Although we are in the supposedly modern and advanced year of 2020, there are still at least 500 million women and girls that lack adequate facilities for menstrual hygiene management, according to the World Bank Organization.
In 1984, a group of women in New York gathered outside the Museum of Modern Art as part of a protest. A group show, An International Survey of Recent Painting and Sculpture, was showing 165 artists, 152 male artists exhibited alongside just 13 women.
Outraged, they attended the protest, bringing placards and chanting outside the museum. But a handful of women within the larger crowd learned something.
"Two weekends ago, a loose network of these artists and activists, under the name Subvertisers International, launched their first global effort to reclaim our shared public environment from its monopolization by commercial media. The demand was not for better or more truthful advertising, but to imagine what a city would look like when the stories we told ourselves in public space reflected a democratic voice.
Environmental activist Franny Armstrong's brainwave came as she was walking to a debate with the then Secretary of State for Energy and Climate Change Ed Miliband. She had read a report saying that the developed world must cut its carbon emissions by 10% by the end of 2010 to avoid passing the tipping point. Armstrong, 39, dropped her idea to start a campaign into the debate. 10:10 was born.
Does it vex you, the environmental impact of Olafur Eliasson’s Ice Watch? Do you hear about the transportation of 30 icebergs from the Nuup Kangerlua fjord in Greenland to be displayed in London as a memento mori for our inhabitable environment and judge the project a bit of an own-goal, sustainability-wise? You would not be alone – on personal evidence, this seems a popular response.
Mis(s)placed Women? (2009-2022), is a collaborative art project, consisting of performances, performance series, performance art workshops and delegated performances, including contributions by over 180 individuals from six continents. Many of them are artists, mainly identifying themselves as women from diverse backgrounds. Mis(s)placed Women?
A performance by artist Santiago Sierra, titled THE NAMES OF THOSE KILLED IN THE SYRIAN CONFLICT, BETWEEN 15th OF MARCH 2011 AND 31st OF DECEMBER 2016, took place for a total duration of eight days from May 21 to 29, across four cities on three continents.
The latest in street art activism is confronting sexism in an unconventional, but wonderful, way.
Street artist, Elonë, from Karlsruhe, Germany, is paving her city with messages against sexism, street harassment and sexual abuse — all printed on menstrual pads.
grrrRoar! Ecology is sexier when you focus on women and fanged beasts. Fashions in leopard print help us make that connection globally and online. Polluters at least pause at the reminder that nature isn't dead yet and in fact stirs the same passion as the woman you just met who's saying something about "Fanged Wilds"!
What if we gave our teenagers the opportunity to imagine themselves as the heroes that they have grown up watching, rather than treating their precious minds as nothing more than a way to line the pockets of some CEO?
Love is in the Air is a quintessential Banksy painting. The image of a masked militant poised to hurl a bouquet of flowers has become synonymous with the artist's indelible graphic style. One of Banksy’s most coveted works on canvas, it is an archetypal example of the artist’s use of dark humour, satire, and his perceptive, stimulating commentaries on contemporary political and social events.
When mothers take to the streets — particularly those from privileged groups — governments take note. The “wall of moms” in Portland has taken up the cause against police violence.
Kids Helping Kids is a youth hip-hop program run by two NGOs, Hip Hip Saves Lives and Negusworld. Together, these organizations work with middle school and high school students to make conscious hip hop influenced by activist work happening worldwide.
First: inflatables uplift a grim protest situation into a playful event. There is something magic about what inflatables induce in people. Their enormous size combined with the weightlessness and softness makes them irresistibly attractive and dreamlike. People have a natural tendency to touch the inflatable sculpture and to join the game of throwing inflatables in the air—changing a march into a poetic, joyful and participatory event.
VisionWorkshops is the creative force behind a series of highly effective photography workshops for youth from underserved communities worldwide.
Our mission is to provide innovative, dynamic, educational and life changing experiences for youth, using the tools of photojournalism.
The trailer for The Danish Girl, released Tuesday, introduces the world to Lili Elbe and her wife, Gerda Wegener. Elbe was a transgender woman and one of the first recipients of transition-related surgeries, which she received over a course of two years starting in 1930 in Germany.
The True Cost is a 2015 documentary film directed by Andrew Morgan that focuses on fast fashion. It discusses several aspects of the garment industry from production—mainly exploring the life of low-wage workers in developing countries—to its after-effects such as river and soil pollution, pesticide contamination, disease and death.
As she puts the finishing touches to her habit, Sister Clarita, a Mexican immigrant living in Los Angeles, tells me that there are more than 3,000 LGBT+ nuns around the world. They’re part of the Sisters of Perpetual Indulgence, an international network of activists who identify as secular nuns.
Burners Without Borders (BWB) is a grassroots, volunteer-driven, community leadership organization whose goal is to unlock the creativity of local communities to solve problems that bring about meaningful change. Supporting volunteers from around the world in innovative disaster relief solutions & community resiliency projects, BWB is known for the unbridled creativity they bring to every civic project they do.
My skin is black,” the first woman’s story begins, “my arms are long.” And, to a slow and steady beat, “my hair is woolly, my back is strong.” Singing in a club in Holland, in 1965, Nina Simone introduced a song she had written about what she called “four Negro women” to a young, homogeneously white, and transfixed crowd.
In 2007, Andrew Danziger had an architecture class assignment at the University of Texas at Austin to propose an urban intervention in Austin. The goal was to think about public art in unexpected ways. One classmate dreamed up a blank traffic sign; another suggested putting a bench at a bus stop that lacked one. Danziger hit on the idea of installing swings in surprising places, and then he went beyond the assignment by actually doing it.
El Anatsui, a visionary originally from Ghana, blends discarded materials into breathtaking sculptures that, in themselves, advocate for change and prompt us to reimagine our relationship with the environment.
For one artist, the ugly and the beautiful are equivalent concepts. In 2018, designer and artist Choi Jeong Hwa featured an exhibition titled 'Alchemy' at The Artling where he uses recycled and non-biodegradable materials in his work that he has been collecting for 30 years, such as household trash, glass, and steel. 'Dandelion' is one of his masterpieces installed in the outdoors in Seoul, South Korea.
Fashion designers from L.A. to Milan are picking up their shears in solidarity to do their part to prevent the spread of COVID-19 to at-risk patients and primary care providers.