In Cut Piece—one of Yoko Ono’s early performance works—the artist sat alone on a stage, dressed in her best suit, with a pair of scissors in front of her. The audience had been instructed that they could take turns approaching her and use the scissors to cut off a small piece of her clothing, which was theirs to keep. Some people approached hesitantly, cutting a small square of fabric from her sleeve or the hem of her skirt.
Through the use of mythical and archetypal iconography, Bourgeois translated her encounters into a very individualized symbolic imagery, employing things such as swirls, arachnids, cages, surgical equipment, and sewed appendages to represent the feminine mind, beauty, and mental agony.