For one day, a group of artists known as the INDECLINE Artist Collective turned a hotel room in New York City's Trump International Hotel into a single jail cell for Donald Trump without the hotel's knowledge. The inside the jail cell was a Donald Trump impersonator in a suit and a "Make America Great Again" hat and at his feet were McDonald's food wrappers and live rats.
With delicate composition, striking details and strong emotion, five editorial posters drawn by Wuheqilin have attracted some half million followers to his account on Sina Weibo, China's Twitter-like social media platform. His political views expressed in his art have led to some netizens dubbing him the "Wolf Worrier artist."
Mural artists add color and flavor on 800 South in the Granary District of downtown Salt Lake City. There’s an old-fashioned bar on the side of a locally-owned brewery, and a Southern Utah landscape on another building. Down the street, on the south corner of 800 South and 300 West, there’s a new mural that’s far more potent.
The group known as Kalpulli Yaocenoxtli, which practices Mexican Nahua dance, song and drumming, is a frequent presence at Black Lives Matter protests in Minneapolis and St. Paul. Its dancers first took to the streets in solidarity with the movement after the death of Jamar Clark, who was shot and killed by Minneapolis police in 2015.
TYRE NICHOLS WAS a photographer with an eye for the natural world. He was especially drawn to landscape portraiture, its calm and innocence. It is said that Nichols liked to crane his lens skyward, capturing what sunlight he could before it dissolved into the horizon. As he drove home after taking photos on January 7, he was pulled over by the Memphis police and what happened next was as tragic as it is terribly commonplace. Tyre Nichols is dead at 29.
CultureStrike in partnership with Mariposas Sin Fronteras , End Family Detention and 15 artists from across the country, brings you Visions From The Inside, a visual art project inspired by letters penned by detained migrants.
"WILD: Act I" is a film demonstrating the power of creativity in constraint. Using moving choreography performed by Elijah Lancaster and vivid imagery displayed on three walls in a mock cell, Jeremy McQueen gives voice to young Black and Brown men caught in the criminal 'justice' system.
In 2016, The New York Times enlisted Jay-Z to voice a video about the War on Drugs. Aside from his recognizable cadence, Jay-Z has his own history with drugs; the now music mogul is open about his past of selling crack while growing up in Brooklyn, New York. The video asks, “Why are white men poised to get rich doing the same thing African-Americans have been going to prison for?”.
In September 1971, after years of mistreatment and months of simmering tensions, more than 1,200 of the 2,200 inmates at the Attica Correctional Facility in upstate New York took control of the prison in protest of its substandard conditions and openly racist corrections officers.
The average crow takes less than two hours to travel from Sing Sing maximum-security prison to the Whitney Museum of American Art, institutions separated by just 32 miles of land along New York’s Hudson river. Yet few humans journey between them – museums and prison are at opposite ends of our society’s self-imaginings, and their populations tend not to intersect.
Samaria Rice, left, and Terrence Spivey welcome the crowd at the Tamir Rice Sweet 16 event to raise funds for a new youth oriented cultural center Thursday, June 14th, 2018, at the Cleveland Museum of Art in Cleveland, Ohio. Photo by Tim Harrison/Special to The Plain Dealer
Inspired to carry on Tamir's legacy
The project consists of a double-sided, hand-drawn 8.5" x 11" quarter-fold sheet available to print and distribute freely.
It features such topics as basic information on police tactics (kettling, LRADS, tear gas or pepper spray), ways cops might try to get you to talk to them, and your rights as a student.
"This Ain't a Eulogy" is both a staged performance and a durational, outdoor, public performance that reclaims and takes public space. The artist statement is as follows: