Projects tagged "Other"

Helps bring about change in a way not accounted for in the options above. Please describe how it does this in the text box below.

Mind Over Media
Practitioner:
Media Education Lab
Date:
Nov 1 2017
Mind Over Media is a crowdsourced educational platform that contains diverse examples of contemporary propaganda on a wide range of social, political, economic and environmental topics.
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The Last Shift Office Chair
Practitioner:
Chairbox
Date:
Oct 25 2021
"The Last Shift Office Chair" is a project that features chairs to die for ... literally.
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The Wheelbarrow
Practitioner:
The Wheelbarrow Collective
Date:
May 1 2020
Empathy may be the cornerstone of any Global Justice movement, but how do we cultivate the conditions for empathy to thrive? The wheelbarrow symbolises something universally useful, practical and pleasingly straightforward. A space to deliver things in an efficient and direct manner - no packaging and completely people powered.
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Embracing the Elements: Tong Wenmin's 'FLYING THE WIND' and the Art of Human-Nature Interaction
Practitioner:
Tong Wenmin
Date:
Jan 1 2016
Tong Wenmin is a Chinese performance artist affiliated with works exploring movement, interaction, and humanity. Her art is a relationship between human behavior and the natural world, a round dynamic between physicality and environmental elements. One of her most compelling works, "FLYING THE WIND," is outstanding in merging performance art with a deeper exploration of the interaction between humans and nature.
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NYPD to crack down on ‘sloppy’ cops with ban on shorts, white turtlenecks, cargo pants
Practitioner:
ROCCO PARASCANDOLA, New York News
Date:
Apr 10 2024
They’re real fashion police: Fed up with sloppy cops, the NYPD has moved to update its dress code, banning shorts on transit beats and white turtlenecks while on patrol. The department’s updated style guide, set to take effect next month, also instructs patrol officers not to wear tactical cargo pants and reinforces longstanding guidance including a ban on shoelaces that are not black.
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La Fiera en Sevilla
Practitioner:
Isaías Griñolo
Date:
Jan 1 2016
During the economic crisis of 2008, bankers in Spain took advantage of the economically disadvantaged, and the artwork La Fiera en Sevilla, or the Wild Animal in Sevilla in English, brings attention to this money-centric act from the bankers. La Fiera refers to the bankers at the time that used predatory methods in their actions to forcibly evict poor people from their houses.
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COUNTERSPACE
Practitioner:
Cristina Morales
Date:
Aug 1 1919
Counterspace is an independent curatorial platform functioning as the first decolonial thinktank mapping cultural activism worldwide. It shapes collectively decolonial toolkits with common tools and resources, and a global directory browsable by continent, praxis, and social construct, as a Beuys-inspired ‘social sculpture’ revisited, and an alternative map of the universe.
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Reagan has died of AIDS
Practitioner:
Oliviero Toscani
Date:
Jan 15 1994
Ronald Reagan was elected President of the United States on November 4, 1980. In less than a year, in the Summer of 1981, AIDS was first identified in medical journals. However, it took until 1987 before he would give his first major address on AIDS.
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The Artist Is Present
Practitioner:
Marina Abramović
Date:
Mar 14 2010
From March 14, 2010 to May 31, 2010, in the Museum of Modern Art, Marina Abramović held an activist art called The Artist Is Present. In the exhibition, there were simply a pair of chairs and a desk. Abramović sat on one chair, and the participators could sit on another chair voluntarily. Without a word, Abramović and the participators just looked at each other’s eyes.
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Donate an hour
Practitioner:
Plan B
Date:
Aug 1 2020
Prison inmates in Mexico have suffered from coronavirus infections at a higher rate than the country as a whole, and pandemic lockdowns have reduced their already limited contact with the outside world. But one group of women inmates at a prison west of Mexico City have managed to benefit, as the lockdown spurred a wave of professionals with time on their hands to donate online classes.
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The Origins of Totalitarianism: A Reading by Donald Trump
Practitioner:
Joseph DeLappe
Date:
Oct 1 2024
The Origins of Totalitarianism:Donald Trump reads Hannah Arendt AI video and sound. 2024, 24:30mins YouTube link: https://youtu.be/RzWi51prZlA?si=hTUP4F-_nOSijbba
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How Song Dong's "Waste Not" Elicited Much Sympathy
Practitioner:
Song Dong, Zhao Xiangyuan(Song Dong's mother)
Date:
Jan 1 2005
Song Dong's Waste Not consisted of a single installation comprising over 10,000 commonplace, domestic items of daily life that had been used and amassed by the artist’s mother (Zhao Xiangyuan) over fifty years.
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Stitching Solitude: Bea Camacho's 'Enclose' and the Art of Isolation
Practitioner:
Bea Camacho
Date:
Jan 1 2005
Bea Camacho is a visual and performance artist from the Philippines, the provocation of whose work is described as exciting and strikingly into identity, intimacy, and isolation. Her art is known to delve into the human complex of experiences and offer a layered narrative within its visual and performance medium.
