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The project involved creating portraits of garbage pickers from the Jardim Gramacho landfill near Rio de Janeiro, Brazil, using materials found in the landfill itself. Muniz worked with the garbage pickers to create the portraits, which were then photographed and exhibited in galleries around the world. The project aimed to raise awareness of the plight of the garbage pickers and the environmental issues associated with landfill waste.

From Black Power to Migrants’ Power BY Robin Cembalest POSTED 01/22/13 As ’60s activist art enters museums, a new generation is creating an iconography of protest for today

Josh Begley, a Data Artist and NYU Student, took publicly available information on recorded drone strikes and designed an interface for people to connect and sympathize with the reality of U.S. drone attacks.

It’s the radiant baby, the barking dog and the dancing man; the badges and the t-shirts; the unmissable mural spelling out CRACK IS WACK. Keith Haring’s career was short but spectacular, and he leaves behind a lasting legacy. From his chalk drawings in city-wide subway stations, to his collaborations with the superstars of his day, Haring’s life was founded on a belief in the power of people to change the world.

Beginning in the early 1970s, the Los Angeles-based multi-media arts collective Asco (from the Spanish word for nausea) created performances, street theater and conceptual art that satirized the emerging styles of Chicano art and pushed the boundaries of what it might encompass.

On December 1, 1994 also known as World AIDS day, participating members from LSD (Lesbianas Sin Duda), La Radical Gai, and other allies sought out to protest against the push back of rejection that many of them were receiving from the medical and social perspective.

This wonderful campaign of Earth Action Network against mountaintop removal coal mining focused not on the invulnerable mining companies, but on the banks that financed them - and especially PNC, which based its growth model on recruiting university students. It stopped both PNC and then, because of that, ALL banks from financing mountaintop removal coal mining.

As the female gaze comes to the fore, artists are beginning to examine and explore the possibilities of what exists, what it is to be a woman looking at the world outside of her self. For American artist Dani Lessnau, the gaze opened the door into uncharted realms in search of the things that a camera can capture that the human eye might otherwise miss.

This work addresses inequalities and disparities experienced specifically by LGTBIQ peoples in Spain. In the heart of this picture are six individuals dressed in queer fashion walking and linking arms. This is a powerful depiction. Usually, especially in a global context, it is unsafe for queer people to brave the streets alone. Here in Pozo’s work this represents pride without fear.