On March 10, 1914, Mary Richardson slashed Velasquez's "Rokeby Venus" with a small axe during public hours at the National Gallery in London. A militant suffragette protesting the force-feeding of imprisoned suffragettes in prison (and the Cat and Mouse Act which released the starving women only until they were slightly healthier only to imprison them again), Richardson released this statement after her arrest:
I was 24 years old. We were in danger. The Israeli planes were flying raids overhead. And I was designing posters." Hosni Radwan won't easily forget the conditions in the Beirut offices of the PLO Information Department, as an exhibition of the work it produced opens in London.
Protesters bathed an entrance to the Tate Britain in mock oil provoking anger from guests attending a party to mark 20 years of BP's sponsorship of the flagship gallery. A dozen veiled artists, angered by the Tate's continuing involvement with the oil giant, spat vats of treacle before covering the area with feathers as guests arrived.
A new piece of art by Banksy was unveiled in London on Monday in a protest targeting one of the world's largest arms fairs. The work will be displayed for a week at Art the Arms Fair, an exhibition set up to oppose the Defence Systems & Equipment International (DSEi) exhibition being held in the British capital this week.
Last June, Harris Reed became a member of the “Class of 2020” -- the crop of young fashion talent who graduated into an industry on rocky ground due to the pandemic. Over the eight months that have passed since earning his cap and gown at Central Saint Martins, Harris seems to have done a good job of finding his feet.
Artist Luke Jerram created a genderless sleeping figure made of glass lying on a piece of cardboard and exhibited in the streets of London. The artist said in an interview "For every person you see sleeping on the streets, there are many others sleeping in hostels, squats and other forms of unsatisfactory and insecure accommodation.
The creative fusion of art and activism in urban spaces has propelled the British collective Led by Donkeys into the spotlight, garnering millions of views for their interventions on social media. Their critical visual occupations - whether billboard messages during the day or large-scale projections at night - raise a compelling question: which medium holds the greater persuasive power?
The National Gallery's long-standing sponsorship arrangement with weapons manufacturer Finmeccanica has ended, following a campaign by Campaign Against Arms Trade to 'Disarm the Gallery.' The arrangement has been terminated one year early and just weeks before the next protest event was planned.
Bob and Roberta Smith has been at the forefront of activist art for 2 decades; so who better to ask about how art is responding to these politically bleak times?
To some, the Clandestine Insurgent Rebel Clown Army (CIRCA) might appear to be but a ragged bunch of activists sporting false noses, a smudge of grease paint, camouflage pants and bad wigs. And those people may be right. But it is also a highly disciplined army of professional clowns, a militia of authentic fools, a battalion of true buffoons.
Between the late 1960s and 1970s numerous alternative printshops were set up across the UK, with the founding objective of producing, providing or facilitating the cheap and safe printing of radical materials. They were started by libertarians, aligned and non-aligned Marxists, anarchists and feminists, and as such were constitutive of the fractured and fractious politics of the post-1968 left.
As the audience enter, Olivier de Sagazan is pacing the stage, deep in thought. A slight, barefooted figure dressed in suit and tie, he circles in and out the shadows, head bowed, sometimes muttering to himself. As the audience settle and hush, his footsteps gradually become more audible (the floor is mic-ed) and begin to pound like a calling drum.
Fifty-six-year-old Dan Witz — who originally hails from Chicago but lives in Brooklyn — has been producing street art in New York since the seventies. And not just any street art. Wondrous works that trick the eye and often elude passersby altogether. Oh, but when one realizes what he or she is seeing, it’s pure revelation.
Between 1995 and 2017 the highly addictive painkiller OxyContin brought in $35 billion USD in revenue for Purdue Pharma, most of which went directly into the hands of the Sackler family.
When Tracey Emin aired her dirty laundry in the 1999 Turner Prize exhibition at Tate Britain, she set a new standard for confessional art. She conceived of the installation, titled My Bed (1998), after a long, bedridden bender following a bad break-up. When Emin finally left her sheets, she examined the mess she’d created.
On July 23rd 2011 a newly formed organization Multi-Story performed Stravinsky’s Rite of Spring in a multi-story car park in Peckham Rye London. In doing so it completely subverted the entrenched traditions of the performance of classical music. The organization used student musicians and did not charge admission.
Trade School is a self-organised, alternative learning space that runs on barter. It was started in 2010 in New York’s Lower East Side by Rich Watts, Louise Ma, and Caroline Woolard of OurGoods.org, a creative barter network. Over 800 students participated in 76 single-session classes during 35 days. Anyone can teach a class, and students sign up by agreeing to meet the barter requests of teachers.
The war against London's "anti-homeless" spikes escalated today from sign-waving to radical criminal action In the small hours of the morning, some activists dressed as builders poured concrete over the metal spikes outside a Tesco Metro on Regent Street, before vowing to strike again.
In partnership with Southwark Council, Peckham Settlement, Peckham Space and Resonance FM. Supported using public funding by the National Lottery through Arts Council England and Kickstarter Campaign supporters.
Olafur Eliasson , the Danish-Icelandic artist. Some of his exceptional artworks focus on climate and environmental changes. In 2003, he installed The Weather Project , which remains one of Tate Modern’s popular installations. He is also known for his freestanding waterfall in Versailles , his installation in which he installed a riverbed in a museum , and his gigantic rainbow installation in Aarhus, Denmark.
UK design students focusing on the use of design that moves beyond exclusivity, wealth, entitlement, and privilege, have created a coat that is also a shelter. The functional pocketed coat that converts into a tent and a sleeping bag, is intended for Syrian refugees. The students under the guidance of Dr.
Estados de excepción (States of Exception) is series of participatory cultural interventions created for women to freely and joyfully exercise our rights in public and secure environments, currently being produced in Mexico and abroad.
Cassils' Becoming an Image confronts issues of queer and trans visibility, bodily violence, and the politics of witnessing. The performance uses a powerful blend of media—including live action in darkness, flash photography, clay sculpture, and sound—to explore how trauma and resilience are physically and symbolically inscribed onto the queer body.
These thirteen life-like sculptures resemble familiar politicians, admirals, generals, bishops, and dictators. Portrayed as frail seniors, they sit dozing off and drooling in electric wheelchairs. They roll on a slow collision course, crashing into each other like bumper cars.