An artist who sparked significant awareness regarding the issues of climate change was Olafur Eliasson. Eliasson’s main objective has been to catch people’s attention and make them feel emotions and care about climate change because many people do not connect to the effects of climate issues as they do with other controversial impacts solely because the effects are not played out directly in front of them.
With a grand total of 0 permanent residents and an average winter temperature of --56.2°F, Antarctica is a bit more than your average “no man’s land.” This didn’t deter artist duo Lucy + Jorge Orta, however, who took an expedition to the territory in 2007 on commission from The End of the World Biennale. Nine years later, the duo’s cumulative work created during the program is finally on display in NYC at Jane Lombard Gallery.
Just weeks after activists staged an alternative tour of the American Museum of Natural History to call for its removal, among other things, the equestrian statue of Teddy Roosevelt was vandalized early Thursday morning.
Coal Seam Greed was going to be a simple satire showing Katso and Nowhereman posing as a mining company called Reed Gas and erecting notices stating their intent to explore for unconventional gas or CSG in inner-city Brisbane. The idea was that residents would see the signs, phone and leave messages in response, which would then be incorporated into the video.
A minibus is parked on the side of the road with a series of pipelines wrapped around it. One end of the pipeline is connected to the exhaust port of the minibus, and the other end is put into the car, so that the exhaust gas can be directly introduced into the car, forming a " Street gas chamber".
Camp Frack was a protest festival in Lancashire, UK, an area near industrial energy plants that produce shale gas. Around 150 activists from both Frack Off and Campaign against Climate Control (CCC) set up the festival, featuring food, music and conversation on environmentalism.
The “Wearable/Portable Architecture project” discussed the possibilities of having a locale create portable architecture based on the conditions of its environmental, urban and cultural conditions. It is structured to find ways in providing new arguments and sustaining an artistic impetus to our immediate environment.
Björk and the French artist Aleph have collaborated on an immersive, AI sound piece that recreates extinct animal calls, set to run at the Pompidou Centre, in Paris, from November 20 until December 9. It will play as visitors travel on escalators in the art museum, as part of its “Biodiversity: Which culture for which future?” forum.
Sometimes justice requires a little imagination. On Saturday, when
much of the Occupy Wall Street movement in New York was loudly
denouncing police violence against minorities and protesters, a small
group of environmentalists dreamed up a way to get the police to focus
on the crimes of the 1 percent, to the point of arresting five corporate
suits on United Nations property.
“The real wealth of the Nation,” marine biologist and author Rachel Carson wrote in her courageous 1953 protest letter, “lies in the resources of the earth — soil, water, forests, minerals, and wildlife… Their administration is not properly, and cannot be, a matter of politics.” Carson’s legacy inspired the creation of Earth Day and the founding of the Environmental Protection Agency, whose hard-won environmental regulations are now being undone in the
David Opdyke’s wry, panoramic visions of an America perceptibly in the grips of climate crisis were born of an artistic crisis—of “needing to come up an idea by digging somewhere other than my own brain.” Having drawn on his imagination to conjure up the trenchant, ecologically-inflected critiques of American imperialism and late-stage capitalism that have defined his work for twenty years, he wondered what more he might, artistically speaking, say.
Pine Ridge Indian Reservation is home to the Oglala Lakota, designated as part of the Great Sioux Reservation. This land and its people have endured many tragedies at the hands of the United States government. Over 500 treaties negotiated in good faith with the U.S. government have been broken, changed or nullified to suit expansionist interests. Despite centuries of oppression, the Lakota people remain resilient, faithful, and strong.
"Send It On" is a song recorded by American recording artists Miley Cyrus, Jonas Brothers, Demi Lovato and Selena Gomez from charity project Disney's Friends for Change. The track's producers Adam Anders and Peer Åström co-wrote it with Nikki Hassman. The song was released on August 11, 2009 by Walt Disney and Hollywood Records as a charity single in order to benefit international environmental associations.
Once a year people all over the Earth go to places that they love and where they live that have been damaged, and they bring attention, curiosity, a sense of adventure, and beauty there.
In the process we give back to the places that have given so much to us.
Without water, life would not exist. And yet, those of us in developed countries take it for granted; our shelves are stocked with hundreds of branded bottles, and it is freely given at restaurants, at schools, and even in parks. We seem to have an unslakable thirst for it; attained in excess, we throw it away like dirt—just as many developing countries liken its value to gold.
This is not a drill: Jane Fonda has officially joined TikTok.
On Thursday night, the 82-year-old actress and activist posted her first video to the app TikTok and announced that she would be reviving her legendary home workouts to help people stay active during this period of coronavirus "home sequestration."
Climate protesters in Washington, D.C. were handcuffed on Thursday after they dragged paint on a glass cover protecting an art sculpture.
The incident happened at the National Gallery of Art by the activism group Declare Emergency in an attempt to bring attention to climate change, according to the Washington Post.
The Fundred Dollar Bill Project, initiated by artist Mel Chin, is a collaborative art project aimed at raising awareness and mobilizing action against the environmental and health threat of lead contamination. It encourages individuals to create their own unique interpretations of $100 bills, symbolizing the value of human lives and the need for a lead-free future.
In a massive act of ‘brand vandalism’ just two days before the launch of the UN COP21 Climate Conference, 600 anti-advertisement posters have been installed in outdoor media spaces throughout the streets of Paris. The posters display artwork from over 80 artists from 19 different countries, including big names such as Banksy-collaborator Paul Insect, Alex One, Know Hope, Escif, Cleon Peterson, Hyuro, Jimmy Cauty, Ron English and many others.