The user muchachafanzine on instagram is an activist who writes a "decolonial native xicana feminist fanzine". They are an online activist and they spread their message through their page, the zine, and through merchandise. Daisy Salinas began Muchacha Fanzine as a feminist punk zine in 2011. Over the years, Muchacha has grown into a larger, submission-based compilation of work by marginalized voices from around the world.
National Public Radio (NPR):
There's no historical marker outside Jacob Lawrence's childhood home in New York City's Harlem neighborhood.
But Khalil Gibran Muhammad, director of the Schomburg Center for Research in Black Culture, has an idea of what it might say: "Here lived one of the 20th century's most influential visual artists, a man named Jacob Lawrence, who was a child of southern migrants."
“As an educator, I want people to have a sense of empowerment. I want them to have ownership of their own creative experience. It’s a very humane thing knowing we are inherently creative.”
IMAPCT are youth activists who view the creative arts and leadership training as a way to develop ourselves and change the world in a positive way. They believe that they must be the message that bring through hardwork, focus, discipline, unity and the principles of S.O.S. safe space, outstanding effort and service to their family friends and community.
For some, October 14, 1968, was a clarion call to the future.
On that day, a group of 12 black students at UC Santa Barbara, tired of the unequal treatment and passive-aggressive racism they received as Black athletes — and as members of the campus community at large — barricaded themselves in the university’s North Hall.
The veteran Malian master puppeteer Yaya Coulibali, born in 1959 in the village of Koula, around 100 kilometres north-east of Bamako, has more than half a century of experience in puppetry and has toured the world to perform his art.
Trade School is a self-organised, alternative learning space that runs on barter. It was started in 2010 in New York’s Lower East Side by Rich Watts, Louise Ma, and Caroline Woolard of OurGoods.org, a creative barter network. Over 800 students participated in 76 single-session classes during 35 days. Anyone can teach a class, and students sign up by agreeing to meet the barter requests of teachers.
The following is a description of the action that Huffington post published online on 6/25/2011:
"Student demonstrators took to the streets of Santiago dressed as goblins and ghouls from Michael Jackson’s 'Thriller' video in their latest spirited pursuit of higher education reforms."
A dark cloud hovers above a stand of Eastern cottonwood trees in Tifft Nature Preserve, a 264-acre woodland nature refuge on Lake Erie. But this is no ordinary cloud; it is a high-tech habitat for one of the world’s most misunderstood species—bats.
Fespaco is a meeting place put to good use to promote the development of black cinematography. From 1973, topics of discussion are introduced at each edition.
In keeping with his activist turn on 2016’s 4 Your Eyez Only, J. Cole’s new album, KOD, is an exploration of addiction. The title has three different meanings that all speak to this aim: Kids On Drugs, King OverDosed, and Kill Our Demons. Each feeds into the next in this narcotic odyssey.
The story of an artist. Laolu Senbanjo grew up surrounded by the culture and mythology of the Yoruba, an ethnic group from the southwest of Nigeria, but he never imagined how it would influence the artist he is today. After a career as a human rights attorney, Senbanjo moved to New York City to pursue art full time. “With my art, I like to tell stories, I like to start a conversation,” says Senbanjo, but life as an artist in New York was tough.
At the New Orleans Swing Dance Festival the all African-American dance troupe The Rhythm Ambassadors were presented along side an African-American iteration of the Preservation Hall All-Star band with African-American vocalist Taryn Newborne to deliver the message that the African-American Lindy Hoppers were going to be protest until their rhythm is better presented...i.e.
In the fall of 2011, Urbano’s teen artists and artist-in-residence Neil Horsky partnered with professional artists,
educators, librarians, and historians to undertake a critical investigation of
Boston’s Freedom Trail. During the
investigative process teen artists questioned the assumptions, accuracy,
comprehensiveness, and impartiality of public presentations of the city’s
ONGOING ORGANIZATION:
CALLED: Iranti [pronounced írantì] is the Yoruba word for ‘memory’. Largely found in South West Nigeria and parts of Benin Republic, the Yoruba people consider memory a prized form of intelligence which determines how often one remembers what they see and hear.
Last Friday, on May 2nd of 2014, a group called The Student Debt Resistance @NYU hosted its first public engagement at Washington Square Park. The co-creators coined this event Chalk Day. The goal of this special day was to raise student awareness to the massive amounts of debt that they undertake as NYU students.
Seattle Times:
In 1921, just four years after the Bolshevik Revolution, American journalist Albert Rhys Williams wrote: “The visitor to Russia is struck by the multitude of posters — in factories and barracks, on walls and railway-cars, on telegraph poles — everywhere.”
Huffington Post put together a digital, interactive map of some of the so-called best and brightest street art collections. Street art is important because it allows artists, usually from the community where the street art is taking place, to interact with the community and bring color/brightness to the environment.
By DOUGLAS QUENQUA
CAMBRIDGE, Mass. — For a table set up by a campus student group, this one held some unusual items: a gynecologist’s speculum, diaphragms, condoms (his and hers) and several packets of lubricant. Nearby, two students batted an inflated condom back and forth like a balloon.
Now What? project has just finished a series of interactive workshops, where global citizens came together to reflect on the global sustainability issues, got inspired and empowered to imagine the world anew through poetry and imagery.
With the focus on the community and climate action, the project is live on social platforms and soon to be a collective street art too.
Eleven students have locked themselves in the Peter Cooper Suite of the eighth floor of the Cooper Union building to protest the institution's decision to charge graduate students tuition.
Cassils' Becoming an Image confronts issues of queer and trans visibility, bodily violence, and the politics of witnessing. The performance uses a powerful blend of media—including live action in darkness, flash photography, clay sculpture, and sound—to explore how trauma and resilience are physically and symbolically inscribed onto the queer body.