Last August, as protesters marched in Ferguson, Missouri, after the death of Michael Brown, the 18-year-old unarmed teen shot by a police officer, another group of activists began thinking about how to incorporate the creative community into the movement. The result is Manifest:Justice, a free pop-up art show taking place in Los Angeles.
If you've been to a Bay Area protest or community event, you've probably seen -- or even met those nuns in whiteface -- The Sisters of Perpetual Indulgence.
Devoted to human rights globally and locally, AIDS education, and respect for diversity, this controversial Order of Queer Nuns has long been a staple of San Francisco's cultural fabric. They join host Joseph Pace for the hour.
Guests:
When Patricia Stonefish returned home to the United States from Egypt in 2014, she brought with her a new outlook for conceptualizing women's self defense. Having seen firsthand the benefits and empowerment of Taekwando/ Hapkido/ Gumdo classes for Egyptian women during and after the revolution in 2011, she decided to put her decade of martial arts training to good use on home turf.
Isabelle Wenzel's series of photographs entitled 'Building Images' is a striking view on the idea of the office/ workplace. Not only do her images ironically translate the uncomfortable positions office workers endure sitting in a single position for 8 hours a day, but she also takes on a feminist approach by focusing on feminine models in her photographs that center upon the contorted body and office fashion worn.
The public bathrooms at Penn Station in New York City are a dirty, depressing place. But now, there’s a bright spot: a poster that encourages women to donate menstrual products, like pads or tampon, to help the many homeless women who frequent the bathroom.
Born in Nigeria in 1975, Péju Alatise, is a multimedia artist focusing on the experience of women and girls, particularly in her native country but with resonance across the world.
On Thursday, April 11th, GLAAD and Ogilvy, a global advertising, marketing and public relations agency, launched a bold worldwide digital campaign, “Protect This Kid,” in support of LGBTQ youth.
Buses serving several routes in central Seoul have acquired a new and highly controversial passenger: a barefoot “comfort woman”, wearing a traditional hanbok dress with her hands resting on her knees.
Both the Michelle Obama, the First Lady of the United States of America, and David Cameron, the Prime Minister of the UK, have been photographed holding signs with this hashtag in support of the still missing, kidnapped Nigerian girls.
Last November, when you Googled the phrase “ugly Black woman,” Vanessa Rochelle Lewis’s photograph was the second to come up.
“Which I’m offended by,” says Lewis, a Bay Area–based artist and writer, “since I’m an Aries and I like to be number one in everything.”
From October to December 2020, Chinese university students nationwide launched a viral movement to install “menstrual pad mutual aid boxes” in women’s restrooms—free, wall-mounted containers stocked with disposable pads on a take-one, replace-one basis. Nearly 250 campuses joined within weeks. Some sustained their boxes for over a year, while others saw them vanish after bureaucratic pushback, logistical hurdles, or dwindling volunteer resources.
Introduction: The Ambulatory Free States of Obsidia
The Ambulatory Free States of Obsidia is a tiny, Matriarchal, Micro-nation located at the confluence of feminism and geography.
Grand Marshal Yagjian's Great Vision for The Ambulatory Free States of Obsidia came in 2015 when its land claim was 'liberated' from a former lover’s house for a greater purpose.
On Saturday June 27 th the Abortion drone flies for the first time packages of abortion pills from Frankfurt an der Oder in Germany to Słubice in Poland.
From Time Magazine:
It's not a dress—it's a cape
We’ve all seen the woman in the triangle dress that marks women’s bathrooms. But what if that triangle silhouette isn’t really a dress?
Following the backlash of Netflix's support of Dave Chappelle's "The Closer" comedy special, which featured racist transphobic "jokes", Hannah Gadsby took a deal with Netflix to create a comedy special featuring genderqueer comics. The show, titled 'Gender Agenda', was tapped in the Alexandra Palace Theatre in London and released on Netflix on March 5, 2024.
"I collected 83 images of disappeared women from Chinese social media. I printed them out, cut them, organized them, and made them into a tarot deck called "Missing Persons Notice.'"
Alejandro Ghersi, the Venezuelan-born artist behind Arca, is part of a relatively recent and growing diaspora, and at a time when the political situation back home is at a fever pitch, it feels difficult not to see the ways this album relates to the anguish of that experience.
Carolee Schneemann is largely associated with her performance art of the 1960s and 1970s, in which she boldly addressed feminist and political issues in ways that shocked and engaged viewers. But she has always maintained that she is a painter, a fact often overlooked in discussions of her larger body of work. At the heart of her approach is her ongoing exploration of the boundaries of painting and drawing, as in Up to and Including Her Limits.
I get catcalled on the street by a construction worker. He says that he can see I’m smart because I have enormous books. He tells me he’s reading the latest Zadie Smith novel. I invite him to join my book club, and spend all night fantasizing about his insightful commentary around non-linear plot structure.
Rohan Zhou-Lee pens a power letter to Asian women, reminding us of our brilliance, heroism, and inherited centuries of Asian woman power.
To any Asian Woman, cis or trans, who might read this:
Artists: Cindy Maguire, Assistant Professor Art Education Adelphi University and Teaching Artist with Artistic Noise and girls ages 13-17 from the Brentwood Residential Center on Long Island.
The Milk Truck is a combination of guerrilla theatre, activism and slapstick humour. When a woman finds herself in a situation where she is discouraged, harassed, or unwelcome to breastfeed her baby in public, she contacts The Milk Truck. The truck summons social media supporters and arrives to the location of the woman in need, providing her with a shelter for feeding her baby.
Nadya Tolokonnikova is a Siberian artist and a creator of the feminist protest art collective Pussy Riot. Tolokonnikova’s political actions and wide-ranging performance interventions have established her as a leading voice in the fight against authoritarian power. During her residency, she will compose performances that demonstrate her multifaceted approach to resisting systems of oppression and dehumanization.
From intimate portraits to urban performance art, the through line of photographer Carlota Guerrero’s work has always been her stripped back sense of feminine reverie: rumpled sheets and broken shells, translucent tights and long braids, dusty floors and bare chests.