These thirteen life-like sculptures resemble familiar politicians, admirals, generals, bishops, and dictators. Portrayed as frail seniors, they sit dozing off and drooling in electric wheelchairs. They roll on a slow collision course, crashing into each other like bumper cars.
A performance art piece by a student who sat in a cage to protest a draconian lockdown of the Beijing Film Academy (BFA) recently went viral, and was censored just as quickly. Like many other Chinese citizens, university students have been living under strict lockdowns, and are beginning to chafe at the restrictions—and at administrators’ lack of responsiveness to students’ concerns.
A social experiment testing the public’s reaction to gay people in China has gone viral.
The blindfolded activists stood in public wearing T-shirts that said “I’m gay would you hug me?” and video of the protest then spread rapidly on Weibo, a hugely popular social media platform in China.
The social experiment follows a recent announcement by Weibo to ban gay content on its platform of 400 million active users.
Inspired by the Laughing Farmers of Karnataka, protesters in New York make Carlos Slim's visit to New York uncomfortable while he appears on a "Live From NYPL" program. This excellent video summarizes the action.
The Guerilla Girls are a group of feminist activist artists, who use facts, humor, and outrageous visuals to expose gender and ethnic bias and corruption in politics, art, film, and pop culture in their artworks. In 1989, they designed this billboard for the Public Art Fund (PAF) in New York, aimed to criticize the museum institutions for under-representing female artists and objectifying women.
Comic artist Huda Fahmy has been breaking down walls with her hilarious comic "Yes, I'm Hot in This."
In her own words, "What started as my therapeutic way of dealing with the Islamophobia and prejudice I encounter on the daily has now turned into this amazing opportunity to tell the story of the American hijabi."
In 1984, a group of women in New York gathered outside the Museum of Modern Art as part of a protest. A group show, An International Survey of Recent Painting and Sculpture, was showing 165 artists, 152 male artists exhibited alongside just 13 women.
Outraged, they attended the protest, bringing placards and chanting outside the museum. But a handful of women within the larger crowd learned something.
The signature angst of our time was profoundly expressed in the poems submitted for WOMAWORDS Literary Press June 2020 edition, Imaging Life After COVID-19, offering women poets an opportunity to write about their experience of the pandemic and their vision of or for the future. The universal trauma wrought by this virus, invisible and silent and pouncing with madness and mendacity, brings us to a place we’d like to forget but never will.
“I really wanted to highlight the strength of the human condition. When we work together we’re stronger,” Meredith Stern says of her exhibition “Cooperation Cats: 10 years, 20 prints” at AS220’s Project Space, 93 Mathewson St., Providence, from Feb. 1 to 29.
In March 2016, Chinese feminist activists had planned to launch a crowdfunding campaign against sexual harassment advertisements, and they worked hard to raise 40,000 yuan in a month and a half. However, after perfunctory, evasive, and rejection by the relevant departments, anti-sexual harassment advertisements finally failed to go online.
Several nights of Halloween celebration in Shanghai provided a vivid, if indirect, commentary this week on the malaise gripping the world’s second-largest economy.
Over the winter break, I was actually able to see the recently re-decorated Robert E. Lee statue in Richmond, Virginia. After the height of the Black Lives Matter Protests over the past summer, it couldn’t be torn down, but it was fully wrapped with protest art. All phrases and slogans (such as Black Trans Lives Matter, ACAB, Etc.) were in full display over the statue of the infamous Confederate General.
Users on the social media app TikTok are claiming some credit for the disappointing turnout at the president's rally in Tulsa, Oklahoma, over the weekend, after a weeks-long campaign to artificially inflate the number of people registered to attend. The prank may have helped lead the Trump campaign to boast about more than a million people seeking tickets for the rally — while only about 6,200 ended up filling seats.
Samaria Rice, left, and Terrence Spivey welcome the crowd at the Tamir Rice Sweet 16 event to raise funds for a new youth oriented cultural center Thursday, June 14th, 2018, at the Cleveland Museum of Art in Cleveland, Ohio. Photo by Tim Harrison/Special to The Plain Dealer
Inspired to carry on Tamir's legacy
Carlos Hernández Chávez is a Mexican-American muralist who brings the spirit of 20th-century Mexican muralism into modern New England. Chávez’s murals address key social justice themes, including immigration, workers’ rights, and cultural identity, challenging viewers to acknowledge and reflect on pressing societal issues.
The Kurdish journalist and artist Zehra Doğan was freed yesterday after nearly three years in prison, Hyperallergic reports. Doğan first caught the attention of the Turkish authorities back in 2017 with a watercolor that depicted a Kurdish district after Turkish security forces set it on fire and largely destroyed it.
The Black, Dallas-based artist Jammie Holmes put George Floyd’s final words in a place where everyone could see them: the sky. Five days after Floyd was killed by a police officer in Minneapolis on Saturday, May 30th, Holmes’s piece took flight across Detroit, Miami, Dallas, Los Angeles, and New York. Airplanes carrying banners flew between the hours of 11:30 a.m. and 9 p.m. EDT.
Pneumoconiosis has become the most serious occupational disease in China, and the vast majority of sufferers, nearly 6 million, are migrant workers. Because of the long-term inhalation of dust caused by pulmonary fibrosis, they usually breathing if not oxygen machine help, easy to suffocate.
Zero Abuse Project is a 501(c)(3) organization committed to transforming institutions in order to effectively prevent, recognize, and respond to child sexual abuse.
Fang Si-Qi’s First Love Paradise, a 2017 novel by Taiwanese writer Lin Yi-han, has become one of the most haunting and politically charged literary works in the Chinese-speaking world. Although presented as fiction, the novel closely mirrors Lin’s own lived experience of being groomed and sexually abused by a private tutor during her adolescence.
Does it vex you, the environmental impact of Olafur Eliasson’s Ice Watch? Do you hear about the transportation of 30 icebergs from the Nuup Kangerlua fjord in Greenland to be displayed in London as a memento mori for our inhabitable environment and judge the project a bit of an own-goal, sustainability-wise? You would not be alone – on personal evidence, this seems a popular response.
Melissa is a down-to-earth, friendly woman in her 50s, and it seems that she has always met life with a certain amount of courage. She grew up on another continent, and after early motherhood, then divorce and a first career in business, she moved to the UK with her second husband. She then built another career working with survivors of domestic violence, before setting up a climate emergency centre in Abingdon, Oxfordshire.
Marisela Escobedo was 52 when she was shot dead on a sidewalk outside of the Government Palace of Chihuahua City, northern Mexico. She had set up camp in one of Mexico’s most dangerous cities – a place where people won’t leave their homes at night to protest day and night against corruption and impunity in her daughter’s murder case.