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"What I Couldn't Say in Public" transforms individual secrets into a public, anonymous spectacle. While origins and exact location of the "What I Couldn't Say in Public" project are unknown, awareness about the project has grown over the micro-blogging platform of Tumblr. Amassing over 132,480 notes on the website, this practice may have possibly inspired others to imitate the same or similar projects in different locations.

In March 2013 we started a grassroots boycott movement against Coca-Cola for exploiting legal loopholes to kill off container deposit recycling in the Northern Territory. We simply used the same successful strategy as the ANZ Out of Order action, putting out of order signs on Coca Cola vending machines and posting the photos on social media.

Without having been commissioned—or even given legal permission at all—Haring set out to create Crack Is Wack on the wall of an abandoned handball court in a park at 2nd Avenue and East 128th Street on June 27, 1986. Upon the completion of the mural, Haring was arrested by the New York City Police Department for vandalism of city property and faced potential jail time in addition to heavy fines.

First: inflatables uplift a grim protest situation into a playful event. There is something magic about what inflatables induce in people. Their enormous size combined with the weightlessness and softness makes them irresistibly attractive and dreamlike. People have a natural tendency to touch the inflatable sculpture and to join the game of throwing inflatables in the air—changing a march into a poetic, joyful and participatory event.

From Black Power to Migrants’ Power BY Robin Cembalest POSTED 01/22/13 As ’60s activist art enters museums, a new generation is creating an iconography of protest for today

A site-specific art intervention intended as a call to action in response to Brazil's water crisis. Strategically planned to coincide with UN World Water Day, Gota D'Agua gathered onlookers around an abandoned Olympic size swimming pool at the foot of Edificio Raposo Lopes, a towering luxury condominium building situated on a steep incline overlooking Rio de Janeiro.

Voina art collective members covertly brought a large laser projector into the attic room of a hotel located across the street from the Russian White house (also called the Russian Parliament Building). From there they projected a large image of a skull and bross bones across the front of the white house building. Other group members on the ground then stormed the building gates and successfully entered the secure zone in front of the building.

For more than 30 years, the Guerrilla Girls have travelled the world exposing sexism and inequality in the art industry, and this week they proved Hong Kong was no exception. Three members of the anonymous feminist collective—calling themselves Frida Kahlo, Käthe Kollwitz and Zubeida Agha—spoke at the University of Hong Kong on Monday, dressed in their signature black outfits and gorilla masks.

By Lauren Hersh, with Katie Cappiello, Artistic Director, The Arts Effect.