In May 2010, as oil from the Deepwater Horizon disaster continued to spread in the Gulf of Mexico, growing outrage from residents in New Orleans at the response by government agents and corporate executives, opened up new horizons of political possibility.
When Fred Wilson did an installation at the Maryland Historical Society in 1992, he shook up the museum world. Co-sponsored by the historical society and the Contemporary Museum, Mining the Museum did not involve artwork made by the artist; rather, it involved reinstalling items from the historical society's collection in such a way as to make us reconsider them.
Following the controversy around Rick Ross's date rape lyrics in his rap on Rocko’s song U.O.E.N.O, the rapper lost his contract with Reebok and was the target of the media, anti-rape activists Ultraviolet, hip hop activists, and even his fans.
In response to white gentrifiers trying to silence go-go music on the corners of Florida Avenue and 7th Avenue, activists and D.C. residents poured into the streets by blasting go-go music and celebrating its rich history within the city. For those unfamiliar, go-go music is at the heart of D.C. culture and features live bands playing covers of, and sometimes original, music with all different types of drums and other percussion instruments.
A New York blogger impersonating David Koch successfully prank called Wisconsin Gov. Scott Walker. David Koch is one of the two wealthy brothers who were big donors to his political campaign and GOP efforts generally.
Christine Sun Kim's series Degrees of My Deaf Rage is a series of charcoal drawings of charts that depict the artist's varying degrees of what she calls "deaf rage." These frustrations are categorized by situations: deaf rage in the art world. institutional deaf rage, deaf rage concerning interpreters, deaf rage while traveling, deaf rage within educational settings, deaf rage in everyday situations.
A group of young Latinas donned their quince gowns on Oct. 29 and led their families and friends along the streets of San Antonio, urging them to harness their electoral voice and vote in the upcoming midterm elections. The event was part of Ride to the Polls, a national campaign from the nonprofit organization Harness that aims to encourage young BIPOC voter turnout through cultural milestone celebrations.
Vacated reverse engineers Google Street View to highlight the changing landscape of various neighborhoods throughout Manhattan and Brooklyn. The project finds buildings constructed in the past four years using the NYC Department of City Planning's PLUTO dataset, and it leverages Google Street View's cache to visualize absent lots just before new buildings were constructed.
Logic, a rapper known to incorporate meaningful messages with his music, recently released his newest track, “1-800-273-8255.” Covering topics of depression and suicide, the song and its subsequent music video uses the phone number of a national suicide hotline as its title.
The image is stark. And shocking.
A black man, his ankles shackled, his head hanging away from the viewer, stands in relief on a field of white. Chains stretching to the image's borders on the left and right pull his arms taut. Fourteen crimson marks crosshatch his back. Within the dark fabric that frames "86 Lashes to Go," a small rectangle is labeled simply "salt."
Sewing and textiles have always been a part of the artist Aram Han Sifuentes’ life. Her South Korean immigrant parents operated a dry cleaning business, and she mended her own clothing from a young age.
"Since March 2011, the artist Tim Devin has been putting broadsides (small posters) up around the Boston area.
The posters come in different kind of flavors: Street Surveys, Mappy Facts or Poems by Paul Johns.
In this series featured in the 2019 Whitney Biennial, artist Alexandra Bell edited headline pages from the New York Daily News in 1989 concerning the case of the Central Park 5. Through redaction, highlighting, and censoring, Bell shows how the teens accused of this crime were painted as a pack of animals by the media.
"Four theatrical spaces and the full inventory of of 3LD Art & Technology Center were enlisted in the transformation of the space into SupremacyLand, a dystopian theme park where white supremacy and racist carnage was raised and twisted into totally immersive, experiences.
The Wisdom of the Universe was painted in 2014 by Métis artist, author, and activist Christi Belcourt. Based in Northeastern Ontario, Belcourt is best known for her large-scale acrylic paintings — like this one — that use hundreds of thousands of tiny dots to simulate Métis beadwork. At the Art Gallery of Ontario, where The Wisdom of the Universe lives, the painting has become a popular sight.
I am a federal criminal defense attorney and have written a formal legal brief in response to the Obama Administration's White Paper attempting to justify the killing of American citizens without due process. The brief is a new form fusion of law and nihilistic commentary about the American condition. I will be delivering the brief with others to the Department of Justice and posting at the White House on March 15.
In 1984, a group of women in New York gathered outside the Museum of Modern Art as part of a protest. A group show, An International Survey of Recent Painting and Sculpture, was showing 165 artists, 152 male artists exhibited alongside just 13 women.
Outraged, they attended the protest, bringing placards and chanting outside the museum. But a handful of women within the larger crowd learned something.
"I was the mystery of an anatomy, a question asked but not answered," says poet Lee Mokobe, a TED Fellow, in this gripping and poetic exploration of identity and transition. It's a thoughtful reflection on bodies, and the meanings poured into them.
This talk was presented at an official TED conference, and was featured by our editors on the home page.
ZERO1 is thrilled to commission artist Chico MacMurtrie/Amorphic Robot Works(ARW) Border Crosser during the week leading up to SB50. Rising 40 feet from the ground and arching across an imaginary border before forming a bridge and touching down on the “other side,” Border Crosser is the first of a series of large-scale inflatable robotic sculptures that poetically explore the notion of borders by artist Chico MacMurtrie/ARW.
The New York City subway is many things, but clean isn’t necessarily one of them.
It doesn’t exactly smell great, either.
While the MTA hedges on solutions (and continues to debate whether eliminating trash cans from the stations actually solves sanitary issues), the artist and School of Visual Arts student Angela H. Kim is waging a personal guerilla war against the olfactory offensiveness of it all.
"CITIZENFOUR is a real life thriller, unfolding by the minute, giving audiences unprecedented access to filmmaker Laura Poitras and journalist Glenn Greenwald’s encounters with Edward Snowden in Hong Kong, as he hands over classified documents providing evidence of mass indiscriminate and illegal invasions of privacy by the National Security Agency (NSA).
In many of his works, the Belgian-Mexican conceptual and performance provocateur Francis Alÿs questions the relationship between action, effort, and outcome. His works tend to inspire one toward a blurring of lines between the actions done in artistic expression and those in social response, making the viewer question the value and effect of the toil.
From an Art Net News Article: ""The installation is called Ghost Forest, a term used to describe vast acreages of woodland that have died out–often due to rising sea tides, which overwhelm forests near estuaries with saltwater, choking out their ability to get nutrients from the earth. In 2012, Sandy caused seawater levels to surge, leaving swaths of ghost forests in its wake.
After researching several potential sites as far afield as Baltimore, Eisenbach and Ruppert “became attracted to the library because the plaza has never been used,” Eisenbach says, citing the fact that the library’s second-level entrance onto the plaza is locked.