As the New Museum’s 2023–24 Artist-in-Residence, Camilo Godoy will create a performance exploring movement, breathing, and mourning practices. The title of his residency is borrowed from an embroidered work made by the queer Paraguayan artist Feliciano Centurión in 1995, the year before he died of AIDS-related complications.
Charged with participating in demonstrations against the Islamic Republic of Iran, Soudabeh Ardavan was held for eight years (1981-1989) in Iran’s notorious Evin Prison. She found sanity and solace through the forbidden activities of drawing and painting, secretly producing paint from flower petals and tea, using brushes made from toothpicks and human hair.
The “Wearable/Portable Architecture project” discussed the possibilities of having a locale create portable architecture based on the conditions of its environmental, urban and cultural conditions. It is structured to find ways in providing new arguments and sustaining an artistic impetus to our immediate environment.
The Amplification Project: Digital Archive for Forced Migration, Contemporary Art, and Action (https://theamplificationproject.com) is a community-led participatory public digital archive to which any artist and activist can document, preserve and share their work inspired, influenced, or affected by forced migration.
For artist Christine Sun Kim, sound is a "ghost." The multiple-MFA-holding Senior TED Fellow who has had a Whitney Museum residency and exhibited at MoMA, has been profoundly deaf since birth. The sonic hush in which she lives has pushed her towards exploring sound through her work in a varied oeuvre of performance, installation, drawing, and video.
The performance, “Lambrakis LivZ”, concerns the re-enactment of the political speech of Grigoris Lambrakis given in Athens in 1962. Grigoris Lambrakis was a peace-activist, assassinated by a paramilitary plot on June 1963 at Thessaloniki, Greece.
"The mandate for great and difficult achievement is manifest in the message coming from the science of sustainability and climate change. Yet information alone will not take us where we need to go; science needs the arts to compel a response. It is the synergy of these two great human enterprises that creates both intellectual and emotional clarity.
"The Scream: 21st Century Edition" was created by New York-based artist Jim Costanzo in response to the Iraq War. The piece is directly inspired by Edward Munch's painting, "The Scream." Costanzo expresses anger and frustration at the illegal American war and the attack on our civil liberties.
The humorously critical project offered people an opportunity to compare themselves to the supermodel silhouette: face to face in the imaginary impression of a mirror, or at real physical scale.
The idea was born out of a serious concern with the publicized woman's body - our social obsession with thin ideals - that falls nowhere close to average or, for the majority of the population, healthy.
American Painter, Joe Lovett completes painting of historic magnitude, Stretch the Strangle Hold is a painting that captures an emotional response to the lie of war.
Cut and Paint is a website with free access to a wide variety of visual designs that can be printed out, cut, and used as graffiti stencils anywhere. Access to a variety of resolutions of each design is free for all, and there is a standing invitation for artist-activists to contribute their own designs for others to use.
In June of 1987, a small group of strangers gathered in a San Francisco storefront to document the lives they feared history would neglect. Their goal was to create a memorial for those who had died of AIDS, and to thereby help people understand the devastating impact of the disease.
Afrika ARTS Kollective is a group of artists that decided to face Uganda's demographic growth and the garbage problem of the capital, Kamala, with art. 30,000 tons of residues come out of this monthly and the Administration is being working on healthy and good environmental behaviors among citizens.
What is Art for Social Change?
There are many ways of defining art for social change. In each of these cases, art for social change strives toward effective engagement with social issues that integrate and celebrate imaginative thinking, helping people to find new ways to see and be engaged in the world. In the context of the ASC Project, three types of art for social change are considered: