Whose job is it to create a city? Our intention is to jumpstart a new profession that can re-invent and negotiate the complex mix that encompasses a city. We have defined a radical new occupation to regenerate, pioneer, and sustain the future urban realm. These innovative multi-disciplinarian advocates are called Urbaneers. Their immense task is to manifest and facilitate the next expression of city across the globe.
Shake Girl is a massive collaborative effort between fifteen students and two instructors over the course of one quarter (Winter 2008). These students comprise the first edition of the Stanford Graphic Novel Project -- a group dedicated to acheiving this monumental task on an annual basis.
MIAMI — Officials at the recently inaugurated Pérez Art Museum Miami confirmed on Monday that a valuable vase by the Chinese dissident artist Ai Weiwei had been deliberately destroyed by a visitor in what appeared to be an act of protest.
A group of clergy members wanted to change the conversation when they heard that a Florida police department was using mug shots of young black men as targets for shooting practice.
“#UseMeInstead,” the religious leaders said, tweeting photos of themselves in hopes that their solidarity would cause cops to “think twice” before pulling the trigger.
But the well-intentioned hashtag is provoking mixed responses.
"Artbus is a non-profit organization devoted to the promotion and dissemination of contemporary art. Supported by contributions from individuals, foundations and corporations Artbus facilitates public access to current artistic expressions and fosters creativity and production by living artists.
Pursuing the possibility of emancipatory use of technology, Paglen, together with Jacob Appelbaum, developed Autonomy Cube (2014). Autonomy Cube is a sculpture and internet router designed to be housed in civic spaces. The sculpture is meant to be both “seen” and “used.” Formally it references Hans Haacke's 'Condensation Cube' (1963-65).
When you design an economy to be based on short term profit to the benefit of giant corporations, the results over the long term will be a country so hostile to human life that the unreasonable and unthinkable becomes an every day reality. Wealth inequality, mass poverty, a crumbling welfare state aside, the prison system perfectly illustrated the madness of the American capitalist system.
Faith Ringgold, the 93-year-old doyenne of African American art, a trailblazing master who foreshadowed the recent rise of art activism and Black figuration, is having her first solo museum show in Chicago.
By Will Potter
Multiple states have considered “Ag Gag” bills that criminalize investigators who document animal welfare abuses on factory farms. Iowa and Utah are the latest to approve them. These bills, lobbied for by Big Ag groups, are part of a long line of attempts to blame activists for exposing abuses, rather than hold corporations accountable.
Logic, a rapper known to incorporate meaningful messages with his music, recently released his newest track, “1-800-273-8255.” Covering topics of depression and suicide, the song and its subsequent music video uses the phone number of a national suicide hotline as its title.
A series of performances orchestrated by Lila Roo, to bring awareness to the past, present and future issue of the physical and energetic violence against the First Nation of the native buffalo and peoples of the United Sates of America in the past few hundred years. Lila worked alongside activists, the buffalo and First Nation musicians and spiritual leaders to create multi-sensory blessings for the blood spilt.
Nick Cave is an American fabric sculptor, performance artist, and dancer. He was born on February 4, 1959, in Fulton, Missouri. Currently, Cave lives in Chicago, Illinois, where he works at the School of the Art Institute of Chicago as the director of the graduate fashion program.
The Battle for Healthcare
Agitpop joined Dawn Smith and MoveOn.org in taking on Dawn’s insurer to get the care she needs and reform our broken health care system. They traveled from Atlanta to Philidelphia to share her story and bring the voice of thousands of American’s to Cigna’s doorstep.
A 20ft by 9ft scoreboard that reads "Capitalism Works For Me!" and allows visitors to vote on whether Capitalism works in their lives by pressing a button for True or False.
In the "D", "D" doesn't really stand for "Detroit", but "Demolition." Take a look around and you'll notice a great number of buildings marked on the front with a circled "D" in faint chalk. Off to the side, many of these same buildings will also have a noticeable dot, courtesy of our own native son, Tyree Guyton.
The project provides somatic rituals to solve the problems of creative makers, offering specific somatic instructions for how to deal with breaks in (or lack of) creativity. Rituals available as a live, interactive performance and as limited-edition chapbooks, and broaden an understanding of creative “results,” “ends and means,” and the idea of a muse/magic as relates to creative labour.
The new Oscar-nominated documentary, All the Beauty and the Bloodshed, focuses on world-famous photographer Nan Goldin, her life, her work, and the protests she led at museums that accepted funding from the Sackler family. Their company, Purdue Pharma, manufactured and unscrupulously marketed OxyContin. We'll talk with Goldin and director Laura Poitras.
Grey wolves have had a tumultuous relationship with their human neighbors in the Pacific Northwest for more than a hundred years. From nearly being wiped out from the continent, Canadian grey wolves started being reintroduced to the wilderness in the U.S.'s Northern Rockies as early as 1995. The wolves were (and continue to be) placed in areas dense with wilderness and potential prey.
In Portland, Ore., organizers of the “Reparations Happy Hour” invited black, brown and indigenous people to a bar and handed them $10 bills as they arrived, a small but symbolic gift mostly funded by white people who were asked not to attend.
Nicoll Hernandez-Polanco, a Guatamalen transgender woman, came to the United States in October 2014 after surviving hate based harassment and violence in her home country. When she presented her case to the border patrol she was detained by Immigration and Customs Enforcement officers for past US deportations that occurred when she was an unaccompanied minor.
D.C. Mayor Muriel E. Bowser renamed a street in front of the White House “Black Lives Matter Plaza” and had the slogan painted on the asphalt in massive yellow letters, a pointed salvo in her escalating dispute with President Trump over control of D.C. streets.
With the support of the Amy Rossborough Foundation and several other Yale University affiliated departments, Tamara Leacock, while a senior at Yale University, designed a collection and produced a fashion show that explored through fashion, dance, and carnival an intimate portrait of HIV. The goal of the production was to display HIV in a setting that was intimate, personalized, and displayed with a human face.
For 35 years, the Billboard Liberation Front have been altering public advertisements in San Francisco under the cover of night, strategically changing words or phrases to invert the intended message of corporate sponsors. Considering their guerrilla reclamation of public space an "improvement of outdoor advertising," the BLF regards the advertisers whose billboards they improve as clients, for whom they are performing a vital service.
MFA Fashion Parsons graduate and fashion designer Lucia Cuba, for her senior collection, created a fashion collection inspired by the victims and used to raise awareness of forced sterilization in Peru.