These two works on canvas were made with my own blood, using the severed distal phalanx of my index finger as the painting instrument. They are connected to my solo anti-war action in Copenhagen in September 2026.
Their central messages are “No to War!” and “Peace & Love!” The index finger—the finger used to pull a trigger—became the central symbol of my refusal to participate in aggression and the killing of other people.
This afternoon, in the Sackler Wing of the Metropolitan Museum of Art in New York, a mother and daughter threw coins into its reflecting pool while a couple posed for engagement photos in front of the Temple of Dendur, the man in red pants and a gray blazer, the woman in a black jumpsuit. A long line snaked out of the temple. It was tranquil, most people speaking in a whisper. That grand space has such an effect on people.
In March 2016, Chinese feminist activists had planned to launch a crowdfunding campaign against sexual harassment advertisements, and they worked hard to raise 40,000 yuan in a month and a half. However, after perfunctory, evasive, and rejection by the relevant departments, anti-sexual harassment advertisements finally failed to go online.
At a gallery within a shopping complex in the South Korean capital, a couple saw paint cans and brushes at their reach and use next to what was actually a finished portrait worth hundreds of thousands of dollars. Thinking the available paint and brushes was a signal to be a part of the art, they ended up technically vandalizing the artists' work.
The large crowds and brightly coloured placards of the school climate strikes became some of the defining images of 2019.
“There would be lots of chanting and the energy was always amazing,” says Dominique Palmer, a 20-year-old climate activist from London who has been involved with the strikes for more than a year. “Being there with everyone in that moment is truly an electrifying feeling. It’s very different now.”
On June 26, contemporary artist Cai Guo-Qiang released the daytime firework display ‘When the Sky Blooms with Sakura’ at Yotsukura Beach in Iwaki City, as commissioned by Saint Laurent’s creative director Anthony Vaccarello.
February 24, 2023 will mark one year since the Russian invasion and occupation of Ukraine began. Russia is attempting to take over Ukrainian territory and destroy its rich, vibrant culture. Ukrainians are fighting for their country and right to exist as free, independent people. For months, Ukrainians have endured relentless bombardment, destruction, and hardship.
HEFEI, China (AP) — Hundreds, possibly thousands, of people gathered Thursday near a state funeral home in Beijing as China’s former second-ranking leader, Li Keqiang, was put to rest, while a steady stream of mourners showed their respects at the ex-premier’s childhood home in central China.
Li, who was China’s top economic official for a decade, died last Friday of a heart attack at age 68.
National Public Radio (NPR):
There's no historical marker outside Jacob Lawrence's childhood home in New York City's Harlem neighborhood.
But Khalil Gibran Muhammad, director of the Schomburg Center for Research in Black Culture, has an idea of what it might say: "Here lived one of the 20th century's most influential visual artists, a man named Jacob Lawrence, who was a child of southern migrants."
On Friday, 30-year-old activist Allie Young will lead a group of trail riders through Navajo Nation to help voters cast their ballots in the 2020 election on the last day of early voting in Arizona.
Young, a citizen of the Diné, or Navajo Nation, has been leading voter registration and other voting and census efforts throughout Indian Country through her organization Protect the Sacred.
The group Art Not Oil did a campaign to raise awareness about the oil industry, and their funding of Art. "Art Not Oil has campaigned against Big Oil cultural sponsorship since 2004.
Marina Abramović is the synonym for performance art. Throughout their career, she has constantly pushed her way through endurance art and further pushed the boundaries of the artist's role in the audience. One of the most compelling and exciting works is "The Artist Is Present," which she presented at the Museum of Modern Art in New York.
Wheelbarrows full of washable paint were poured along the Kensington road to mark a year since Russia launched its invasion. Four people have been arrested for the protest.
Users on the social media app TikTok are claiming some credit for the disappointing turnout at the president's rally in Tulsa, Oklahoma, over the weekend, after a weeks-long campaign to artificially inflate the number of people registered to attend. The prank may have helped lead the Trump campaign to boast about more than a million people seeking tickets for the rally — while only about 6,200 ended up filling seats.
Early Sunday morning, the Dallas Police Department's Twitter account tweeted for followers to download its iWatch Dallas app and share videos "of illegal activity from the protests." The police are looking to arrest lawbreakers at weekend demonstrations decrying police violence against black people. The benefit of the app, according to the tweet, was the ability for informants to stay anonymous.
Fang Si-Qi’s First Love Paradise, a 2017 novel by Taiwanese writer Lin Yi-han, has become one of the most haunting and politically charged literary works in the Chinese-speaking world. Although presented as fiction, the novel closely mirrors Lin’s own lived experience of being groomed and sexually abused by a private tutor during her adolescence.
“It might not seem that an act of public laundry could unsettle a president with a well-deserved reputation for inflexibility, corruption, and brutality. But mass washing ceremonies were a key element in getting rid of Peru’s unpopular president, Alberto Fujimori, after more than a decade in power.
Peter Marks Review from the Washington Post:
“As Far as My Fingertips Take Me,” a performance piece about the ordeal of seeking refuge by Tania El Khoury that’s being presented for the next 2½ weeks in the lobby of Woolly Mammoth Theatre. For this hypnotic, one-audience-member-at-a-time experience, you pass through the door of a white-walled booth and slip into a white lab coat before putting on a pair of headphones.
The pink "pussy hats" in The Women's March were created by a group of activists and knitters, including Krista Suh and Jayna Zweiman. The hats were designed as a form of protest and a symbol of resistance to the new administration and its policies.
On his way to work on a construction site, Khaleel Seivwright surveyed the growing number of tents lining an intercity highway and in parks with increasing discomfort. How would these people survive Toronto’s damp, frigid winters, let alone the coronavirus, which had pushed so many out of overcrowded shelters?
He remembered the little shanty he had once built out of scrap wood while living on a commune in British Columbia.
There were still bloodstains outside the Midwood Mobil gas station on Friday night; a fresh sign taped to a lamppost read “A Hate Crime Happened Here.” This is the place where, less than a week prior, 28-year-old O’Shae Sibley, a gay Black dancer and choreographer, made a pit stop with friends after a Jersey beach day.
In 1972, something unheard of happened on national television. An Asian American singer-songwriter duo was invited to perform on the widely-watched The Mike Douglas Show by guest hosts John Lennon and Yoko Ono. “They’re beautiful singers,” Lennon said in his introduction. “And they have a story to tell.”