Projects tagged "Other"

Helps bring about change in a way not accounted for in the options above. Please describe how it does this in the text box below.

Melting Point: Francis Alÿs's 'Paradox of Praxis' and the Futility of Effort
Practitioner:
Francis Alÿs
Date:
Jan 1 1997
In many of his works, the Belgian-Mexican conceptual and performance provocateur Francis Alÿs questions the relationship between action, effort, and outcome. His works tend to inspire one toward a blurring of lines between the actions done in artistic expression and those in social response, making the viewer question the value and effect of the toil.
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Intersecting Realms: Eva Koťátková's 'My Body Is Not An Island' and the Dialogue Between Body and Society
Practitioner:
Eva Koťátková
Date:
Aug 12 2023
Eva Koťátková is one of the most outstanding contemporary artists of the Czech Republic, working in the interdisciplinary art genre, emphasizing themes of the human body, society, and psychology. Her art often occupied the space of the thorny, tangled, and complicated human environment and did not remain indifferent.
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Time Redefined: Maarten Baas' 'Real Time' Series
Practitioner:
Maarten Baas
Date:
Apr 1 2009
The "Real Time" series by Maarten Baas is an avant-garde collection of art installations and functional timepieces that question the very basics of how to measure and experience time. It has, therefore, been a unique mix of performance art with functional design since 2009. Baas reimagines how time may be seen in his various installations in a provoking, innovative, engaging, and reflective manner for all audiences.
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Caleidoscópica Violeta (Feminist Art Festival)
Practitioner:
La Paloma Feminista
Date:
Dec 2 2016
Caleidoscópica Violeta, is a creative space for reflection, dialogue, critique, and praxis of pop contemporary feminism. It is also an initiative that seeks to reflect on the role of women in the history of modern art. Historically, the role of women in art has been stolen by the patriarchy. Recognizing this as a feminist artist, I propose this festival as a way to open new spaces for women protagonists in the arts.
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Hatsune Miku
Practitioner:
Crypton Future Media and its official moe anthropomorph
Date:
Aug 31 2007
Miku is a Japanese virtual idol. She is 16 years old. Miku is created in 2007 and has been heavily promoted since 2008 and was originally aimed at professional musicians. On September 12, 2007, Amazon.co.jp reported sales of Hatsune Miku totaling 57,500,000 yen, making her the number one selling software of that time. She was the first vocal to be developed and distributed by Crypton Future Media and sung in Japanese.
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Rhythm 0
Practitioner:
Marina Abramović
Date:
Jun 1 1974
This is Marina Abramović's first attempt to interact with the audience on the spot, allowing the audience to become part of her work. Guns, bullets, kitchen knives, whips and other dangerous items), the audience can use any item to do whatever they want to her. Due to the unpredictable danger of the work, Marina promised to take full responsibility for the performance of the performance art.
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The Last Shift Office Chair
Practitioner:
Chairbox
Date:
Oct 25 2021
"The Last Shift Office Chair" is a project that features chairs to die for ... literally.
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Activism at the Met Gala
Practitioner:
Joe Gebbia, Yeonmi Park
Date:
May 1 2017
Now that the dust has settled from the Met Gala, with all the excitement over Kylie Jenner’s bathroom selfie and Rihanna’s body-swallowing Comme des Garçons florals, it is worth pausing to consider a red carpet moment most people missed: the entrance of Joe Gebbia, co-founder and chief product officer of Airbnb, with Yeonmi Park, a North Korean refugee and international refugee activist.
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Tech and Bodies
Practitioner:
Filip Custic
Date:
Jan 1 2024
Filip Custic (Santa Cruz de Tenerife, Spain 1993) works across photography, performance and video to address themes around identity, body and our relationship with technology. Mirrors and screens are a recurring features, a reference to our age of image-obsession and selfies, and Custic also uses symbols, references to science, and art-historical borrowings in his art.
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Chicago Gun Share Program
Practitioner:
The Escape Pod, The Brady Center To Prevent Gun Violence
Date:
May 10 2018
'Gun-sharing' stations in Chicago use art to make a point about gun violence. Users can’t actually grab a gun from the stations, but its creators hope the installation will send a message about how disturbingly easy it is for a citizen to acquire an assault weapon—as easy as renting a bike. They can also make a donation to the Brady Center and learn more about the campaign's gun safety efforts.
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HERE I AM festival.
Practitioner:
Aretha Brown, Claire Martin, Kaff-eine and Jane Gillings
Date:
Mar 27 2021
Four prominent Australian artists – Aretha Brown, Claire Martin, Kaff-eine and Jane Gillings – will gather in Canberra this Sunday, to discuss their art, activism and ideas, marking the closing weekend of Kambri’s HERE I AM festival. The Art Activism by Great Women Conference is a day-long event, involving artist talks, Q&A sessions, panel discussions, afternoon tea, wine tasting and networking.
