Institute of psychology in Shenyang, a major city of China, recently reveals 6 most frequently used utterances in verbal abuse of children among local parents: “Garbage”, “You know nothing but eating”, “Pig head”, “Shame on you”, “Why don’t you die”, “No one else is lamer than you”.
One of the most pressing questions before us in the United States now is how to resolve the tension between our personal visions and needs, on the one hand, and the demands of being a member of a community, on the other.
The late, late snow has finally disappeared from Berlin’s streets. Visible once again, here and there, are the “stumble stones” –Stolpersteine in German – with their brief, tragic messages.
Many Berlin tourists will enjoy the night life. They may also look upwards – at the giant TV tower, the Brandenburg Gate, at ancient and less ancient churches. There is a wide assortment of memorial monuments, some impressive, some uninspiring.
Chinese artist and activist Ai Weiwei has recreated the image of drowned infant Alan Kurdi that in 2015 became the defining symbol of the plight of Syria’s refugees.
For the recreation, Ai lay on a pebbled beach on the Greek island of Lesbos. His pose was similar to that of Kurdi’s lifeless body, which washed up on a beach near the Turkish town of Bodrum and was captured in a September 2015 photo.
Palestinian and Israeli flags flutter in pro-Irish and pro-UK neighbourhoods in Northern Ireland, tapping into its own history of conflict and division that still affects everyday life despite a 1998 peace deal that largely ended violence.
The Monument Quilt is an on-going collection of stories of survivors of rape and abuse. By stitching our stories together, we are creating and demanding public space to heal. We are building a new culture where survivors are publicly supported rather than publicly shamed. From 2013-2016, more and more stories will be added to The Monument Quilt as participants make their own squares, host workshops, and organize local displays of the quilt.
Mis(s)placed Women? (2009-2022), is a collaborative art project, consisting of performances, performance series, performance art workshops and delegated performances, including contributions by over 180 individuals from six continents. Many of them are artists, mainly identifying themselves as women from diverse backgrounds. Mis(s)placed Women?
Her name is ISIS-chan. And she's how nerds around the world are trying to silence violent ISIS terrorist propaganda.
It starts with the vibrant worldwide community that loves Japanese anime. Some of them have created a cute animated character as a sort of ISIS mascot.
The goal? Hijack the terrorist group's message and replace it with a girl that's oh-so-adorable.
Buses serving several routes in central Seoul have acquired a new and highly controversial passenger: a barefoot “comfort woman”, wearing a traditional hanbok dress with her hands resting on her knees.
Photo taken on Oct. 15, 2020 shows a "comfort women" statue in Berlin, capital of Germany. The statue was built to commemorate the more than 200,000 girls and women from 14 countries and regions, so-called "comfort women," who were sexually enslaved by the Japanese military during World War II. (Xinhua/Shan Yuqi)
"Myanmar has been engulfed in protest since February 1, when Burmese army general Min Aung Hlaing seized control of the government in a military coup, refusing to accept to the landslide election victory of the National League for Democracy and its leader, Aung San Suu Kyi.
“Baraye,” the anthem of Iran’s “Woman, Life, Liberty” protest movement—a song woven together entirely from a Twitter hashtag trend in which Iranians express their investment in the current protests—continues to unite Iranians in their opposition to the Islamic Republic several weeks after it was first released online.
Since the beginning of Bulgaria's transition to democracy, the monument’s meaning and future has been the subject of heated debates. Opponents to the monument aren’t happy about the presence of such a dominating foreign army monument in the country that is situated higher and more central than national symbols. In recent years, the monument has turned into a canvas for anonymous political statements on multiple occasions.
Surrounded by a jungle of tents and mud, the Good Chance Theatre was set up last year by British playwrights Joe Murphy and Joe Robertson. The refugee camp theatre has been derided by many, but for the thousands of migrants who have journeyed across the world to Calais, the small dome has been the first and only place into which they have been welcomed, and their voice valued.
The image is stark. And shocking.
A black man, his ankles shackled, his head hanging away from the viewer, stands in relief on a field of white. Chains stretching to the image's borders on the left and right pull his arms taut. Fourteen crimson marks crosshatch his back. Within the dark fabric that frames "86 Lashes to Go," a small rectangle is labeled simply "salt."
Both shows are supported by funds from New York State Council on the Arts, New York City Department of Cultural Affairs in partnership with the City Council, and Materials for the Arts (MFTA).
"Printing Lost Culture of Ukraine" November 13 – December 15, 2023
Monday – Friday, 10 am – 7 pm, free admission
Ukraine House New York, 360 Merrick Road, 3rd Floor, Lynbrook, NY 11563
Nanjing, a picturesque city lying by the Yangtze River, owes its fame to its favorable geographic position, galaxy of talents and profound historical background. Having served as the capital of ten dynasties in ancient China, its splendour has remained and even enlarged with an extended population up to 600,000 when the government of the Republic of China set up its capital there in 1927.
"Gardens Speak is an interactive sound installation containing the oral histories of ten ordinary people who were buried in Syrian gardens. Each narrative has been carefully constructed with the friends and family members of the deceased to retell their stories as they themselves may have recounted it. They are compiled with found audio that evidences their final moments.
This exhibition
is a collection of work by displaced Syrian artists. With the support of the British Council, 'Syria: Third Space' demonstrates the roles that artists play in supporting recovery and resilience. It seeks to show how artists can break boundaries, support and unite communities, re-interpret and offer alternative viewpoints through their practice.
Syria: Third Space
This piece is fascinating because of its use of just a few words and country names, muted colors, and the recreation of famous art. The artist used this canvas to depict a concern about events happening in the Gaza strip.
This project consisted of an articulation between research, public policy and art. Corpovisionarios por Colombia was implementing a social change initiative in one of the poorest and most violents neighborhoods in Cali, Colombia. The demographic information showed that the most implicated population in the violence and murder cases were young men. They informed their masculinity through ideas of territory and its violent protection.
These thirteen life-like sculptures resemble familiar politicians, admirals, generals, bishops, and dictators. Portrayed as frail seniors, they sit dozing off and drooling in electric wheelchairs. They roll on a slow collision course, crashing into each other like bumper cars.