The series "No Violence Against Women" depicts famous cartoon couples transformed into victims of abuse. The women are left bloodied and with black eyes with the slogan "What Kind of Man are You?" above. The images are a commentary on domestic violence and were released in honor of International Women's Day
Nick Cave is an American fabric sculptor, performance artist, and dancer. He was born on February 4, 1959, in Fulton, Missouri. Currently, Cave lives in Chicago, Illinois, where he works at the School of the Art Institute of Chicago as the director of the graduate fashion program.
Female Frequency is a collective dedicated to empowering women & girls through the creation of music that is entirely female generated. "We are making an album created entirely by females, start to finish --
this means that all writing, instrumentation, arrangement, performance, production, engineering, mixing, mastering, marketing and visual media will be carried out by females."
Installed on the occasion of the 2016 U.S. presidential election, I want a president renders a poignant portrait of the cultural and political climate in the early 1990s in New York City with words that still resonate today.
"I collected 83 images of disappeared women from Chinese social media. I printed them out, cut them, organized them, and made them into a tarot deck called "Missing Persons Notice.'"
Last August, as protesters marched in Ferguson, Missouri, after the death of Michael Brown, the 18-year-old unarmed teen shot by a police officer, another group of activists began thinking about how to incorporate the creative community into the movement. The result is Manifest:Justice, a free pop-up art show taking place in Los Angeles.
Women's collectives and feminist groups occupied the National Commission of Human Rights demanding results to several neglected, open investigations of feminicide in the country. During the occupation, they interviewed the portraits of historical "national heroes" with spray-paint, glitter, markers, and liquid paint.
“Artist Andrea Bowers creates powerful works addressing immigration, gender violence, and environmental justice. Her large-scale drawing ‘No Olvidado’ memorializes migrants who died crossing the U.S.-Mexico border, calling attention to the human cost of border policies.”
Buses serving several routes in central Seoul have acquired a new and highly controversial passenger: a barefoot “comfort woman”, wearing a traditional hanbok dress with her hands resting on her knees.
Siempre Unidas is a feminist collective in the state of Quintana Roo (Mexico) that works partly through street art. In 2021, in response to the femicide of Victoria Salazar – a refugee from El Salvador who died in police custody – the collective began an anti-femicide mural project called RestaurAmoras.
From Jezebel:
Marley Dias is an 11-year-old New Jersey resident who’s rounding up children’s books that feature black female leads so that she and her peers have more fictional characters to look up to.
The project, titled #1000BlackGirlBooks, started when Marley complained to her mother about reading too many books about white male protagonists in school.
Hundreds of women clad in red, their heads bowed and topped with white wimples, moving slowing in formation with clasped hands is the most unforgettable image from the weeks of recent protests throughout Israel against the judicial reforms proposed by the extreme right-wing government.
Untitled (Your Body is a Battleground) is an iconic 1989 silkscreen portrait made by artist, feminist and activist Barbara Kruger .
Though the poster was meant for the pro-choice march on April 9th, 1989, in DC, the portrait is now used mainly to voice the artist’s own opinion about gender inequality. The piece is much more relevant in today’s society, where it controls the way we view and treat women’s bodies.
Lawmakers in a Utah House committee soundly rejected a bill that would have penalized doctors for giving gender-affirming health care to minors, then moments later approved legislation that included similar restrictions on transgender health care — minus the punishment — on party line during a lengthy committee meeting Tuesday.
The Guerilla Girls are a group of feminist activist artists, who use facts, humor, and outrageous visuals to expose gender and ethnic bias and corruption in politics, art, film, and pop culture in their artworks. In 1989, they designed this billboard for the Public Art Fund (PAF) in New York, aimed to criticize the museum institutions for under-representing female artists and objectifying women.
In 2012, VOW Media worked with young girls - who have been victimized by, or are at the risk of falling victim to “loverboys”, as well as girls who have gone through severe traumatic experiences, such as repeated emotional, physical and/or sexual abuse – in a series of workshops where they learned how to utilize different forms of media to create their very own self-portrait with photography, radio, and video.
“Semiotics of the Kitchen” is a feminist video art that examines the symbolism of women's confinement within domestic spaces, utilizing the framework of a televised cooking show. In this piece, Rosler assumes the role of an "anti-Julia Child," wielding a series of kitchen utensils in alphabetical order, some archaic and peculiar, assigning them arbitrary names before forcefully miming their use.
In 2016, photojournalist Gulnara Samoilova was running a successful wedding photography business. Her diverse portfolio of work spans two decades — with images in the permanent collections of The New York Public Library, 9/11 Memorial Museum and Houston Museum of Fine Arts — but weddings had become her staple business. By the year's end, she'd decided to pack it in.
She seeks to utilize her feminist art to spread awareness on mental health issues. Sravy is a nomad in her own right, and throughout her experiences in Asia she has noticed that there are stimas surrounding women's autonomy and how they handle mental health struggles.
‘Since Plotinus’, writes Joseph Tanke (2019, p. 486), ‘Western art has been consecrated to beauty, and beautiful art has been understood as the achievement of good form’. But alongside this interest in beauty and form, art has been committed to politics and perspectives, equity and rights. Consequently, and particularly since the start of the modern era, artists frequently initiate or participate in ‘difficult conversations’.
“I am the dishes, the ironing, I am everything, I am nothing. But remind me: Who are you?” So plays the hook of a new feminist anthem released by the Palestinian rappers, DAM. The video for “Who You Are” plays on sexist attitudes by having men and women switch domestic roles typical in the Middle East, but also familiar across most cultures.
On April 15 in northern Nigeria, 200 school girls aged 15-18 were kidnapped by an extremist Muslim group called Boko Haram, whose name in the Hausa language means “Western education is a sin.” In hopes of viral pressure on Nigerian authorities to try to recover the girls, campaigns have started on the White House website, on Change.org and on Facebook to demand: “Bring Back Our Girls.” The campaigns quickly gained global attention, with Michelle Obama,
The young Chinese feminists shaved their heads to protest inequality in higher education and stormed men’s restrooms to highlight the indignities women face in their prolonged waits at public toilets.
It has been a tumultuous and anxious week for women in Turkey. When President Recep Tayyip Erdogan issued a decree at midnight last Friday, annulling Turkey's ratification of the Istanbul Convention on violence against women, women poured onto the streets of Turkish cities to protest. Further demonstrations are planned.