Monopoly was invented to demonstrate the evils of capitalism
Buy land – they aren’t making it any more,’ quipped Mark Twain. It’s a maxim that would certainly serve you well in a game of Monopoly, the bestselling board game that has taught generations of children to buy up property, stack it with hotels, and charge fellow players sky-high rents for the privilege of accidentally landing there.
In the summer of 2011, squatters take over an unused building, once an animal shelter, and begin renovating it into a social and cultural center for a neighborhood on the outskirts of Amsterdam. They call it Op de Valreep ("in the nick of time").
This project consisted of an articulation between research, public policy and art. Corpovisionarios por Colombia was implementing a social change initiative in one of the poorest and most violents neighborhoods in Cali, Colombia. The demographic information showed that the most implicated population in the violence and murder cases were young men. They informed their masculinity through ideas of territory and its violent protection.
Luzinterruptus turns their art activism towards the overabundance of dog doo littering the city’s streets.
The studio inflated 500 poop-scoopin' plastic bags and placed a lightbulb inside each one.
Installation lasted nine hours.
Students at the University of California-San Diego were surprised when an Unmanned Aerial Vehicle, commonly referred to as a drone, crashed in the middle of campus — or at least they thought that’s what happened.
Faced with a lack of prosecution of those accused of crimes against humanity committed during Argentina’s military dictatorship, family members and descendants of the country’s estimated 30,000 disappeared took action.
Jean-Michel Basquiat was an American artist who rose to fame in the 1980s. He is known for his graffiti-inspired paintings that often engage with issues surrounding racism and inequality. Basquiat's work challenged the status quo and incited a powerful social commentary on the struggles of marginalised social groups.
JAY SHELLS DROPS “RAP QUOTES,”
HIS MOST SITE-SPECIFIC STREET ART PROJECT YET
By Aymann Ismail | March 25, 2013 - 12:30PM
After schooling New Yorkers on etiquette via numerous unsanctioned interventions, artist Jay Shells channeled his love of hip hop music and his uncanny sign-making skills towards a brand new project: “Rap Quotes.”
The internet has reshaped the ways we learn and communicate. Information becomes heuristic, concomitantly - knowledge becomes protean. If you dedicate enough time to any particular platform, you are likely to acquire a community with congenial individuals. Social media’s proliferation has obfuscated the lines between reality and fiction. Embraced as a tool for many, these digital spaces typically have no monitoring process.
Mine is not Arts for the sake of Arts. It is a revolutionary INSGINA carved into the artistic plaque of my DNA to speak FREEDOM of expression and then freedom after EXPRESSION. The footprints of my revolutionary walk are dipped in the paths of RESISTANCE. My Ideological Swag -word is CREATIVITY. My spiritual birth mark is RESILIENCE. My revolutionary slogan is a nonviolent but a poetic fist of MASS INSTRUCTION. I am non-selfish believer.
On Monday, May 22nd, trans children and teenagers from across the country threw a prom on the National Mall, a youth-led public celebration of trans joy at a time when more and more states are adopting viciously anti-trans legislation. The Meteor’s Mik Bean spoke to Daniel Trujillo, 15, one of the event’s organizers, about the power a little party can have.
Chanel Miller is a Palo Alto–born artist and writer. She first came into the public eye as “Emily Doe,” the victim of a 2015 Stanford University sexual assault whose impact statement presented in court went viral. Miller relinquished her anonymity in 2019, when she published the acclaimed memoir, “Know My Name.” "I was, I am, I will be" is Miller’s first commissioned artwork for a museum and is on view through February 2022.
Anonymous urban artists set up art installations, large nest eggs, at several locations in Skopje, wanting to alarm the growing number of trees in the city.
In the nest read a message "You cut all the trees, where do we make nests? Birds".
In July and August 2013, O Teatrão, a Coimbra based theatre company, presented the project Arruinados, comprising three theatre performances in three abandoned spaces (‘ruins’), one in each of three cities in the Centre region of Portugal located along the Mondego River:Coimbra, Montemoro Velho, and Figueira da Foz.
"Everyday Iran”, inspired by “Everyday Africa”, is the most widespread mobile photography project based on social networks in Iran which started since early in 2014.
We in Everyday Iran ask the whole people who live and work in Iran to send us their photos of daily life in the country with #everydayiran. Those photos which are selected by 5 Iranian curators are reposted on our social media pages.
Global Citizen arranged a virtual concert to celebrate all those who are working during the COVID-19 epidemic, from the healthcare workers to essential workers. The lineup included Lady Gaga, Taylor Swift, Billie Eilish, Jennifer Hudson, and over 30 more artists. The concert took place live on Youtube and ran for around 6 hours.
In a sleepy town in Iranian Kurdistan, people take off their winter coats. It is evening, and outside one can just about discern the silhouettes of the mountains that lead to the Turkish and Iraqi borders. Inside, some 60 people fill the small community centre with a clammy heat. But it is not just warmth they are after. They have come for poetry.
From Creative Time, Social Practice Archive: Produced by the Windsor, Canada-based collective Broken City Lab—an artist-led interdisciplinary research group—Cross-Border Communication was a performative public art project that took place in November 2009 between the cities of Windsor and Detroit, which are separated by the Detroit River. For three nights, Broken City Lab projected a series of messages across the river which were visible in Detroit.
Covenant House has started a ‘Sleep Out’ movement that shines light on the youth homelessness crisis and raises funds for young people who seek shelter. "Covenant House empowers young people to overcome homelessness and trafficking by providing them with safe housing, food and clothing, and relentless support. Sleep Out events are held for people who want to join the movement as they give up their bed for one night in NYC.
There are no whistles, no loud speakers, and no placards held up high in this quiet act of subversion. Pimsiri Petchnamrob stands silently in a mass of sharply dressed Bangkok commuters, her hands clutched around a copy of George Orwell's 1984.
Next to her a small group of young men and women, their faces sombre and their heads bowed low, also read books about fictional and real totalitarian worlds in silence.
In 2013, Ghana ThinkTank received a Creative Capital Award for Emerging Fields, enabling them to begin the multi-year ThinkTank at the Border project. In this project, they are collecting problems from civilian border patrols like the Minutemen, "Patriot" groups, and Nativist organizations, and bringing them to be solved by think tanks of undocumented workers in San Diego and recently deported immigrants in Tijuana.
Gender equality charity Women of the World (WOW) is launching a one-day festival of activism that invites people from all generations, genders and backgrounds to take part in conversations around sexual violence.
In this article, author Caroline Choi highlights different grafiti artists and their stories. These artists use their talent to tell their stories, ones that might not get to be told otherwise. She goes into the history of grafiti, and how it ties into how rich and white the art world has become.
On an unnamed part of the internet, young adult author Gwen C. Katz found a delightfully deluded male author claiming that his facility with writing natural women characters constituted an unassailable rebuke to the idea that we need diverse authors to write diverse viewpoints. If a male author can write a woman this convincing, surely there’s no need for the #OwnVoices movement!