Projects tagged "United States"

We the People Are Greater Than Fear
Practitioner:
Shepard Fairey
Date:
Jan 1 2017
Colorful portrait of a Muslim woman wearing an American flag colored head scarf. Image on back of a woman with a rose in her hair in black and white with text that states, "We are resilient. We are indivisible. We are greater than fear. We will defend dignity. We will protect each other." -- "The We the People campaign aims to restore hope, imagination, curiosity, and creativity into our country’s dialogue.
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Julius Eastman: Gay Guerilla
Practitioner:
Julius Eastman
Date:
Jun 4 1980
Julius Eastman was a Black and Queer avant garde, minimalist composer and performer from the 1960s-1980s. He used his platform to advocate for the rights and livelihoods of Black and queer people through his unique musical aesthetic and the controversial naming of his pieces, including "Gay Guerrilla," "Evil N-word" and "Crazy N-Word"
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Walk in Their Shoes
Practitioner:
CODEPINK
Date:
Jul 24 2008
"Hundreds of children's shoes create stunning memorial of Iraqi children dead through war.
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Sleep Out
Practitioner:
Covenant House
Date:
Feb 2 2021
Covenant House has started a ‘Sleep Out’ movement that shines light on the youth homelessness crisis and raises funds for young people who seek shelter. "Covenant House empowers young people to overcome homelessness and trafficking by providing them with safe housing, food and clothing, and relentless support. Sleep Out events are held for people who want to join the movement as they give up their bed for one night in NYC.
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Ringgold's art - a visual symphony that harmonizes activism
Practitioner:
Faith Ringgold
Date:
Jan 1 1997
Faith Ringgold is a successful painter, sculptor, mixed-media artist, author, feminist, and political activist. She is particularly known for her narrative quilts, as she explores identity, race, family ties, as well as cultural and political topics through her many different forms of storytelling. “I have always wanted to tell my story or, more to the point, my side of the story” - Faith Ringgold
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THE SLAVE SERIES: QUILTS BY GWENDOLYN A. MAGEE
Practitioner:
GWENDOLYN A. MAGEE
Date:
Apr 24 2014
The image is stark. And shocking. A black man, his ankles shackled, his head hanging away from the viewer, stands in relief on a field of white. Chains stretching to the image's borders on the left and right pull his arms taut. Fourteen crimson marks crosshatch his back. Within the dark fabric that frames "86 Lashes to Go," a small rectangle is labeled simply "salt."
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Patterns as Priorities: Aerial Supermax Prison Photos Echo Shapes of Suburbia
Practitioner:
Christoph Gielen
Date:
Apr 5 2013
by Pete Brook
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The Aphrodite Project
Practitioner:
Norene Leddy
Date:
Jan 1 2000
In the past, prostitution was intrinsically tied to religion ritual and public policy, and it wasn't considered a taboo. Taking up from the idea of ancient sandals worn by prostitutes, the artist has created platform shoes that specifically focused on their protection and safety nowadays, with a GPS tracker that can send emergency signals to 911 or a sex workers' rights group.
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CRIPPING CHOREOGRAPHY
Practitioner:
Yvonne Rainer
Date:
Mar 9 2021
"Rainer’s early choreography celebrated, among other things, ordinary movements: the expressive capacities of kneeling, of shaking your head, of rolling on the floor. And when she went through periods of sickness, those movements became an even more important part of her repertoire. In her 1966 Hand Movie, an 8mm film she shot on her sickbed, we see a dance she choreographed for just her hand, while her body rests.
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Cheering Girls into STEM
Practitioner:
Science Cheerleader
Date:
Jan 30 2015
Despite the pushes to motivate more young girls into STEM (science, technology, engineering, and math) fields, women are still very underrepresented in almost every scientific field. Part of this motivation is because a lot of young girls would rather do something else.
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Brick X Brick
Practitioner:
Public Displays of Affection
Date:
Jan 21 2018
Brick x Brick is a public art performance that builds human “walls” against misogyny. It is organized by the Public Displays of Affection, a collective of artists, designers, educators and organizers that engages in nonviolent direct art action. During the wall performances, participants wear brick-patterned jumpsuits adorned with colorful brick patches bearing statements of misogynistic violence made by US President Donald Trump.
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Run #4AllCauses
Practitioner:
4 All Causes, Gabriela Moreno, and Patricia Brady
Date:
Nov 4 2012
"Lincoln Square — The runners tossed blankets, gloves, jackets and other gear onto the pile, each leaving a piece of where they came from. A French man donated his running shirt and pants, and noted that they were designer wear. Enybe Merritt, 32, contributed a West Virginia University Cycling sweatshirt.
