Stop Telling Women to Smile is a street art project by Tatyana Fazlalizadeh that addresses gender based street harassment.
Street harassment is a serious issue that affects women world wide. This project attempts to take women's voices, and faces, and put them in the street - creating a presence for women in an environment where women are a lot of times made to feel uncomfortable and unsafe - outside in the street.
The Scheherazade Project is a Performing Arts Non-profit based in Washington DC. Co-founders Lisa Leibow and Julia Alvarez were inspired by Scheherazade in the Arab classic 1001 Nights and created The Scheherazade Project.
For more information, our website is https://thescheherazadeproject.org/The-Scheherazade-Project
The "I'm Not A Joke" campaign from Daniel Arzola is a series of images inscribed with compelling truths about human diversity that encourages individuals to live as their authentic selves. He wants the images to eventually appear on buses and subways, exposing audiences to the realities of queer experiences in an attempt to break down prejudice in a form of activism that he calls "Artivism."
Counterspace is an independent curatorial platform functioning as the first decolonial thinktank mapping cultural activism worldwide. It shapes collectively decolonial toolkits with common tools and resources, and a global directory browsable by continent, praxis, and social construct, as a Beuys-inspired ‘social sculpture’ revisited, and an alternative map of the universe.
Photography has long been associated with acts of resistance. It is used to document action, share ideas, inspire change, tell stories, gather evidence and fight against injustice.
This group exhibition at the SLG, organised in collaboration with the V&A, brings together works by international artists and collectives who are using the camera to challenge and move beyond traditional protest photography.
#ChallengeAccepted, also known as the Challenge Accepted campaign, is an Instagram tagged challenge as well as an awareness campaign on empowering women involving sharing posts of black-and-white selfies.
Hobby Lobby is a chain of arts and crafts stores that has recently come under fire for denying its employees affordable access to contraception. Jasmine Shea redecorated many of the craft supplies in one of their stores to "troll" them by rearranging letters to spell out "pro choice" and "all women deserve birth control"
An oversized facsimile of Rush poppers, tipped over, pouring out its viscous contents: this example of underground gay iconography blown up to almost belligerent proportions perfectly represents the aims of Party Out of Bounds: Nightlife as Activism Since 1980, a new exhibition at La MaMa’s La Galleria. The group show, curated by Emily Colucci and Osman Can Yerebakan, gathers together works by a small yet distinct menagerie of queer artists.
Empathy may be the cornerstone of any Global Justice movement, but how do we cultivate the conditions for empathy to thrive?
The wheelbarrow symbolises something universally useful, practical and pleasingly straightforward. A space to deliver things in an efficient and direct manner - no packaging and completely people powered.
In November 2013, a group of 17 female students at Beijing Foreign Studies University sparked national debate when they staged a bold social media campaign in support of an upcoming performance of The Vagina Monologues, a feminist play by Eve Ensler.
27Million aims to combat human sex trafficking and modern day slavery. They state that they are "a group of passionate individuals that are on a mission to network and resource grassroots organizations that are the frontlines of rescuing, rehabilitating, and restoring human trafficking victims."
In state capitals and street protests, women’s rights activists have been wearing red robes and white bonnets based on “The Handmaid's Tale,” the 1985 novel that is now a series on Hulu.
Silent, heads bowed, the activists in crimson robes and white bonnets have been appearing at demonstrations against gender discrimination and the infringement of reproductive and civil rights.
In May, the horrific mass shooting in Isla Vista, CA, triggered national conversations about violent misogyny. After some Twitter users began using the hashtag #NotAllMen to defensively derail the conversation, the hugely popular hashtag #YesAllWomen emerged, getting tweeted over 1 million times within just a few days.
On March 10, 1914, Mary Richardson slashed Velasquez's "Rokeby Venus" with a small axe during public hours at the National Gallery in London. A militant suffragette protesting the force-feeding of imprisoned suffragettes in prison (and the Cat and Mouse Act which released the starving women only until they were slightly healthier only to imprison them again), Richardson released this statement after her arrest:
Bob and Roberta Smith has been at the forefront of activist art for 2 decades; so who better to ask about how art is responding to these politically bleak times?
At the peak of her career in 1976, Georgia O’Keeffe refused to lend her work to a pivotal exhibition in Los Angeles, “Women Artists: 1550 to 1950.” It was one of a wave of all-female shows — some 150 — that decade to spotlight artists largely ignored by major museums and galleries. But O’Keeffe, the most famous female artist of her day, saw herself in a different category — “one of the best painters,” period.
This Girl Can is a campaign launched by England Sports to encourage women to be active no matter how they do it or how they look. In common culture, the trend is to be fit, active, and toned. Social media is filled with women having "the perfect body", sculpted to perfection in every way. Although being healthy and fit is attainable with hard work and dedication, most women struggle to attain their goals.
Catcalls of NYC is an organization that uses Instagram and everyday intervention as a platform of raising awareness about street sexual harassment. The group receives direct messages from people who have been catcalled on the street. The group goes to the location of the harassment and writes the catcall on the sidewalk in chalk. The Instagram account CatcallsofNYC then posts on their account a picture of the chalk writing.
Last September, Fusion commissioned artist Tatyana Fazlalizadeh, 29, to travel to Mexico City and create an installation of her highly-acclaimed art project protesting street harassment, “Stop Telling Women to Smile.” Fazlalizadeh’s visit to Mexico was her first to the country; it was also the first time the STWTS project — for which Fazlalizadeh papers city streets with hand-drawn portraits of women pushing back against their street harassers — had eve
A project as expansive as the Guerrilla Girls Twin Cities Takeover is a first for them. Kicking off on January 21, the festival will comprise a series of events by 30 different groups, which will take place until March 6 at more than 20 arts and cultural organizations in and around Minneapolis/St. Paul. A network of local art activists will be mobilized, and the Guerrilla Girls have been working in tandem with the area’s youth groups to prepare.
The current cultural and political context in Macedonia marginalizes lesbians and women in general, and the dominant political party forces the traditional role of the woman, where she is a mother, a housewife, and of course, heterosexual. Furthermore, the major TV stations are flooded with Turkish soap operas, where traditional values are the leitmotif of the show.
In 1998 Portuguese born artist Paula Rego created a series of work entitled Untitled. The Abortion Pastels. Rego created her work in response to a referendum to legalise abortion in Portugal, which was very narrowly defeated. Each canvas depicted the image of a woman undergoing an unsafe abortion. When the series was exhibited in the Portuguese capital, Lisbon, Rego recalled the whispered secrets of women in the gallery while looking at her artworks.
Willie Mae Rock Camp for Girls is a non-profit music and mentoring program that empowers girls and women through music education, volunteerism, and activities that foster self-respect, leadership skills, creativity, critical thinking, and collaboration.
Journalist and playwright Xandra Clark began creating Polylogues, a one woman show exploring non-monogamy, in 2017. The show is created from interviews Clark conducts around the world with people of different ages, genders, and races about their relationship with non-monogamy or polyamory (hence the name of the performance Polylogues).
Today’s Bad Bitch Award goes to Karmenife Paulino, a 22-year-old graduate of Wesleyan University. Raped at a fraternity during her freshman year, she reasserted her sexual agency in a photoshoot entitled “Reclamation,” where she poses as a dominatrix on fraternity grounds.