In a conceptually odd but undeniably memorable PSA campaign, the Mexico City Metro has installed a “penis seat” in one of its subway cars, featuring a molded likeness of a man’s torso and penis, to get male riders thinking about the sexual harassment that women endure every day.
The seat is labeled “For men only.”
A year after the revolution, Egypt is still in conflict, still grasping for a catalyst to solidify its society and bring unity and peace to the people. Violence, poverty and unemployement are still rampant, and the voiceless still seek a voice.
As was the case in 2011, Hip Hop has reemerged as a voice for the Egyptian youth for 2012, with new challenges and frustrations countering their struggle for freedom and equality.
Matthew Connors spent much of 2012 in Lower Manhattan making portraits of the protesters in the Occupy Wall Street movement. But a chance encounter during the course of that project made him do a 180-degree turn after meeting some Egyptian activists who had participated in a different uprising: the Jan. 25 revolution that led to the ousting of President Hosni Mubarak. They convinced Mr.
The Partnership for Drug-Free Kids, a national nonprofit dedicated to reducing substance abuse among adolescents, launched a new multimedia campaign for teens that uses emojis to communicate the challenges of negative influences, empowering them to live Above the Influence.
Justin Brice Guariglia’s We Are the Asteroid employs a highway message sign to bring attention to how anthropocentric, or human-centered, attitudes have allowed for unsustainable systems that contribute to climate change. The artist generated the slogan for this work with eco-critic and professor Timothy Morton.
The Enchanted Doll is the famous brand of the Russian jeweler artist and designer Marina Bychkova who makes absolutely incredible porcelain and polyurethane dolls for adults. Marina was born in the city of Novokuznetsk in the USSR and since 1997 she lives in Vancouver, Canada.
By Maha ElNabawi
It was a landmark day when prominent women’s rights activist Doria Shafiq bravely led a march of 1,500 women to storm the gates of Parliament on 19 February 1951. After several hours of unrelenting protest, Shafiq was finally received inside the office, where the council agreed to consider the demands of Egyptian women.
Members of this organization begin the narrative process by examining city neighborhoods and commercial districts for compelling structures that appear to have fallen into disuse —“hidden gems” of the built environment. In varying states of repair, these buildings suggest only stories about the past, not the future.