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Camp Mossandsticks
Practitioner:
Camp Mossandsticks, Alex Tsocanos
Date:
Nov 6 2012
Camp Mossandsticks, named after moss and sticks--two of the most rudimentary tools with which one can spark fire--is a site for young women and girls to become resourceful, defiant, and self-sufficient revolutionaries of today. Started on November 6, 2012, the camp hosts workshops to spark the attendees’ inner political flames, challenging them to confront disenfranchisement created by the status quo and to take matters into their own hands.
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“Untitled” (Portrait of Ross in L.A.)
Practitioner:
Felix Gonzalez-Torres
Date:
Jan 24 1991
Felix Gonzalez-Torres produced meaningful and restrained sculptural forms out of common materials. “Untitled” (Portrait of Ross in L.A.) consists of an ideal weight of 175 pounds of shiny, commercially distributed candy. The work’s physical form and scale change with each display, affected by its placement in the gallery as well as audience interactions.
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Music that Propelled the Indigenous Rights Movement
Practitioner:
Buffy Sainte-Marie
Date:
Aug 3 1969
"The Red Power Movement of the 1960s and 70s was a time of profound social change and progress for American Indians in the United States and Canada. In her outspokenness about the injustices facing Indigenous people, Buffy Sainte-Marie also sang for peace, the environment, women and children—believing that art can have impact and make a difference.
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The New York Times Special Edition
Practitioner:
Steve Lambert, The Yes Men, Not an Alternative!, CODEPINK, Packard Jennings, May First/People Link, Improv Everywhere, Joseph DeLappe, L.M. Bogad, FAIR, Stephen Duncombe
Date:
Nov 9 2008
On November twelfth, 2008, over 80,000 copies of a replica of the New York Times were distributed in several cities around the United States. The paper included 14 pages of “best case scenario” news set nine months in the future. See the The New York Times Special Edition website.
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Rituals Adjacent to Capitalism
Practitioner:
Liat Berdugo, Leora Fridman
Date:
Jan 1 2016
The project provides somatic rituals to solve the problems of creative makers, offering specific somatic instructions for how to deal with breaks in (or lack of) creativity. Rituals available as a live, interactive performance and as limited-edition chapbooks, and broaden an understanding of creative “results,” “ends and means,” and the idea of a muse/magic as relates to creative labour.
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MESOAMÉRICA RESISTE
Practitioner:
Beehive Collective
Date:
Jul 16 2019
The Beehive Design Collective is a wildly motivated, all-volunteer, activist arts collective dedicated to “cross-pollinating the grassroots” by creating collaborative, anti-copyright images for use as educational and organizing tools. We work as word-to-image translators of complex global stories, shared with us through conversations with affected communities.
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Amazon May Day Strike
Practitioner:
Amazon Employees
Date:
May 1 2020
Essential workers at major companies like Amazon, Instacart, and Target across the United States on Friday protested for better safety protections, working conditions, and pay during the coronavirus pandemic.
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The AIDS Memorial Quilt— NAMES Project
Practitioner:
Elizabeth Taylor
Date:
Jan 1 1980
The AIDS pandemic began in the early 1980s and brought with it a surge of emotions from the public: they were afraid, angry, fearful and defiant. The arrival of AIDS also brought with it a condemnation of the LGBT community. These emotions, along with the view on the LGBT community, paved the way for a new generation of artists.
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Pink Seesaws Installed at Border Fence
Practitioner:
Virginia San Fratello, Ronald Rael
Date:
Jul 30 2019
Pink seesaws were installed along the United States/Mexico border. The project, created by two professors sought to unite both sides of the fence by creating an activity that required a participant on either side. The seesaws were installed so there is one seat in El Paso, Texas and one in Ciudad Juárez, Mexico with the border fence acting as the fulcrum.
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De-Cruit
Practitioner:
Stephan Wolfert
Date:
Jan 1 2018
The failure of the United States to adequately meet the mental health needs of its military veterans has been identified as a national crisis.
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Art Cannot Provide a Way Out
Practitioner:
Claire Bishop
Date:
Aug 1 2012
In 2006, art historian Claire Bishop lit a fire under the collective seat of the art world with her Artforum piece “The Social Turn: Collaboration and its Discontents.” It set off — as much as any essay in the hermetic and staid world of contemporary art theory can — an uproar. The article inspired Grant Kester, an art historian also specializing in relational art practices, to respond:
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COVID-19 RELIEF FUND TO GIVE $10 MILLION TO ARTISTS
Practitioner:
Artist Relief fund
Date:
Apr 8 2020
A coalition of more than twenty national arts funders has launched an emergency relief fund that will provide millions of dollars to artists struggling financially in the wake of the COVID-19 outbreak in the United States, which has more than 400,000 confirmed cases of the virus. The Andrew W.
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