‘Modern Family’ Finale: How Cameron and Mitchell Forever Changed Gay Families on TV
The groundbreaking ABC sitcom came to a conclusion this week, forever leaving its mark on the LGBTQ television landscape.
Jude Dry
Apr 10, 2020 5:00 pm
“What Is Missing?” is a multi-sited memorial created by Maya Lin to raise awareness through science-based artworks about the present sixth mass extinction of species, connect this loss of species to habitat degradation and loss, and emphasize that by protecting and restoring habitat, we can both reduce carbon emissions and protect species.
This is a prime example of the marriage of art and activism. The Silence = Death poster is simple but extremely powerful representation of the obstacles the AIDS movement was facing (suppression of gay people + their problems, lack of awareness surrounding the pandemic).
ScareMail is a web browser extension that makes email “scary” in order to disrupt NSA surveillance. Extending Google’s Gmail, the work adds to every new email’s signature an algorithmically generated narrative containing a collection of probable NSA search terms. This “story” acts as a trap for NSA programs like PRISM and XKeyscore, forcing them to look at nonsense.
"Owning a vehicle, you could drive by and with the pressure of your foot on the accelerator and with your eyes on the road you could pass it quickly … The images of poverty would lift and float and recede quickly like the gray shades of memory so that these images were in the past before you came upon them. It was the physical equivalent of the evening news.” — David Wojnarowicz.
The Surveillance Camera Players (SCP) is a small, informal group of people who are unconditionally opposed to the installation and use of video surveillance cameras in public places.
In many of his works, the Belgian-Mexican conceptual and performance provocateur Francis Alÿs questions the relationship between action, effort, and outcome. His works tend to inspire one toward a blurring of lines between the actions done in artistic expression and those in social response, making the viewer question the value and effect of the toil.
Is there a way to make sex ed, big, scary, nasty, icky, sex ed, fun again? In the Spring Quarter of of 2013, UCLA students in the Sex Squad, a performance troupe dedicated to injecting a dose of humor into high school sex education, set out to answer that question through a series of short videos.
In a visually captivating public art venture, the Audonon Mural Project seeks to raise awareness for species of birds threatened by climate change in a rather unconventional way—street art. A collaboration between the National Audubon Society and Gitler &_____ Gallery, scatterings of stunning avian themed murals are cropping up throughout John James Audubon’s old Manhattan neighbourhood.
The new Oscar-nominated documentary, All the Beauty and the Bloodshed, focuses on world-famous photographer Nan Goldin, her life, her work, and the protests she led at museums that accepted funding from the Sackler family. Their company, Purdue Pharma, manufactured and unscrupulously marketed OxyContin. We'll talk with Goldin and director Laura Poitras.
In state capitals and street protests, women’s rights activists have been wearing red robes and white bonnets based on “The Handmaid's Tale,” the 1985 novel that is now a series on Hulu.
Silent, heads bowed, the activists in crimson robes and white bonnets have been appearing at demonstrations against gender discrimination and the infringement of reproductive and civil rights.
“Discovering Columbus,” by the Japanese artist Tatzu Nishi.
Nishi built a living room around the sculpture in Columbus Circle in New York City. The living room is mounted on scaffolding and turns the sculpture into a domestic center-piece.
The Veterans Memorial in New York City, located at 55 Water Street, closes every day at 10pm. However, veterans often find themselves wanting to come to the memorial at all hours of the day and night. The organization Veterans for Peace organizes a sit-in every year on October 7th to protest their limited access to the memorial. That's not the only aim of the action, though.
The annual Toronto film festival Hot Docs is underway, and one of the featured documentaries tackles the tragic and gruesome story of serial killer Robert Pickton. The notorious murderer was responsible for the deaths of at least 26 women, many of whom were Aboriginals, drug addicts and prostitutes from Vancouver's rough Downtown Eastside.
On November 13, 2012, Joey Skaggs dressed up as Santa Claus and rode a three-wheeler to the United Nations in New York, NY. Skaggs’ bike was equipped with a fake mobile rocket launcher and a sign that read “ Peace on earth, or else!” A group of elves also accompanied Santa to the UN, and they alternated between handing out green toy soldiers to bystanders and singing their altered version of Jingle Bells, as seen below:
Trickery and disguise, usually followed by revealing the truth, are often tactics used by liberal activism, like the Yes Men for example. When used by the right, however, it can have different implications. Pretending to be a CEO or billionaire in order to expose corporate greed and corruption is clearly different then pretending to be a minority. The use of disguise can manipulate and shed light on hierarchies of power.
The Repellent Fence is a social collaborative project among individuals, communities, institutional organizations, publics, and sovereigns that culminate with the establishment of a large-scale temporary monument located near Douglas, Arizona and Agua Prieta, Sonora. This 2 mile long ephemeral land-art installation is comprised of 26 tethered balloons, that are each 10 feet in diameter, and float 100 feet above the desert landscape.
Rooted in decades of grassroots organizing, the cannabis reform activism at the University of Massachusetts Amherst is one of the longest-running student-led efforts for marijuana legalization in the United States. Led by the Cannabis Education Coalition (CEC), founded in 1991, this movement combined cultural celebration with political advocacy, using public festivals like Extravaganja to destigmatize cannabis and promote drug policy education.
Musicals for Change is a project aimed at educating elementary children to be active participants in the world through theater. Written by Diane Beckstead, these musicals promote uplifting messages about the importance of community, the arts, and helping each other, while raising support for worthy causes.
On Wednesday, a group of 15 teenage girls, dressed in brightly colored gowns, stood in front of the Texas State Capitol to participate in one of Latin American culture’s most cherished traditions: the quinceañera.
Police dogs and firehoses is, for most of the world, the image of Birmingham made by Bull Connor and the Birmingham Police Department during the Birmingham Campaign of the African American Civil Rights Movement.
In 2006, art historian Claire Bishop lit a fire under the collective seat of the art world with her Artforum piece “The Social Turn: Collaboration and its Discontents.” It set off — as much as any essay in the hermetic and staid world of contemporary art theory can — an uproar. The article inspired Grant Kester, an art historian also specializing in relational art practices, to respond: