Counterspace is an independent curatorial platform functioning as the first decolonial thinktank mapping cultural activism worldwide. It shapes collectively decolonial toolkits with common tools and resources, and a global directory browsable by continent, praxis, and social construct, as a Beuys-inspired ‘social sculpture’ revisited, and an alternative map of the universe.
“Undanced Dances Through Prison Walls During a Pandemic” features six dances written inside a prison, a 35-minute dance film, and 11 artists (seven choreographic interpreters and four formerly incarcerated narrators) conversing on dancing in carceral spaces.
Being a Kuwaiti citizen makes you feel like you belong to Kuwait, as nationality is a legal relationship between a person and a state. But what if you are a “halfie” and are finding it hard to answer the question “Where are you from?” Those whose fathers are Kuwaiti are automatically considered Kuwaitis but those whose moms are Kuwaiti and fathers are not, they are not granted the nationality, even if they are born here.
The Xuzhou chained woman incident, also known as the Xuzhou eight-child mother incident, is a case of human trafficking, false imprisonment, sexual assault, severe mistreatment, and subsequent events that came to light in late January 2022 in Xuzhou's Feng County, Jiangsu, People's Republic of China.
Croatian artist Sanja Iveković started Women’s House (Sunglasses) in 1998 in collaboration with a women’s shelter in Zagreb and later with women’s shelters elsewhere in Europe and Asia. Iveković organised workshops with women in these shelters to produce plaster casts of their faces, as well as to give them the space to write their life stories.
With people in Turkey and Syria still reeling from Monday’s devastating 7.8 magnitude earthquake, many in the art world have united in support of the relief efforts for the disaster. The death toll has now surpassed 22,000, with close to one million people now in need of food amid freezing temperatures.
An exercise that used drama/and audio visuals to engage with with all election partners, especially the political parties especially the political parties and their candidates/leaders, Electoral Commission, Musicians Association of Ghana, etc to push for a free, fair and peaceful Presidential and Parliamentary election and hand over of power to who ever won the elections peacefully.
Early Sunday morning, the Dallas Police Department's Twitter account tweeted for followers to download its iWatch Dallas app and share videos "of illegal activity from the protests." The police are looking to arrest lawbreakers at weekend demonstrations decrying police violence against black people. The benefit of the app, according to the tweet, was the ability for informants to stay anonymous.
Say hello to ArtActivistBarbie (AAB), whose modus operandi is small signs, big questions and a fabulous wardrobe. With her inviting call to arms, “Refuse to be the muse!” this fierce new incarnation of Barbie is helping to challenge art galleries and museums worldwide about their woeful lack of women and other minorities in their collections, and reluctance to consider the female gaze.
In the wake of the amount of police brutality that has been occurring since the dawn of the damn police, an institution that began as a way to find escaped slaves, across the United States, #manisfestjustice chooses to make its explicit artistic mission to demand that power take responsibility, and to provide avenues to community empowerment in the meantime.
Our project aims to show people that joy can be an act of resistance and resilience in the face of global justice issues when harnessed in the right way. The sharing of joy can also act as a connector in a society that continues to grow more polarised through the division of social media and mainstream media.
They’re real fashion police: Fed up with sloppy cops, the NYPD has moved to update its dress code, banning shorts on transit beats and white turtlenecks while on patrol.
The department’s updated style guide, set to take effect next month, also instructs patrol officers not to wear tactical cargo pants and reinforces longstanding guidance including a ban on shoelaces that are not black.
While meditating in front of a Nepalese Sarasvati statue on New Year's Day in 1991 at her California home, Mayumi received a calling that brought a sudden halt to painting. Having witnessed the horrors of atomic bombings as a child and later, watching her beloved Japan become a leader in nuclear-energy, and seeing the effects of depleted uranium, Mayumi had to pursue a global cause greater than her art or feminism.
Now What? project has just finished a series of interactive workshops, where global citizens came together to reflect on the global sustainability issues, got inspired and empowered to imagine the world anew through poetry and imagery.
With the focus on the community and climate action, the project is live on social platforms and soon to be a collective street art too.
The Bread and Puppet Theater was founded in 1963 by Peter Schumann on New York City’s Lower East Side. Besides rod-puppet and hand puppet shows for children, the concerns of the first productions were rents, rats, police, and other problems of the neighborhood. More complex theater pieces followed, in which sculpture, music, dance and language were equal partners. The puppets grew bigger and bigger.
ODBK is an activist organization that aims to create a more equal, diverse, inclusive, transparent and democratic art world. ODBK seeks to do this by diversify and increase the number of people who understand and engage with contemporary art.
Sirens of the Lambs is created by the enigmatic street artist, Banksy. This piece was first spotted on the streets of New York City on October 10, 2013, it went viral on social media and people are posting and reposting about it. Sirens of the Lambs is a truck full of stuffed animals – plush cows, chickens, pigs, lambs, bears – that first appeared in the Meatpacking neighborhood of NYC.
Rooted in decades of grassroots organizing, the cannabis reform activism at the University of Massachusetts Amherst is one of the longest-running student-led efforts for marijuana legalization in the United States. Led by the Cannabis Education Coalition (CEC), founded in 1991, this movement combined cultural celebration with political advocacy, using public festivals like Extravaganja to destigmatize cannabis and promote drug policy education.
In the past few years we have seen a growing awareness and concern with Internet freedom and privacy, fuelled by Edward Snowden’s revelations of the vast U.S.
MoMA presents the first comprehensive American survey of the leading contemporary artist Walid Raad (b. 1967, Lebanon), featuring his work in photography, video, sculpture, and performance from the last 25 years.
Máximas de Seguridad, a survival manual written and illustrated by Jhafis Quintero creates a new voice for the voiceless, vulnerable and underprivileged groups in prisons and creates empathy for those that are labeled as dangerous by society. The manual aims to provide empathy and humanity in light of the public scrutiny that ex-prisoners endure in the transition to social reintegration.
Conceived and curated by Bushwick native Joe Ficalora, the Bushwick Collective has evolved into an extraordinary open-air gallery since its first mural surfaced in 2011.
Attracting a wondrous array of local, national and international artists, it showcases first-rate street art -- from legendary Blek Le Rat stencils to huge collaborative walls by such world-renowned artists as Case Ma'Claim and Pixel Pancho.