortunately, those who struggle for a more equal and democratic society are not the only ones who can make use of creative forms of activism. The following example shows how creative strategies can also be employed by those who have less wholesome intentions in mind.

“Artists Support Ukraine”, an initiative that seeks to bring attention to the Euromaidan protests in Kiev, through art.

Pine Ridge Indian Reservation is home to the Oglala Lakota, designated as part of the Great Sioux Reservation. This land and its people have endured many tragedies at the hands of the United States government. Over 500 treaties negotiated in good faith with the U.S. government have been broken, changed or nullified to suit expansionist interests. Despite centuries of oppression, the Lakota people remain resilient, faithful, and strong.

Breach Theatre’s multimedia play The Beanfield joins a growing trend of artists using documentary inquiry to hold violent and corrupt institutions to account.

The Green Belt Movement (GBM) was founded by Professor Wangari Maathai in 1977 under the auspices of the National Council of Women of Kenya (NCWK) to respond to the needs of rural Kenyan women who reported that their streams were drying up, their food supply was less secure, and they had to walk further and further to get firewood for fuel and fencing.

A town in northwestern Syria has become the creative center of the revolt against President Bashar al-Assad. Since the beginning of the uprising, the residents of Kafr Anbel have drawn signs that skewer the Assad regime and express outrage that the world has not done more to stop the killing in Syria.

QUESTION: Year after year, decade after decade, you alert the legal authorities to cruelty violations and suffering animals in peril, yet nothing ever happens. You know for a fact there are thousands of screaming and suffering hens inside a factory farm and you know the authorities will once again turn a blind eye, so what do you do? 



From 2008 to 2010 Bronson and Hobbs performed Invocations of the Queer Spirits, bringing together small groups of men—in Banff, New Orleans, Winnipeg, Manhattan, and Fire Island—in a secret group ritual that was different every time and yet always the same.

Released as a single on 23 December 1966, Buffalo Springfield’s For What It’s Worth became the short-lived but talent-packed band’s biggest hit, reaching No.7 on the Billboard Hot 100 chart in the spring of 1967.