Rooted in decades of grassroots organizing, the cannabis reform activism at the University of Massachusetts Amherst is one of the longest-running student-led efforts for marijuana legalization in the United States. Led by the Cannabis Education Coalition (CEC), founded in 1991, this movement combined cultural celebration with political advocacy, using public festivals like Extravaganja to destigmatize cannabis and promote drug policy education.
“Judy Chicago: Herstory” will span Judy Chicago’s sixty-year career to encompass the full breadth of the artist’s contributions across painting, sculpture, installation, drawing, textiles, photography, stained glass, needlework, and printmaking. Expanding the boundaries of a traditional museum survey, the exhibition will place six decades of Chicago’s work in dialogue with work by other women across centuries in a unique Fourth Floor installation.
Young women in South Korea are fighting for a new future. The #MeToo movement which has highlighted sexual harassment and abuse around the world has taken a surprising hold in this socially conservative country.
The stunt aims to show the impact of climate change by live streaming the sculpture melting.
A climate change group is raising half a million dollars with the goal of carving President Donald Trump’s face into an arctic iceberg.
The Finnish group Melting Ice is spearheading the initiative with the intention of carving a 115-foot ice sculpture of Mr Trump’s face, and have dubbed the effort “Project Trumpmore”.
Private Dinner Party: Clothing Not Allowed
The Füde Dinner Experience gathers those who want to meet, eat and drink — only after leaving their clothes at the door.
Homeworkers 1977 is the central piece of a multidisciplinary project that comprised photographs, interviews, news clippings and a large canvas documenting the situation of non-unionised women doing manual work at home.
In the wake of the amount of police brutality that has been occurring since the dawn of the damn police, an institution that began as a way to find escaped slaves, across the United States, #manisfestjustice chooses to make its explicit artistic mission to demand that power take responsibility, and to provide avenues to community empowerment in the meantime.
As the cold air bit our faces, and we hid deeper into our layer of sweaters, my family and I continued to wander around Manhattan, seeking a place which would provide warmth and food. And there it was, dimly lit: the Michelin-starred ramen restaurant, Tonchin. We ordered the highly-sought after ramen bowl, Tonkotsu, and awaited our meal. Out of the kitchen, the steam arose from a bowl of a warm, salty pork broth.
If you visit the Art AIDS America exhibition expecting to see activist slogans and memorial pieces along with some art-world superstars, you won’t be disappointed—Keith Haring, Robert Mapplethorpe and the “Silence = Death” slogan are present and accounted for—but you might also walk through the show scratching your head in confusion.
Now What? project has just finished a series of interactive workshops, where global citizens came together to reflect on the global sustainability issues, got inspired and empowered to imagine the world anew through poetry and imagery.
With the focus on the community and climate action, the project is live on social platforms and soon to be a collective street art too.
Pepe Espaliú was an artist from Cordoba who made various art from paintings to sculptures and public actions. He was diagnosed with AIDS in 1990, and up until 1993 when he died, he focused on drawing attention to those affected by AIDS. The Reina Sofía had a small exhibition of some of his work in 1994, in which the work on display had a lot of symbolism about his condition and suffering.
Artist Zoran Naskovski continued his project "Mandala and Cross / farewell to arms” with analysis of media representations of social processes in 2015, that resulted with a new installation: “Mandala and Cross / blackness, refugees and economic gamble”.
On Sunday April 3rd, Art Not Oil coalition member group BP or not BP? occupied the Great Court of the BP-sponsored British Museum with a 'disobedient exhibition'. Called 'A History of BP in 10 Objects', the exhibition featured artifacts submitted by frontline communities around the world who are fighting back against the impacts of BP's operations.
I Wish This Was is a participatory public art project that explores the process of civic engagement. Inspired by the limited dynamics of community meetings where the loudest people ruled, as well as the volume of abandoned buildings, Chang posted thousands of “I wish this was ___” stickers on vacant buildings across New Orleans to invite residents to easily share their hopes for these spaces.
The Protest Banner Lending Library is a space for people to gain skills to learn to make their own banners, a communal sewing space where we support each other’s voices, and a place where people can check out handmade banners to use in protests.
The large crowds and brightly coloured placards of the school climate strikes became some of the defining images of 2019.
“There would be lots of chanting and the energy was always amazing,” says Dominique Palmer, a 20-year-old climate activist from London who has been involved with the strikes for more than a year. “Being there with everyone in that moment is truly an electrifying feeling. It’s very different now.”
Our project aims to show people that joy can be an act of resistance and resilience in the face of global justice issues when harnessed in the right way. The sharing of joy can also act as a connector in a society that continues to grow more polarised through the division of social media and mainstream media.
The Violence Against Women (VAW) Art Map was conceptualized in the fall of 2018, in the wake of the #MeToo movement by Dr. Lauren Stetz, as part of her doctoral research in Art Education with a minor in Women's, Gender, & Sexuality Studies at Penn State University.
Festival “WakEUp!” (organized by “Heartefact”) happened at several locations, and included film and exhibition program. Festival originated from the need for a reaction to the present moment refugee crisis and the situation in the world, began on the 7 th of December at Gallery “G12 Hub” in Belgrade with two days performance that was dedicated to the current problem of refugees and their historical destinies.
In 2008, an earthquake devastated Sichuan province in China, claiming the lives of more than 69,000 people. Following accusations from parents that substandard construction caused the collapse of schools across in the region, the artist Ai Weiwei set upon a political investigation that would name every missing student and call the government to account for their deaths.
An exercise that used drama/and audio visuals to engage with with all election partners, especially the political parties especially the political parties and their candidates/leaders, Electoral Commission, Musicians Association of Ghana, etc to push for a free, fair and peaceful Presidential and Parliamentary election and hand over of power to who ever won the elections peacefully.
Just weeks after activists staged an alternative tour of the American Museum of Natural History to call for its removal, among other things, the equestrian statue of Teddy Roosevelt was vandalized early Thursday morning.
The Resistance Arts Trust Political Action Committee is a Super PAC with the mission of challenging great Artists to create public works of political art meant to inform communities, start conversations and drive media coverage on progressive issues, and empowering artists and the arts to a greater role in American political discourse.
Through their podcast, The Dance Union, Melanie Greene and J. Bouey have been confronting racism in the dance world, and highlighting the experiences of Black artists, since 2018. Their episodes cover a variety of topics and issues, ranging from mental health and sexual harassment to advocating for fair pay.