The Sex Workers' Opera is a multidisciplinary show featuring stories of sex workers from 17 countries and produced since 2013. It is written and performed by sex workers and their friends.
From 99 Percent Invisible:
By the late 1980s, AIDS had been in the United States for almost a decade. AIDS became the number one killer of young men in New York City, then of young men in the country, then of young men and women in the country.
In its thirteenth year, the annual Miss Talavera Bruce beauty pageant is held in unlikely surroundings: a women’s prison in Rio de Janeiro, Brazil. The Instituto Penal Talavera is the only maximum-security women’s prison in the city with inmates serving life sentences for murder, fraud and drug trafficking.
One film to change the world. Curated every month.
BURDEN OF PEACE follows Guatemala’s first female Attorney General Claudia Paz y Paz in her fight against impunity.
Throughout April 2018 a global audience came together to watch BURDEN OF PEACE, and to dig deep into the issues of women in power with our action kit, bonus features and Impact Talks podcast.
In her peppy and helpful online video tutorial, Reshma Bano Quereshi promises to teach her viewers “how to get perfect red lips.”
But unlike the more than 200,000 other online videos dedicated to the application of lipstick, this one goes beyond plumping and priming.
Photography has long been associated with acts of resistance. It is used to document action, share ideas, inspire change, tell stories, gather evidence and fight against injustice.
This group exhibition at the SLG, organised in collaboration with the V&A, brings together works by international artists and collectives who are using the camera to challenge and move beyond traditional protest photography.
The problem with feminism is that it’s just too familiar. The attention of a jaded public and neophiliac media may have been aroused by #MeToo, with its connotations of youth, sex and celebrity, but for the most part it has drifted recently towards other forms of prejudice, such as transphobia. Unfortunately for women, though, the hoary old problems of discrimination, violence and unpaid labour are still very much with us.
The egregious practice that some Muslim men employ to divorce their wives instantaneously and without their consent, merely by uttering the word talaq (divorce) three times, has finally been declared unconstitutional and illegal by the Indian Supreme Court. The country’s ruling Bhartiya Janata Party (BJP) party claims that the ban is a victory for its administration, which had been advocating its abolition since it came to power in 2014.
Laura Poitras’s Academy Award–nominated documentary All the Beauty and the Bloodshed (2022) about photographer Nan Goldin is a powerful and thoughtfully constructed film. Focusing on Goldin’s work with the activist group Prescription Addiction Intervention Now (PAIN), it allows viewers to continue appreciating the ongoing rebellion and inspiration of this singular artist.
When Tracey Emin aired her dirty laundry in the 1999 Turner Prize exhibition at Tate Britain, she set a new standard for confessional art. She conceived of the installation, titled My Bed (1998), after a long, bedridden bender following a bad break-up. When Emin finally left her sheets, she examined the mess she’d created.
She seeks to utilize her feminist art to spread awareness on mental health issues. Sravy is a nomad in her own right, and throughout her experiences in Asia she has noticed that there are stimas surrounding women's autonomy and how they handle mental health struggles.
A widespread but illegal campaign by a group calling itself “the Gluers” uses posters to denounce violence against women. It has become an effective — and ubiquitous — tool to raise awareness.
On a recent mild night, a squad of four young women wandered through a peaceful neighborhood in eastern Paris, armed with a bucket of glue, a paintbrush and backpacks loaded with posters.
Daniel Hewson describes the use of protest posters and the work of collective, Burning Museum, and artist, Faith47, in the Fees Must Fall movement taking place in South Africa:
By DOUGLAS QUENQUA
CAMBRIDGE, Mass. — For a table set up by a campus student group, this one held some unusual items: a gynecologist’s speculum, diaphragms, condoms (his and hers) and several packets of lubricant. Nearby, two students batted an inflated condom back and forth like a balloon.
A CUBAN artist's controversial photographs of children being hung from crosses has landed him in hot water.
Erik Ravelo took a series of photos of children hung like Jesus from a cross, but in the place of the cross were soldiers, surgeons, priests and Ronald McDonald.
In March 2016, Chinese feminist activists had planned to launch a crowdfunding campaign against sexual harassment advertisements, and they worked hard to raise 40,000 yuan in a month and a half. However, after perfunctory, evasive, and rejection by the relevant departments, anti-sexual harassment advertisements finally failed to go online.
Photo taken on Oct. 15, 2020 shows a "comfort women" statue in Berlin, capital of Germany. The statue was built to commemorate the more than 200,000 girls and women from 14 countries and regions, so-called "comfort women," who were sexually enslaved by the Japanese military during World War II. (Xinhua/Shan Yuqi)
Last November, when you Googled the phrase “ugly Black woman,” Vanessa Rochelle Lewis’s photograph was the second to come up.
“Which I’m offended by,” says Lewis, a Bay Area–based artist and writer, “since I’m an Aries and I like to be number one in everything.”
Amid ongoing protests and government repression in Iran, a group of artists at Michigan State University is raising awareness about the women fighting for their rights in the country.
The group hosted a packed crowd one January evening for a night of music, dance, and poetry performances. The pieces, inspired by Iranian stories and icons, show solidarity with the ongoing movement abroad.
In Oakland, artists created murals and installations to honor activist Angela Davis, celebrating her legacy in fighting for racial and gender justice. These public artworks inspire new generations to continue the struggle for social change.
In the wake of the amount of police brutality that has been occurring since the dawn of the damn police, an institution that began as a way to find escaped slaves, across the United States, #manisfestjustice chooses to make its explicit artistic mission to demand that power take responsibility, and to provide avenues to community empowerment in the meantime.
Yu Hong’s Female Writer, a painted and photographic portrait of the writer Zhao Bo 趙波 (b. 1971), recalls courtly images of idealized beauties. Yu, however, deliberately complicates the perspective in her composition: she asked the sitters for her She series to select photographs of themselves that could be paired with her paintings, meaning that the images together convey dual female perspectives, both the artist’s and the subject’s.