On a freezing Friday in January, Khmer-American artist Kat Eng sits in front of retail giant H&M’s Time Square store working on a manual sewing machine. For eight hours, Eng stitches together U.S. dollar bills while wearing a surgical mask and bloodstained shirt. Her performance “</3 Less Than Three” protests the way fast fashion and consumer culture creates oppressive conditions for Khmer workers.
“Discovering Columbus,” by the Japanese artist Tatzu Nishi.
Nishi built a living room around the sculpture in Columbus Circle in New York City. The living room is mounted on scaffolding and turns the sculpture into a domestic center-piece.
Two members of the Yes Lab brought a dozen thrift-store suits to Zuccotti Park and asked for volunteers. Then, within earshot of the police, the group made a human microphone announcement about a "highly risky, very arrestable" action. Then, together with a brand-new police escort, the group headed towards the Wall Street Bull chanting "Castrate the bull!" and other angry slogans. More police joined.
The Pilobolus Dance company, famous for their beautiful aesthetics of shadow play formed out of the dancer's bodies, started the #PilobolusVOTEproject, encouraging people to form the words VOTE with whatever material they had around them, take a picture of it and to upload it on instagram with the hashtag #PilobolusVOTEproject.
We all learn art in school. Every kid loves to draw at some point. People get fascinated with the details of their new camera, or spend free time writing poems. But eventually, there’s a not a teacher telling you how great your are, or the camera gets put away, or you just plain get busy and stop. Years could go by before you start again, if you ever do at all.
On Monday, a grassroots, anti–corporate tax-dodging coalition called Flip the Debt crashed a "Fix the Debt" party at St. Anselm's College in New Hampshire hosted by Honeywell CEO David Cote to tell the gathered deficit hawk disciples that paying their "damn taxes" would be a better solution than crippling the nation with fiscal austerity measures.
Tina Piña, better known as Mother Pigeon (@motherpigeonbrooklyn), is an artist and self-described “high priestess of the pigeon religion,” whose passion for New York City’s often-overlooked bird has helped her carve out a unique creative niche centered around pigeons—as well as a lifestyle geared towards helping New Yorkers appreciate the misunderstood creatures.
After the inauguration of Donald Trump in 2017, misogynistic sentiments were amplified due to Trump's policy positions and rhetoric. One position Trump made clear was against Planned Parenthood, which largely threatened women's reproductive rights and access to healthcare.
The ad agency Badger & Winters in collaboration with immigrant rights nonprofit organization Refugee and Immigrant Center for Education and Legal Services (RAICES) installed 20 cages with mannequins representing immigrant children inside across New York City. Each cage had a sign that said #NoKidsInCages and played audio of a child crying.
On the eve of International Women’s Day and the one-year anniversary of its SPDR®SSGA Gender Diversity Index ETF (ticker: SHE), State Street Global Advisors (SSGA), the asset management business of State Street Corporation (NYSE: STT) is calling on the more than 3,500 companies that SSGA invests on behalf of clients, representing more than $30 trillion in market capitalization1 to take intentional steps to increase the number of women on their corporate
Three months ago, when New York government officials ordered nonessential businesses closed to slow the spread of coronavirus, high-end retailers sheathed their stores in plywood barriers, as though readying for civil unrest.
This has been a racially-charged year. How one challenges the status quo is an individual choice and many opt for artistic expression. Artistic expression can personified most visually on the body and while black pride tees are big, nail art is just as big and just as communicative.
"Our Bookshelf is a social network where people can share their
ebooks as easily as they can share print books. At the moment, most
copyrighted ebooks don't allow you to share them. This is because when
you buy an ebook you don't own the book the way you own a print book.
You own a license to read it on certain devices and most of these
licenses prohibit sharing. We plan to create a new license that does
I love New York. When I was younger, the city was my playground. You could find me on any given weekend catching brunch with a friend at a café, going to an East Village restaurant for dinner, and then hopping the subway, headed to a nightclub in Chelsea. But at age 25, nine years ago, I was told I had multiple sclerosis, and I saw my freedoms slowly vanish.
"Project Black Mask HK (PBMHK) was founded by a (then) 18-year-old, Joyce Ho, who is an American-born Hong Konger. On May 28, 2020, during a peak of the Coronavirus Pandemic, many people expressed frustration with their inability to protest on the streets (of the United States) in support of the freedom and democracy for Hong Kong. PBMHK became a space where people could do exactly that.
"The Uni Project aims to do one thing and do it well: temporarily
transform almost any available urban space into a public reading room
and venue for learning. We start with the conviction that books and
learning should be prominent, accessible, and part of what we expect at
street-level in our cities." (From site.)
Note before the post: This article is great in highlighting a specific case of creative activism in the streets of New York City, but also gives some contextual background to how this project manifested.
On a sidewalk in the Village in downtown Manhattan, an African-American woman leans on her elbows and knees, wearing only black underpants. Scrawled in black marker all over her body are the words "Ain't I a Woman?"
Starting in 2019 out of the East Harlem neighborhood in New York, Watermelon has served as recurring series of cookout-themed events that are 100% vegan, while also centering BIPOC businesses. People from all over the city come to the reoccurring events to enjoy different vegan recipes and learn about different aspects of the vegan lifestyle and activism. Brands and organizations are welcome to participate upon coordination with the organizers.
Howardena Pindell presented her solo exhibition, “Rope/Fire/Water”, her first video in 25 years and a project utilized by the artist since the 1970s that The Shed commissioned and displayed in late 2020 and into early 2021. “Rope/Fire/Water” mines the history of violence against African-Americans and features Pindell’s personal anecdotes and anthropological and historical data related to lynchings and racist attacks in the United States.
If the way to one’s heart really is through the stomach, Rirkrit Tiravanija must have more than his share of admirers. Now at GAVIN BROWN, the Buenos Aires-born artist with a history of dishing out tasty edibles in his exhibitions invites viewers to enjoy a bowl of soup in his interactive show, Fear Eats the Soul.
No matter how nuanced current superhero comics may be, to the general public they are still fairly simple. Superheroes are the good guys, supervillians are the bad guys, and it’s easy to see who is who. That’s why kids like to dress up as superheroes on Halloween — and why should they have all the fun?
The play celebrates the life and legacy of the Mexican-American labor activist César Chávez. His early life as well as his partnership with Dolores Huerta, activism with the National Farm Workers Association, the 1968 grape boycott, and his ongoing commitment to nonviolent civil rights work.
Doris Salcedo talked extensively with victims of the violence in Colombia. For the project titled Unland she spoke specifically with children who had witnessed the murder of their parents. This piece was a poetic response and representation of their testimony. Salcedo combined halves of tables together to make a whole. In the seam where the tables joined Salcedo meticulously sewed the tables together using white silk thread, dark hair and bone.
Now that the dust has settled from the Met Gala, with all the excitement over Kylie Jenner’s bathroom selfie and Rihanna’s body-swallowing Comme des Garçons florals, it is worth pausing to consider a red carpet moment most people missed: the entrance of Joe Gebbia, co-founder and chief product officer of Airbnb, with Yeonmi Park, a North Korean refugee and international refugee activist.