The work of a radical theater and puppetry collective, known as Papel Machete, produces and performs throughout Puerto Rico and the United States. Papel Machete was established on May 1, 2006 during protests responding to the government shutdown and political and economic crisis prompted by Puerto Rico’s status as a United States colony.
This is the image confronting Greeks from an Athenian drain . "Hello, I live in the sewers of Athens," says the cockroach. "Yes, me too," says an Athenian walking past, apparently unfazed by the idea of an insect talking to him from a drain.
Xiao Lu was one of the most influential women in contemporary Chinese art, better known for provoking performance art works and sharp social commentaries. Her works address sensitive social and cultural issues that counter mainstream attitudes and values. In 1989, she put her work "Dialogue" up for exhibition at the National Art Museum of China in Beijing.
A new series of video commentaries with Davey Drumpf, The Donald's long-lost third cousin, twice removed. His views are several degrees to the Left of the Don's. First installment: Co-housing vs. Weaponized Xenophobia.
Two design students were awarded the Futurapolis prize last Wednesday for their project to adapt the Furan (underground river) , a response to the migration crisis.
If you've been to a Bay Area protest or community event, you've probably seen -- or even met those nuns in whiteface -- The Sisters of Perpetual Indulgence.
Devoted to human rights globally and locally, AIDS education, and respect for diversity, this controversial Order of Queer Nuns has long been a staple of San Francisco's cultural fabric. They join host Joseph Pace for the hour.
Guests:
“It might not seem that an act of public laundry could unsettle a president with a well-deserved reputation for inflexibility, corruption, and brutality. But mass washing ceremonies were a key element in getting rid of Peru’s unpopular president, Alberto Fujimori, after more than a decade in power.
Pussy Riot are spreading their protests and activism beyond Russia. Away from Vladimir Putin’s censorship, they’re bringing their voices to Canada – a place where their message of resistance is resonating. On Nov. 1, as a chilling cold filled the streets of Montreal, Pussy Riot kicked off the North American leg of their Riot Days tour with a sold out show at the Rialto Theatre. The tension in the room was palpable.
Bea Camacho is a visual and performance artist from the Philippines, the provocation of whose work is described as exciting and strikingly into identity, intimacy, and isolation. Her art is known to delve into the human complex of experiences and offer a layered narrative within its visual and performance medium.
CENTRO San Antonio's Art Everywhere Project will celebrate its 5th anniversary in May.
As of May 2024, the project had seen numerous artists from the city's urbancore decorate areas of the city with elaborate murals reflecting the city's history and the diversity of cultures in the city.
Adrian Piper disguised her identity, changing her race, sex, and social class in order to experiment in public situations and gauge people’s reactions. She investigated how outwardly visible identity markers (like skin color) impacted others’ perceptions of her character. By manipulating her (apparent) identity to produce reactions, she demonstrated the power and influence of stereotypes (Piper, 1996).
Breach Theatre’s multimedia play The Beanfield joins a growing trend of artists using documentary inquiry to hold violent and corrupt institutions to account.
In her 2021 graduation project from the Central Academy of Fine Arts (CAFA), Chinese performance artist Zou Yaqi staged a provocative social experiment titled “21-Day Survival Challenge.” For three weeks, Zou assumed the persona of a wealthy socialite, using counterfeit luxury items, strategic self-presentation, and social engineering to access elite spaces in Beijing—such as five-star hotel lobbies, first-class airport lounges, and high-end restaurants
In early January, constructions workers in Wuhan, China staged a Gangnam Style protest in front of their employer's building. Using the Gangnam Style dance, the men sought to bring media attention to their mounting unpaid wages.
Public arts advocator, Creative Time, and the MTA Arts for Transit and Urban Design (AFT) partnered to present Heard NY, a public art dance and music installation facilitated by artist, choreographer, and fashion designer Nick Cave. Heard NY was created to instill a production of wonder in a quotidian landscape.
Early Sunday morning, the Dallas Police Department's Twitter account tweeted for followers to download its iWatch Dallas app and share videos "of illegal activity from the protests." The police are looking to arrest lawbreakers at weekend demonstrations decrying police violence against black people. The benefit of the app, according to the tweet, was the ability for informants to stay anonymous.
... is this for protest? Perhaps. As is described online, it mentions that there was an attempt taken to challenge power relations, specifically between men and women; however, what I find most fascinating about this 'action' is that it 'demonstrates' the discrepancy between the female body as depicted in the painting, The Origin of the World, and the physically present form of Deborah's own body, i.e. genitalia.
Mark Boyle has lived completely without money in England [since 2008], an experience which formed the basis for his first book, The Moneyless Man. He is also the founder of Freeconomy, an alternative economy with local groups across 171 countries.
He holds a degree in Business and for most of his professional career was involved in the management of organic food companies.
From the two shores of the Mediterranean, Zoukak theatre company and cultural association (Beirut) and Center for cultural decontamination CZKD (Belgrade) collaborates by sharing their experiences and knowledge in working within sociopolitical contexts in the field of art and culture.
The frontier between the United States and Mexico is the busiest land border in the world. It is also among one of the world’s most heavily regulated and policed border zones—the arid climate of which is responsible for many migrant deaths each year.
It was 1974 when Beuys arrived in New York City, ready to tackle a whole new challenge and create what was to become one of the most famous works of art of the time. Upon arrival, his assistants wrapped him in a large piece of felt and transported him, by ambulance, to the René Block Gallery in SoHo. There, awaiting the artist, was a live coyote. Beuys spent three consecutive days, eight hours at a time, locked up with the wild animal.
The performance artist James Luna, who died in 2018 at age 68, had a wicked sense of humor, which made his explorations of the way that Indigenous people have long been objectified, especially in museums, painfully piquant.