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Lines
Practitioner:
Pekka Niittyvirta and Timo Aho
Date:
Jan 1 2017
Located off the west coast of Scotland are the Outer Hebrides, an island chain where Finnish artists Pekka Niittyvirta and Timo Aho decided to install their piece, Lines. The installation is composed of lines of light wrapped around buildings or hovering on a grass field. At high tide, the lights turn on, illuminating the serene landscape, and marking the height of future sea-level rise on the low-lying archipelago.
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Defying Gravity with Elegance: Yoann Bourgeois' Mesmerizing Take on Debussy's 'Clair de Lune
Practitioner:
Yoann Bourgeois
Date:
Mar 10 2018
Yoann Bourgeois is a mastermind in performance art who treats dance, acrobatics, and theatricality as practices that delve into fundamental human experiences related to falling and flying. His approach is unique, in which every creation transcends into something more than just a performance but an exploration of life's poetic rhythms.
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the Fundred Project
Practitioner:
Mel Chin
Date:
Jan 1 2008
The Fundred Dollar Bill Project, initiated by artist Mel Chin, is a collaborative art project aimed at raising awareness and mobilizing action against the environmental and health threat of lead contamination. It encourages individuals to create their own unique interpretations of $100 bills, symbolizing the value of human lives and the need for a lead-free future.
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Intersecting Realms: Eva Koťátková's 'My Body Is Not An Island' and the Dialogue Between Body and Society
Practitioner:
Eva Koťátková
Date:
Aug 12 2023
Eva Koťátková is one of the most outstanding contemporary artists of the Czech Republic, working in the interdisciplinary art genre, emphasizing themes of the human body, society, and psychology. Her art often occupied the space of the thorny, tangled, and complicated human environment and did not remain indifferent.
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Asgarda: Amazons of the Ukraine
Practitioner:
Katerina Tarnouska, Asgarda
Date:
Jan 1 2004
In the Ukraine, a country where females are victims of sexual trafficking and gender oppression, a new tribe of empowered women is emerging. Calling themselves the “Asgarda”, the women seek complete autonomy from men. Residing in the Carpathian Mountains, the tribe is comprised of 150 women of varying ages, primarily students, led by 30 year-old Katerina Tarnouska.
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On Campus, Opening Up Conversations About Sex
Practitioner:
Sex Week at Harvard
Date:
Apr 16 2012
By DOUGLAS QUENQUA CAMBRIDGE, Mass. — For a table set up by a campus student group, this one held some unusual items: a gynecologist’s speculum, diaphragms, condoms (his and hers) and several packets of lubricant. Nearby, two students batted an inflated condom back and forth like a balloon.
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Tied and Tested: Miles Greenberg's 'Sebastian' and the Art of Endurance
Practitioner:
Miles Greenberg
Date:
Apr 24 2024
Miles Greenberg is a performance artist from Canada who specializes in time, endurance, and the human body. His art is often complicated and deep into the human experience, with physical endurance mixed into visual metaphors that create deep, profound statements of the human condition.
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WE CHANT RESISTANCE!
Practitioner:
Mbizo Chirasha
Date:
Apr 19 0020
This special EDition is a revolutionary chant against the menacing cantankerous demonic , satanic COVID 19. And again doubles as a bold and poetic supplication to the great Almighty God to release us off this pandemic bondage. This Edition is a poetically driven spiritual prayer for freedom of expression and freedom after expression.
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Yoko Ono, Add Colour (Refugee Boat) presented by the Tate Modern
Practitioner:
Yoko Ono
Date:
Apr 6 2024
Add Colour (Refugee Boat) begins as an all-white boat in an all-white room. Ono’s instruction for this collective, participatory work reads: ‘Just blue like the ocean.’ You are invited to contribute your hopes and beliefs in blue and white.
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How Snowden Canceled the 4th of July Diplomatic Reception in Bolivia
Practitioner:
Julian Assange
Date:
Jul 2 2013
On July 2nd, 2013, after attending the Gas Exporting Countries Forum (GECF) conference, Bolivian President Evo Morales departed Russia from Vnukovo Airport in Moscow aboard his presidential plane. However, a "leak" suggested that Edward Snowden was aboard, which led Spain, France, and Portugal to close their airspace to the aircraft, to then be grounded in Austria.
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The Dinner Party
Practitioner:
Judy Chicago
Date:
Jan 1 1974
The Dinner Party, an important icon of 1970s feminist art and a milestone in twentieth-century art, is presented as the centerpiece around which the Elizabeth A. Sackler Center for Feminist Art is organized. The Dinner Party comprises a massive ceremonial banquet, arranged on a triangular table with a total of thirty-nine place settings, each commemorating an important woman from history.
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Tech and Bodies
Practitioner:
Filip Custic
Date:
Jan 1 2024
Filip Custic (Santa Cruz de Tenerife, Spain 1993) works across photography, performance and video to address themes around identity, body and our relationship with technology. Mirrors and screens are a recurring features, a reference to our age of image-obsession and selfies, and Custic also uses symbols, references to science, and art-historical borrowings in his art.
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