On a sidewalk in the Village in downtown Manhattan, an African-American woman leans on her elbows and knees, wearing only black underpants. Scrawled in black marker all over her body are the words "Ain't I a Woman?"
Across the street, another woman lies face down, sunbathing on a large sheet of tinfoil. The sentence "White Supremacy Is Terrorism" is inked across her white skin, which is turning pink under the hot sun.
There were still bloodstains outside the Midwood Mobil gas station on Friday night; a fresh sign taped to a lamppost read “A Hate Crime Happened Here.” This is the place where, less than a week prior, 28-year-old O’Shae Sibley, a gay Black dancer and choreographer, made a pit stop with friends after a Jersey beach day.
"The Scream: 21st Century Edition" was created by New York-based artist Jim Costanzo in response to the Iraq War. The piece is directly inspired by Edward Munch's painting, "The Scream." Costanzo expresses anger and frustration at the illegal American war and the attack on our civil liberties.
“Semiotics of the Kitchen” is a feminist video art that examines the symbolism of women's confinement within domestic spaces, utilizing the framework of a televised cooking show. In this piece, Rosler assumes the role of an "anti-Julia Child," wielding a series of kitchen utensils in alphabetical order, some archaic and peculiar, assigning them arbitrary names before forcefully miming their use.
World Wrestling Entertainment (WWE) issued a statement on Monday detailing the latest chapter in its public feud with Glenn Beck, claiming that the conservative commentator has ducked the professional wrestling organization.
“Stop hitting me,” “Please help,” and “Abuse is wrong” were just a few phrases painted and scribbled onto T-shirts by victims of sexual and domestic abuse to express how it felt to go through that pain.
The shirts are part of the Clothesline Project and were on display at Lane College on Wednesday.
"Jenna has designed an efficient, sub-irrigated system for growing
energy-packed plants (microgreens) in small, urban spaces. Her aim: to
provide healthy greens to extraordinary people with ordinary incomes.
As an urban agricultural design project, she envisions a way to
grow food in an anthropogenic landscape for all strata of citizens, but
as an art project, she hopes to facilitate conversations about
To protest unethical labor practices in Bangladesh, specifically unsafe working conditions, 99 Pickets, The Illuminator, and Ismail Ferdous took action during New York Fashion Week.
Dawn Jones Redstone’s short film about reproductive justice features women of color leading the resistance.
The year is 2023.
Health care of any kind is highly inaccessible and in some cases outlawed.
Public utilities such as water are privatized and severely restricted.
Streets are filled with protesters clutching signs that say “Water is a human right” and chanting “Whose streets? Our streets.”
The enforcement of city and state law pertaining to graffiti, advertising, and other signage has enormous power to visually shape public space. In New York City, enforcement is heavily skewed to ignore illegal commercial advertising, while simultaneously aggressively targeting graffiti and, in some cases, symbols of dissent.
Filmmaker Michael Moore has called for a nationwide boycott of Walgreens after the pharmacy chain announced it would not sell abortion pills in 20 states.
n February, 20 Republican state attorneys general wrote to Walgreens Corp. threatening legal action if Walgreens provides the abortion pill, mifepristone, to consumers in their pharmacies across the U.S.
In 1991, Gonzalez-Torres lost his partner Ross to AIDS (the artist would face the same fate in 1996). In a tragic and highly personal tribute to Ross, Gonzalez-Torres took a picture of his still-indented empty bed - an image of universal intimacy and loss - and placed it on two dozen commercial billboard spaces throughout New York.
The Guggenheim Museum in New York City temporarily closed off its entrance on Saturday afternoon, November 11, after eight artists and cultural workers took to the institution’s iconic spiral ramp to denounce the Israeli military’s ongoing killing of Palestinian children in Gaza.
"Fallen Fruit invites the public to bring homegrown or street-picked fruit and collaborate with us in making a collective fruit jams. Working without recipes, we ask people to sit with others they do not already know and negotiate what kind of jam to make: if I have lemons and you have figs, we’d make lemon fig jam (with lavender). Each jam is a social experiment.
Over the winter break, I was actually able to see the recently re-decorated Robert E. Lee statue in Richmond, Virginia. After the height of the Black Lives Matter Protests over the past summer, it couldn’t be torn down, but it was fully wrapped with protest art. All phrases and slogans (such as Black Trans Lives Matter, ACAB, Etc.) were in full display over the statue of the infamous Confederate General.
For centuries, (male) artists have perpetuated a relatively consistent image of the female nude: She’s soft, willowy, and docile. Sensual but not sexually aggressive. Flirtatious but not confrontational. She’s not quite a human but, mediated through the lens of a camera and the eyes of a man, an object of desire in the flesh.
The resistance to Trump’s ICE militia is strong and is documented in the online art exhibition, “ABOLISH ICE” https://sites.google.com/view/abolish-ice/home The participating artists-activists are from New York, Connecticut, Pennsylvania, New Jersey and California.
The New York-based artist has created a free-to-download poster in support of the ESEA community. Produced in response to the Covid-related surge in anti-Asian hate crimes, it can be used in a variety of ways to raise awareness and support the cause.
The project consists of a website for data-visualization, data analysis, and storytelling collective formed to document and make visible the dispossession of San Francisco Bay Area residents and to facilitate and organized collective resistance. The project studies the displacement of people and the way in which evictions and gentrification target specific communities in the Bay Area.
Maryland Hall, in partnership with the Banneker Douglass Museum and Maryland Commission on African American History and Culture, invited Maryland-based Black artists, whose work encapsulates activism and social justice and using the creative process to educate their audiences about diversity, equity and inclusion to send proposals to take one of six 5 ft.
If you’ve spent a decent amount of time on Twitter, you’re probably familiar with the concept of K-pop fancams. The short clips of live performances, primarily by South Korean acts, often dominate replies on the app and are hated by many. This week, however, the social phenomenon has taken over in a different way: to fight for the rights of Black Lives Matter protesters seeking justice after the death of George Floyd.