Cosmic Generator presents a network of characters working in nonsensical, and at times absurd, economies. Artist Mika Rottenberg uses footage from actual discount dollar stores in Calexico, CA; Mexicali, Mexico; and Yiwu, China to recreate the imaginary “life” of a product, from its production in the factory to the moment it is sold.
"Energy costs surged with the Feb. 2022 launch by Russia of full-scale war in Ukraine and hit hard for farmers reliant on tractors, harvesters and other fuel-guzzling equipment. Prices also soared for other inputs that underpin intensive farming, notably fertilizers. French farmers were already struggling to compete in the increasingly globalized economy.
Khalil Bandib is a Berkeley-based, award-winning editorial cartoonist with a unique perspective. He critiques a myriad of topics, from racism and homophobia to foreign policy and the Patriot Act. Bandib was born in North Africa under a French colonist regime; he brings a non-Eurocentric perspective not typically visible in large corporate media.
In state capitals and street protests, women’s rights activists have been wearing red robes and white bonnets based on “The Handmaid's Tale,” the 1985 novel that is now a series on Hulu.
Silent, heads bowed, the activists in crimson robes and white bonnets have been appearing at demonstrations against gender discrimination and the infringement of reproductive and civil rights.
Cheril Linett is a female artist from Chile, with a background in performance art and stage performance, who primarily focuses her artwork on feminist issues in Chile, especially ones involving violence, murder, hate crime and different kinds of oppression and assault, but also creates artwork reflecting issues in other parts of Latin America.
On a recent eight-hour shift at a McDonald’s in Hong Kong, Luke Ching, 52, wiped tables, cleared trays of half-eaten fries, emptied cups of soda and milk tea and lugged bulging trash bags to the dumpster.
For him, the main goal of the part-time work was not making ends meet. It was research for his main pursuit: using art to advocate for better treatment of people in menial jobs in a city with one of the widest income gaps in the world.
In 2016, the Guggenheim Museum commissioned its very first robotic artwork called Can’t Help Myself (Wannmann, 2016). The artwork is created by two of China’s most controversial artists Sun Yuan and Peng Yu and can be described as a robotic arm that has one specific, life-long duty: to prevent the deep-red, bloodlike liquid, which constantly oozes outwards, from straying too far (Weng, n.d.).
In an endeavor to raise awareness at the local and international level, Razia organized the Mifohaza Masoala (Wake Up Masoala) music and environmental festival, which took place at the edge of the Masoala Rainforest in October 2011. The concert featured some of Madagascar’s most thrilling performers, and the festival was a tremendous success, with over 10,000 people in attendance.
Cheril Linett is a female artist from Chile, with a background in performance art and stage performance, who primarily focuses her artwork on feminist issues in Chile, especially ones involving violence, murder, hate crime and different kinds of oppression and assault, but also creates artwork reflecting issues in other parts of Latin America.
Graffiti art is particularly viewed as a powerful form of social protest, and the (illegal) act of defacing can be as important as the message itself. Artist Void One has been arrested on numerous occasions for his politically-charged interventions.
“I didn’t set out to make political art but art is a platform where I can vent my frustrations” – Void One.
Almost all of Rivera's art told a story, many of which depicted Mexican society, the Mexican Revolution, or reflected his own personal social and political beliefs, and In the Arsenal is no different. The woman on the right side of this painting in Tina Modotti, an Italian photographer and revolutionary political activist, who is holding ammunition for Julio Antonio Mella, a founder of the internationalized Cuban communist party.
UNLESS by Stephanie Cardon is a vibrant floor-to-ceiling installation that fills the main entryway of Boston’s landmark Prudential Center. Commissioned by Boston Properties and curated and produced by Now + There, UNLESS explores sustainability, climate justice, and how taking action together can create positive change.
LEGOVC is a fictional, made up, 100% fake, plastic, 'pantomime villain' Vice Chancellor of a fake British University struggling as his utter managerial brilliance crumbles in the face of sustained strike action by his staff after their pension scheme is slashed.
Zhuang Huan invited more than 40 men - laborers, fishermen, construction workers––who had recently migrated to Beijing from other areas of China to participate. Zhang Huan said, “In order to find these workers, I visited many of the shacks where they live.”