To some, the Clandestine Insurgent Rebel Clown Army (CIRCA) might appear to be but a ragged bunch of activists sporting false noses, a smudge of grease paint, camouflage pants and bad wigs. And those people may be right. But it is also a highly disciplined army of professional clowns, a militia of authentic fools, a battalion of true buffoons.
A 20ft by 9ft scoreboard that reads "Capitalism Works For Me!" and allows visitors to vote on whether Capitalism works in their lives by pressing a button for True or False.
With a grand total of 0 permanent residents and an average winter temperature of --56.2°F, Antarctica is a bit more than your average “no man’s land.” This didn’t deter artist duo Lucy + Jorge Orta, however, who took an expedition to the territory in 2007 on commission from The End of the World Biennale. Nine years later, the duo’s cumulative work created during the program is finally on display in NYC at Jane Lombard Gallery.
"Formerly incarcerated people, activists and family members of people detained on Rikers Island released dozens of white balloons into the air from the base of the Rikers Island Bridge.
The balloons, each one representing someone who had died at Rikers, transversed the heavily guarded bridge that separates the island from mainland Queens, disappearing out of sight.
In this solo work, Gómez-Peña tests brand new material dealing with radical citizenship and what he terms “imaginary activism,” combining live art, literature, theory, and pedagogy in a wonderfully strange mix. Not one solo performance is ever the same.
Six months before Hurricane Maria wreaked havoc in the Caribbean, a group of Puerto Rican artists were invited to participate in a residency program in Miami by local art organizations. The artists were offered abandoned storefronts-turned-studios at a historic downtown mall, where they’d exhibit their work during Miami Art Week in December to engage an art world that often overlooks the island territory.
Utilizing Tumblr, Peyton Fulford crafted Abandoned Love as a participatory art project with other users on Tumblr's social network. Asking her followers "to send phrases from their diary, text messages, and anything else they personally have written in their own words", Fulford noted how an overwhelming majority of the written responses were concerned with the theme of love.
"Over 200 women, many dressed in bridal gowns, joined the Brides March through Manhattan on Tuesday, an annual event aiming to draw public spotlight on the often hidden scourge of domestic violence.
If you scanned the public service announcements in your subway car this morning—and happened to be adequately caffeinated—you might have noticed something slightly off. There's Melissa C., of small-time "See Something, Say Something" fame, with her gold hoops and salmon-pink hoodie. She's smiling next to the familiar MTA logo, but her message isn't just about reporting a suspicious bag on the platform and feeling heroic.
Transfixed by racial, political, and socioeconomic tensions saturating the news, movement artists Jon Boogz and Lil Buck, enveloped by the art of Alexa Meade, switch off the TV and release their emotion into a stirring dance that is both a lament and a spirited call to action.
Artist and activist Favianna Rodriguez recently teamed up with Pharrell Williams' I Am Other YouTube Channel to create a moving new documentary series titled "Migration is Beautiful." Addressing the debate surrounding immigration policy in the United States and the overall perception of immigrants, the three-episode project focuses on the growing influence of artists in the political realm.
A change in the programmed entertainment at last night's Asia-Pacific Economic Cooperation (APEC) gala left a few world leaders slack-jawed, though most seemed not to notice that anything was amiss.
Courage Scores grade California state legislators on their political courage, revealing how well they stand up for their constituents over corporations or interest groups that exploit Californians, particularly the poor, disadvantaged, or communities of color.
Asian Americans standing up for themselves, the Black Lives Matter movement, and their home: New York City
In 2020, as COVID-19 flared through New York City and NYC hospitals saw a spike of nearly 200,000 patients, Asian and Pacific Islanders (APIs) faced an added threat: blame, racism, and xenophobia.
A video campaign titled Sympathy Cards, initially released in 2018, is going viral again.
The chilling video depicts, via hidden cameras, shoppers walking by or browsing the greeting cards section at a shop. Shocked, confused, some visibly upset, shoppers freeze when they notice that, along with the traditional selection of greeting cards, is a section devoted to school shootings.
An intervention created by the April 25 2015 Queer Crisis Collective organized by the Helix Queer Performance Network (HQPN), and part of an ongoing queer resistance project mentored by Avram Finkelstein. Over a period of 2 weekends, 8 artists met at the Hemispheric Institute of Performance & Politics to design a creative intervention during Pride month in NYC.
"The No Papers, No Fear ride for justice.
Riders are undocumented people from all over the country, including students, mothers and fathers, children, people in deportation proceedings, day laborers, and others who continue to face deportation, harassment, and death while simply looking for a better life.
Howardena Pindell presented her solo exhibition, “Rope/Fire/Water”, her first video in 25 years and a project utilized by the artist since the 1970s that The Shed commissioned and displayed in late 2020 and into early 2021. “Rope/Fire/Water” mines the history of violence against African-Americans and features Pindell’s personal anecdotes and anthropological and historical data related to lynchings and racist attacks in the United States.
In Citizen, Claudia Rankine recounts mounting racial aggressions in ongoing encounters in twenty-first-century daily life and in the media. Some of these encounters are slights, seemingly slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV—everywhere, all the time.
See below for a link to the performance of the song at the Academy Awards.
From Salon: How Common and John Legend’s performance of “Glory” fired up Oscar night’s idling empathy machine by Sonia Saraiya
In the early 1980s Keith Haring created hundreds of drawings in the New York subway system. He used chalk to paint on unused advertising space, which was covered with black sheets of paper. Haring was caught and fined numerous times.
Fabled Asp is a multimedia online archive that documents forty years of activist history and creativity. Disabled lesbian activism is a radical assertion of self in the face of societal stigma and marginalization. The project illuminates the myriad ways disabled lesbians have been moving against invisibility through civil rights actions, theater, dance, sports, and visual arts.
A group of protestors and organizers from Sunrise Movement, Earth Guardians, 350 Eugene, Cascadia Wildlands and more staged a bike march culminating with a die-in outside of the Northwest Natural Gas headquarters in Eugene, Oregon.
The protestors lie on the ground outside the NWN building, beneath tombstones donning the dangers of natural gas.