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The Wheelbarrow
Practitioner:
The Wheelbarrow Collective
Date:
May 1 2020
Empathy may be the cornerstone of any Global Justice movement, but how do we cultivate the conditions for empathy to thrive? The wheelbarrow symbolises something universally useful, practical and pleasingly straightforward. A space to deliver things in an efficient and direct manner - no packaging and completely people powered.
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Tied and Tested: Miles Greenberg's 'Sebastian' and the Art of Endurance
Practitioner:
Miles Greenberg
Date:
Apr 24 2024
Miles Greenberg is a performance artist from Canada who specializes in time, endurance, and the human body. His art is often complicated and deep into the human experience, with physical endurance mixed into visual metaphors that create deep, profound statements of the human condition.
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The Origins of Totalitarianism: A Reading by Donald Trump
Practitioner:
Joseph DeLappe
Date:
Oct 1 2024
The Origins of Totalitarianism:Donald Trump reads Hannah Arendt AI video and sound. 2024, 24:30mins YouTube link: https://youtu.be/RzWi51prZlA?si=hTUP4F-_nOSijbba
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Anatomic Explosion
Practitioner:
Yayoi Kusama
Date:
Oct 15 1968
OBLITERATE WALL STREET MEN WITH POLKA DOTS
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Asgarda: Amazons of the Ukraine
Practitioner:
Katerina Tarnouska, Asgarda
Date:
Jan 1 2004
In the Ukraine, a country where females are victims of sexual trafficking and gender oppression, a new tribe of empowered women is emerging. Calling themselves the “Asgarda”, the women seek complete autonomy from men. Residing in the Carpathian Mountains, the tribe is comprised of 150 women of varying ages, primarily students, led by 30 year-old Katerina Tarnouska.
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Lines
Practitioner:
Pekka Niittyvirta and Timo Aho
Date:
Jan 1 2017
Located off the west coast of Scotland are the Outer Hebrides, an island chain where Finnish artists Pekka Niittyvirta and Timo Aho decided to install their piece, Lines. The installation is composed of lines of light wrapped around buildings or hovering on a grass field. At high tide, the lights turn on, illuminating the serene landscape, and marking the height of future sea-level rise on the low-lying archipelago.
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The Artist Is Present
Practitioner:
Marina Abramović
Date:
Mar 14 2010
From March 14, 2010 to May 31, 2010, in the Museum of Modern Art, Marina Abramović held an activist art called The Artist Is Present. In the exhibition, there were simply a pair of chairs and a desk. Abramović sat on one chair, and the participators could sit on another chair voluntarily. Without a word, Abramović and the participators just looked at each other’s eyes.
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the Fundred Project
Practitioner:
Mel Chin
Date:
Jan 1 2008
The Fundred Dollar Bill Project, initiated by artist Mel Chin, is a collaborative art project aimed at raising awareness and mobilizing action against the environmental and health threat of lead contamination. It encourages individuals to create their own unique interpretations of $100 bills, symbolizing the value of human lives and the need for a lead-free future.
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Destruction of the National Front
Practitioner:
Eddie Chambers
Date:
Dec 3 1979
TATE:
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WE CHANT RESISTANCE!
Practitioner:
Mbizo Chirasha
Date:
Apr 19 0020
This special EDition is a revolutionary chant against the menacing cantankerous demonic , satanic COVID 19. And again doubles as a bold and poetic supplication to the great Almighty God to release us off this pandemic bondage. This Edition is a poetically driven spiritual prayer for freedom of expression and freedom after expression.
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Embracing the Elements: Tong Wenmin's 'FLYING THE WIND' and the Art of Human-Nature Interaction
Practitioner:
Tong Wenmin
Date:
Jan 1 2016
Tong Wenmin is a Chinese performance artist affiliated with works exploring movement, interaction, and humanity. Her art is a relationship between human behavior and the natural world, a round dynamic between physicality and environmental elements. One of her most compelling works, "FLYING THE WIND," is outstanding in merging performance art with a deeper exploration of the interaction between humans and nature.
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Mind Over Media
Practitioner:
Media Education Lab
Date:
Nov 1 2017
Mind Over Media is a crowdsourced educational platform that contains diverse examples of contemporary propaganda on a wide range of social, political, economic and environmental topics.
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Invisible Women - A World Designed for Men
Practitioner:
Caroline Criado Perez
Date:
Mar 7 2019
The problem with feminism is that it’s just too familiar. The attention of a jaded public and neophiliac media may have been aroused by #MeToo, with its connotations of youth, sex and celebrity, but for the most part it has drifted recently towards other forms of prejudice, such as transphobia. Unfortunately for women, though, the hoary old problems of discrimination, violence and unpaid labour are still very much with us.
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How Song Dong's "Waste Not" Elicited Much Sympathy
Practitioner:
Song Dong, Zhao Xiangyuan(Song Dong's mother)
Date:
Jan 1 2005
Song Dong's Waste Not consisted of a single installation comprising over 10,000 commonplace, domestic items of daily life that had been used and amassed by the artist’s mother (Zhao Xiangyuan) over fifty years.
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