Featuring photographs that represent a unique collaboration between men held in supermax prisons and the photographers who fulfilled their requests.
Curated by Laurie Jo Reynolds, Tamms Year Ten, Jeanine Oleson, Parsons The New School for Design, and Jean Casella, Solitary Watch.
Have you ever wanted to see current or potential innovations for poverty or the environment without having to do a lot of researching or reading? Have you ever thought of an idea and wanted to tell the world about it and get feedback? Howitcouldbedifferent.org was founded for these purposes - to enable people to easily see, share, and suggest ideas in different categories.
Real estate agents and investors with plans to visit an open house in San Francisco Tuesday were greeted with a somewhat unexpected scene – a motley crew of Mission activists and neighborhood characters holding signs and singing, “If you buy this house, you will have bad karma.” A small brass band played along.
On November 7, 2010 Pope Benedict XVI visited our city. He would have been better off staying at home. Even before he touched land we had rendered him impotent for life. Yes: im-po-tent.
On January 18, 2012, numerous website across the internet called for an internet blackout in protest of SOPA and PIPA. SOPA, or the Stop Online Piracy Act, and PIPA, the Protect IP Act, were a series of bills promoted by Hollywood in the US Congress that would have created a “blacklist” of censored websites.
In 2013, a group of ten women incarcerated at York Correctional Institution in Connecticut, calling themselves “Women of York,” created this work of art inspired by Judy Chicago’s The Dinner Party. The installation includes six entry banners and ten place settings arranged on a triangular table, each dedicated to a woman of personal significance to the artist.
The Immigrant Yarn Project (IYP), organized and created by Cindy Weil was a massive work of public and democratic (crowd-sourced), yarn-based art honoring our immigrant heritage and promoting tolerance, difference, and community. Weil reached out across the state and beyond to collect yarn-based creations by immigrants and their descendants.
Last night I attended an Intimate Partner Violence and Sexual Assault
Speak Out, where people across campus from the LGBT community and
coalitions of color came together in one sacred space to share their
stories with strangers. For many, including me, it was the first time we
spoke out publicly. It was empowering. It was liberating. Rarely do I
let myself shed tears over my repressed memories, yet I cried over every
On 6 January 2012, Metrópolis (TVE 2) broadcast "Activismo y Ficción", a report directed by Enmedio members Leónidas Martín and Núria Campabadal. It looks at a series of creative projects that lie somewhere between fiction and social activism.
This project was born a few days after a demonstrator lost an eye after being hit by a rubber bullet shot from police guns in Barcelona. Unfortunately, it was not the first time. "Cop d' ull" means a "a blow to the eye" and also "at a glance”, which is a perfect description of this project.
Armed with a can of washable spray paint, an artist in Greater Manchester, England, has embarked on a worthy crusade: to rid the region of potholes… by drawing penises on them.
The anonymous artist, who goes by the name “Wanksy,” told the Manchester Evening News that he decided to draw attention to the “appalling” pothole-ridden streets after some of his cyclist friends were badly injured on the roads.
The Uganda National Contemporary Ballet (UNCB) presented a new powerful and moving production advocating for the child soldiers all over the world at the National Theatre in Kampala.
Rain of Poems took place over London on Tuesday 26th June 2012 at 9pm. One hundred thousand poems printed on bookmarks by over 300 contemporary poets from 204 countries fell from a helicopter over Jubilee Gardens during Poetry Parnassus as the sun sets.
Last September, Fusion commissioned artist Tatyana Fazlalizadeh, 29, to travel to Mexico City and create an installation of her highly-acclaimed art project protesting street harassment, “Stop Telling Women to Smile.” Fazlalizadeh’s visit to Mexico was her first to the country; it was also the first time the STWTS project — for which Fazlalizadeh papers city streets with hand-drawn portraits of women pushing back against their street harassers — had eve
There are few artists more innocuous, more neutered, more universally loved and reviled than Thomas Kinkade. His soft-focus images present an idyllic vision of America and of Christianity, like Norman Rockwell without the blue-collar populism, where everything is beautiful, nothing hurts, and there’s always a warm fire going in the Lincoln-Log cabin just down the trail.
In the "D", "D" doesn't really stand for "Detroit", but "Demolition." Take a look around and you'll notice a great number of buildings marked on the front with a circled "D" in faint chalk. Off to the side, many of these same buildings will also have a noticeable dot, courtesy of our own native son, Tyree Guyton.
The post (r)evolutionary exercises are the outcome of a meeting/friendship/project that started in summer 2010, when we took part in "Goings on" seminar in Beirut, Lebanon. In this seminar, curated by Cecilia Andersson, Scandinavian and Middle east art groups were invited to meet and learn about each others practices. That's what we did, we got along really well, and we started at once to think of ways to do something together again.
Isabelle Wenzel's series of photographs entitled 'Building Images' is a striking view on the idea of the office/ workplace. Not only do her images ironically translate the uncomfortable positions office workers endure sitting in a single position for 8 hours a day, but she also takes on a feminist approach by focusing on feminine models in her photographs that center upon the contorted body and office fashion worn.
“Even if you are a minority of one, the truth is the truth.” Mahatma Gandhi
#FUEELESTADO is a project about the lack of social justice and the gross human rights violations in Mexico. It examines the conflict between state power and personal autonomy and responsibility, a conflict that, in Mexico, involves missing persons and unidentified bodies and that can’t be silenced anymore.
Do we need to crowdsource a new Australian Constitution? Does anything matter more than the environment? Should Australia become a republic with an Australian head of state? Should whistleblowers be protected? Is representative democracy antiquated? Controversial artist Carl Scrase is asking these questions in a new project that mixes street art posters with political activism and aims to go viral through social media.
Made by Danish filmmakers Lotte Løvholm, Karen Andersen & Nanna Nielsen, Lagos in the Red follows Nigerian performance artist Jelili Atiku. Atiku uses his body as a prop as a means of sensitizing people to the problems that Nigeria - both as a people and a country - face.
With American Prison Perspectives, Gielen intends tol illustrate how prison complex designs reflect the politics, economic priorities and anxieties of society, yet there would be so much more to say with pictures inside the prisions.
"Since the progress of civilization in our country has furnished thousands of convenient places for this Swallow to breed in, safe from storms, snakes, or quadrupeds, it has abandoned, with a judgment worthy of remark, its former abodes in the hollows of trees, and taken possession of the chimneys which emit no smoke in the summer season." John James Audubon, The Chimney Swallow (or American Swift, Chimney Swift, Chaotura Pelasgia), from The O
On September 2nd 2015, a die-in protest to advocate against gender violence was carried out by a group called Women in Black (Olmedilla, 2015). This form of protest was likely inspired by other die-in protests in Spain and represented Spanish women who have died due to domestic violence (DV). A group of women dressed in black clothing gathered on the streets of Madrid. One by one they fell to the ground and lay there, acting dead.